Varney the Vampire Or the Feast of Blood is a horror story by Thomas Peckett Prest. Structured in different episodes, these are classic tales of blood sucking horrors at midnights, for fans of the genre.
Varney the Vampire (Vol.1-3) stands as a monumental anthology within the gothic literature panorama, bridging the realms of supernatural folklore and the burgeoning Victorian anxieties surrounding modernity and morality. This collection, encompassing an array of narratives from the macabre to the romantic, showcases the diversity of literary styles and the depth of thematic exploration characteristic of the period. The works within these volumes are pivotal in tracing the evolution of the vampire myth in Western literature, offering readers a comprehensive view of the social and cultural undercurrents that shaped such tales. The anthology draws from the prolific outputs of Thomas Peckett Prest and James Malcolm Rymer, whose collaborative efforts are often overshadowed by their contemporary, Bram Stoker, yet remain crucial in the groundwork of vampiric literature. Their backgrounds as writers for penny dreadfuls allowed them to capture the zeitgeist of Victorian society, blending sensationalism with acute observations of human nature and societal change. This collection, therefore, encompasses not only stories of the supernatural but also serves as a commentary on the fears and fascinations of the era it was born in. Varney the Vampire (Vol.1-3) is an indispensable resource for those interested in the origins and evolution of vampire mythology and its intersection with cultural, social, and historical discourses of the 19th century. Readers are invited to delve into this collection not only for its entertainment value but also for its ability to illuminate the complexities of human nature, morality, and the supernatural. Through its diverse range of narrative voices and styles, this anthology offers a unique opportunity to engage with the foundational texts that continue to influence gothic literature and horror genres today.
Emily Dinwiddle recruits the help of Count Revay-Czobar--a beautiful creature she suspect to be a vampire--to help solve her father's murder. His knowledge of London's underworld will help Emily navigate the city--and his seductive aura is something Emily doesn't mind, either. Original.
The stunning conclusion to the “masterful” Ruby Throne trilogy from the national bestselling author of Reign of Shadows and Shadow War (Extrapolation). After nine centuries—and ten lifetimes—the Emperor Kostimon is dead, and darkness sweeps the land. The emperor’s young widow, Elandra, has fled the shadows of war with her champion, the warrior Caelan—the man she has grown to love. But is the emperor truly dead? Or can the power of the shadow god bring him back? Elandra must make a fateful decision—to fulfill her destiny on the throne, or to follow her heart. And the warrior Caelan must stand and fight—for his life, for his love, and for the entire kingdom. “Chester is a world class fantasist.” —The Best Reviews
Vampires are the hottest topic in popular culture today. From the now classic novels of Anne Rice, to the mega-selling series by Stephanie Meyer to the hit HBO series True Blood based on the bestselling novels of Charlaine Harris, the undead are certainly not dead in terms of books sales. Now, those curious about the history and lore of these creatures can get up to speed in the refreshed edition of The Complete Idiot's Guide® to Vampires. It provides a detailed explanation of the origins of vampires and insight into the fascination they hold in literature and belief. • Complete history and origins of this mythic creature • An explanation of the various rules that vampires exist by • A lively and exhaustive literary discussion of vampires and their importance in fiction
The Vampyre is a work of prose fiction written in 1819 by John William Polidori taken from the story Lord Byron told as part of a contest among Polidori, Mary Shelley, Lord Byron, and Percy Shelley. The same contest produced the novel Frankenstein; or, The Modern Prometheus. The Vampyre is often viewed as the progenitor of the romantic vampire genre of fantasy fiction. The work is described by Christopher Frayling as "the first story successfully to fuse the disparate elements of vampirism into a coherent literary genre."
Suicide and the Gothic is the first study of the representation of suicide in Gothic texts from the eighteenth century to the present. Poems, short stories, novels, films and video games are covered from European, American and Asian contexts.
The figure of the vampire has been around for centuries, and has lost none of its fascination. Although, the portrayal of the vampire in literature today has not much in common with its historical origins, the vampire belief is based on true events. Bram Stoker's novel ‘Dracula’ laid the foundation for the success story of the vampire. He created something sinister, a monster in the shape of a gentleman. The evil of the Victorian society was personified in the form of the revenant. Boundaries between good and evil, human and non-human, death and life are blurred and unrecognizable in his book. In contrast, Anne Rice creates a world where humans and vampires live next to each other. Her vampires resemble human beings not only in terms of their bodies, but also in terms of their minds. There is no horror detectable, but amazement and identification with the revenants by the reader. In this context, the differentiation of the constructed images of the vampires in the two novels, ‘Dracula’ by Bram Stoker and ‘Interview with the Vampire’ by Anne Rice, is analyzed. Thereby, the study investigates those elements that have been adopted, those ones that have developed over the time, and the consequences that go along with the manner of construction.