Velázquez and his Times

Velázquez and his Times

Author: Carl Justi

Publisher: Parkstone International

Published: 2016-10-24

Total Pages: 256

ISBN-13: 1780429819

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Diego Rodríguez de Silva y Velázquez (June 1599 – August 6 1660), known as Diego Vélasquez, was a painter of the Spanish Golden Age who had considerable influence at the court of King Philip IV. Along with Francisco Goya and Le Greco, he is generally considered to be one of the greatest artists in Spanish history. His style, whilst remaining very personal, belongs firmly in the Baroque movement. Velázquez’s two visits to Italy, evidenced by documents from that time, had a strong effect on the manner in which his work evolved. Besides numerous paintings with historical and cultural value, Diego Vélasquez painted numerous portraits of the Spanish Royal Family, other major European figures, and even of commoners. His artistic talent, according to general opinion, reached its peak in 1656 with the completion of Las Meninas, his great masterpiece. In the first quarter of the 19th century, Velázquez's style was taken as a model by Realist and Impressionist painters, in particular by Édouard Manet. Since then, further contemporary artists such as Pablo Picasso and Salvador Dalí have paid homage to their famous compatriot by recreating several of his most famous works.


Velázquez. the Complete Works

Velázquez. the Complete Works

Author: José López-Rey

Publisher: Taschen

Published: 2020-06-19

Total Pages: 416

ISBN-13: 9783836581790

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For so many champions of art history, the ultimate sounding board was--and remains--Diego Rodríguez de Silva y Velázquez. First available as an XXL volume, this accessible edition presents his complete works in beautiful reproductions, including enlarged details and photography of recently restored paintings.


The Vanishing Man

The Vanishing Man

Author: Laura Cumming

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9780701188443

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In 1845, a Reading bookseller named John Snare came across the dirt-blackened portrait of a prince at a country house auction. Suspecting that it might be a long-lost Velazquez, he bought the picture and set out to discover its strange history. When Laura Cumming stumbled on a startling trial involving John Snare, it sent her on a search of her own. At first she was pursuing the picture, and the life and work of the elusive painter, but then she found herself following the bookseller's fortunes too - from London to Edinburgh to nineteenth-century New York, from fame to ruin and exile. An innovative fusion of detection and biography, this book shows how and why great works of art can affect us, even to the point of mania. And on the trail of John Snare, Cumming makes a surprising discovery of her own. But most movingly, The Vanishing Man is an eloquent and passionate homage to the Spanish master Velazquez, bringing us closer to the creation and appreciation of his works than ever before


Velázquez Rediscovered

Velázquez Rediscovered

Author: Diego Velázquez

Publisher: Metropolitan Museum of Art

Published: 2009

Total Pages: 26

ISBN-13: 1588393518

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The interest generated by the conservation and rehanging of a Velazquez picture "Portrait of a Man", led the Metropolitan Museum to consider how it might hold an exhibition of Velaquez's oeuvre, to show how his work led to this particular picture being painted, and how it informed his future work.


The Late Paintings of Vel?uez

The Late Paintings of Vel?uez

Author: Giles Knox

Publisher: Routledge

Published: 2017-07-05

Total Pages: 208

ISBN-13: 1351543105

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The startling conclusion of The Late Paintings of Vel?uez is that Diego Vel?uez painted two of his most famous works, The Spinners and Las Meninas, as theoretically informed manifestos of painterly brushwork. As a pair, Giles Knox argues, the two paintings form a learned retort to the prevailing critical disdain for the painterly. Knox presents a Vel?uez who was much more aware of the art theory of his era than previously acknowledged, leading him to reinterpret Las Meninas and The Spinners as representing together a polemically charged celebration of the "handedness" of painting. Knox removes Vel?uez from his Iberian isolation and seeks to recover his highly self-conscious attempt to carve out a place for himself within the history of European painting as a whole. The Late Paintings of Vel?uez presents an artist who, like Annibale Carracci, Poussin, Rembrandt, and Vermeer was not only aware of contemporary theoretical writings on art, but also able to translate that knowledge and understanding into a distinctive and personal theory of painting. In Las Meninas and The Spinners, Vel?uez propounded this theory with paint, not words. Knox's rethinking of the dynamic relationship between text and image presents a case, not of writing influencing painting, or vice versa, but of the two realms being inextricably bound together. Painterly brushwork presented a challenge to writers on art not just because it was connected too intimately with the base actions of the hand; it was also devilishly hard to describe. By reading Vel?uez's painterly performance as text, Knox deciphers how Vel?uez was able to craft theoretical arguments more compelling and more vivid than any written counterparts.


Painter to the King

Painter to the King

Author: Amy Sackville

Publisher:

Published: 2019-04

Total Pages: 319

ISBN-13: 9781783783922

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This is a portrait of Diego Velázquez, from his arrival at the court of King Philip IV of Spain in May 1622, to his death 38 years and several hundred paintings later. It is a portrait of a relationship that is not quite a friendship, between a king and his subject and between an artist and his subject. It is a portrait of a ruler, always on duty, and increasingly burdened by a life of public expectation and repeated private grief. And it is a portrait of a court collapsing under the weight of its own excess.


Everything is Happening

Everything is Happening

Author: Michael Jacobs

Publisher: Granta Publications

Published: 2015-08-06

Total Pages: 125

ISBN-13: 1847088090

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A fascinating journey through a single painting’s history, meanings and associations by “one of the great non-fiction writers of this and the last century” (Simon Schama, Financial Times). Acclaimed travel author and art historian Michael Jacobs was haunted by Velázquez’s enigmatic masterpiece Las Meninas from first encountering it in the Prado as a teenager. In Everything is Happening Jacobs searches for the ultimate significance of the painting by following the many associations suggested by each of its characters, as well as his own relationship to the work. From Jacobs’ first trip to Spain to the politics of Golden Age Madrid, to his meeting with the man who saved Las Meninas during the Spanish Civil war, to his experiences in the sunless world of the art history academy, Jacobs delivers a brilliantly discursive meditation on art and life that dissolves the barriers between the past and the present, the real and the illusory. Cut short by Jacobs’ death in 2014, and completed with an introduction and coda by his friend and fellow art lover, the journalist Ed Vulliamy, this visionary and often very funny book is a passionate, personal manifesto for the liberation of how we look at painting.


Manet/Velázquez

Manet/Velázquez

Author: Gary Tinterow

Publisher: Metropolitan Museum of Art

Published: 2003

Total Pages: 610

ISBN-13: 1588390403

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Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art."--BOOK JACKET.


Collected Writings on Velazquez

Collected Writings on Velazquez

Author: Jonathan Brown

Publisher: LearnVerbs.com

Published: 2008

Total Pages: 452

ISBN-13:

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This book is a collection of 32 articles about Velázquez which appeared in scholarly journals, exhibition catalogues and newspapers and magazines between 1964 and 2006. Several are published in English for the first time. The text is the record of a lifelong engagement with the life and works of this enigmatic artist and evaluates many of the numerous attempts to solve the mysteries presented by the Spaniard’s paintings. These questions are considered in the final essay, Velázquez, today and tomorrow’, which is published here for the first time.Two themes unite the essays. Velázquez was the court painter to Philip IV, and the changing relationship between painter and patron provides the framework for interpreting the artist’s career. The centerpiece of this relationship is Velázquez’s Las Meninas, which is the subject of two long articles, the now-classic On the Meaning of Las Meninas’ (1978) and Las Meninas as a masterpiece’ (1999). The second theme is the problem of attributions and the related question of Velázquez’s innovative technique. Velázquez was not a prolific painter. As the supply of securely-attributed works is now mostly in museums, and as the price of great pictures continues to reach new heights, questions of authenticity become increasingly contentious. In this book, Brown considers the problem in its widest dimensions and participates in the debate about individual attributions.Jonathan Brown is regarded as a leading specialist on Spanish painting of the Golden Age and on the Spanish master Diego Velázquez. Among his many books are Velázquez, Painter and Courtier (1986) and Velázquez. The Technique of Genius (1998), with Carmen Garrido. His studies of art at the European courts include A Palace for a King. The Buen Retiro and the Court of Philip IV, with John H. Elliott (rev. ed. 2003). Brown is Carroll and Milton Petrie Professor of Fine Arts, Institute of Fine Arts, New York University.