Varieties of Magic Realism

Varieties of Magic Realism

Author: Clark M. Zlotchew

Publisher: Academic Press Ene

Published: 2007

Total Pages: 192

ISBN-13:

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A Collection of Essays for college courses such as: Magical Realism in Latin America. Spanish-American Fiction: XXth Century; Special Topics: Jorge Luis Borges and Sex and Magic in Latin American Literature. The term "magic realism" or "magical realism" has been bruited about with great frequency in the last half of the twentieth century, especially in reference to contemporary Latin American literature, yet it is not always clear exactly what is meant by this designation. In his introduction to this outstanding collection of essays, Dr. Clark Zlotchew attempts to elucidate the meaning and scope of the term by providing a historical overview of it, defining the literary modes often confused with it and offering some current opinions on what a definition of "magic realism" should or might be. The ten essays that follow present an analysis of works by writers such as Jorge Luis Borges, Carlos Fuentes, Julio Ricci, Antonio Brailovsky and Enrique Jaramillo Levi, in an attempt to illustrate the manner in which some Latin American authors create their own brand of "magic realism".


The Magical Elements

The Magical Elements

Author: Anesha Penigar

Publisher: AuthorHouse

Published: 2020-12-08

Total Pages: 21

ISBN-13: 1665510331

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In the beginning of time there were three elements that made up our beautiful world, the moon, the stars, and the sun. These three magical rays of light were governed by three goddesses: Moonlight, Starbright, and Sunbeam. They kept all three elements moving in time and space so that there would be life on earth. Moonlight balanced the moon on her feet while keeping it aligned with the sun, Sunbeam held the sun over her head while absorbing its hot temperatures, and Starbright tasseled each star to its perfect position to guide those lost. These three goddesses kept everything aligned and balanced within our universe.


Magical Realism

Magical Realism

Author: Lois Parkinson Zamora

Publisher: Duke University Press

Published: 1995

Total Pages: 598

ISBN-13: 9780822316404

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On magical realism in literature


Magical Realism and Literature

Magical Realism and Literature

Author: Christopher Warnes

Publisher: Cambridge University Press

Published: 2020-11-12

Total Pages: 730

ISBN-13: 1108621759

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Magical realism can lay claim to being one of most recognizable genres of prose writing. It mingles the probable and improbable, the real and the fantastic, and it provided the late-twentieth century novel with an infusion of creative energy in Latin America, Africa, Asia, and beyond. Writers such as Alejo Carpentier, Gabriel García Márquez, Isabel Allende, Salman Rushdie, Ben Okri, and many others harnessed the resources of narrative realism to the representation of folklore, belief, and fantasy. This book sheds new light on magical realism, exploring in detail its global origins and development. It offers new perspectives of the history of the ideas behind this literary tradition, including magic, realism, otherness, primitivism, ethnography, indigeneity, and space and time.


Magic Realism, World Cinema, and the Avant-Garde

Magic Realism, World Cinema, and the Avant-Garde

Author: Felicity Gee

Publisher: Routledge

Published: 2021-04-19

Total Pages: 248

ISBN-13: 1315312794

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This book follows the hybrid and contradictory history of magic realism through the writings of three key figures – art historian Franz Roh, novelist Alejo Carpentier, and cultural critic Fredric Jameson – drawing links between their political, aesthetic, and philosophical ideas on art’s relationship to reality. Magic realism is vast in scope, spanning almost a century, and is often confused with neighbouring styles of literature or art, most notably surrealism. The fascinating conditions of modernist Europe are complex and contradictory, a spirit that magic realism has taken on as it travels far and wide. The filmmakers and writers in this book acknowledge the importance of feeling, atmosphere, and mood to subtly provoke and resist global capitalism. Theirs is the history of magic-realist cinema. The book explores this history through the modernist avant-garde in search of a new theory of cinematic magic realism. It uncovers a resistant, geopolitical form of world cinema – moving from Europe, through Latin America and the former Soviet Union, to Thailand – that emerges from these ideas. This book is invaluable to any reader interested in world modernism(s) in relation to contemporary cinema and geopolitics. Its sustained analysis of film as a sensory, intermedial medium is of interest to scholars working across the visual arts, literature, critical theory, and film-philosophy.


Mr. Magic Realism

Mr. Magic Realism

Author: Bruce Taylor

Publisher:

Published: 2010-10

Total Pages: 0

ISBN-13: 9781936383290

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Welcome to the wonderful world of Mr. Magic Realism. AMAZING FEATS! A man hangs from the rafters of his house by only his thumbs for over a decade. BEWILDERING MYSTERIES! A mall that might be the afterlife is stormed by giant insects. COMICAL FANTASIES! Aliens on the run hide out in American breakfast foods. DAZZLING NIGHTMARES! Spiders put a man on trial for crimes he has not committed. Like Golden Age science fiction comics written by Freud, Mr. Magic Realism is a strange, insightful adventure that spans the furthest reaches of the galaxy, exploring the hidden caverns in the hearts and minds of men, women, aliens, and biomechanical cats.


Exploring Magic Realism in Salman Rushdie's Fiction

Exploring Magic Realism in Salman Rushdie's Fiction

Author: Ursula Kluwick

Publisher: Routledge

Published: 2013-02-28

Total Pages: 266

ISBN-13: 1136480951

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Kluwick breaks new ground in this book, moving away from Rushdie studies that focus on his status as postcolonial or postmodern, and instead considering the significance of magic realism in his fiction. Rushdie’s magic realism, in fact, lies at the heart of his engagement with the post/colonial. In a departure from conventional descriptions of magic realism—based primarily on the Latin-American tradition—Kluwick here proposes an alternative definition, allowing for a more accurate description of the form. She argues that it is disharmony, rather than harmony, that is decisive: that the incompatibility of the realist and the supernatural needs to be recognized as a driving force in Rushdie’s fiction. In its rigorous analysis of this Rushdian magic realism, this book considers the entire corpus—Midnight’s Children, Shame, The Satanic Verses, The Moor’s Last Sigh, The Ground Beneath Her Feet, Shalimar the Clown, and The Enchantress of Florence. This study is the first of its kind to do so.


The Fragrance of Guava

The Fragrance of Guava

Author: Plinio Apuleyo Mendoza

Publisher:

Published: 1983

Total Pages: 126

ISBN-13: 9780571193264

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In these conversations with a friend and contemporary the Nobel prize-winning Colombian novelist speaks movingly, revealingly and unaffectedly about his family background, his early travels and struggles as a writer, his literary antecedents and his personal artistic concerns. Guided by Mendoza, Maacute;rquez reveals - as transfigured in his work by the power of language - the heat and colour of the Spanish Caribbean, the mythological world of its inhabitants, the exotic mentality of its leaders.


Ordinary Enchantments

Ordinary Enchantments

Author: Wendy B. Faris

Publisher: Vanderbilt University Press

Published: 2004

Total Pages: 340

ISBN-13: 9780826514424

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Ordinary Enchantments investigates magical realism as the most important trend in contemporary international fiction, defines its characteristics and narrative techniques, and proposes a new theory to explain its significance. In the most comprehensive critical treatment of this literary mode to date, Wendy B. Faris discusses a rich array of examples from magical realist novels around the world, including the work not only of Latin American writers like Gabriel Garcia Marquez, but also of authors like Salman Rushdie, Gunter Grass, Toni Morrison, and Ben Okri. Faris argues that by combining realistic representation with fantastic elements so that the marvelous seems to grow organically out of the ordinary, magical realism destabilizes the dominant form of realism based on empirical definitions of reality, gives it visionary power, and thus constitutes what might be called a "remystification" of narrative in the West. Noting the radical narrative heterogeneity of magical realism, the author compares its cultural role to that of traditional shamanic performance, which joins the worlds of daily life and that of the spirits. Because of that capacity to bridge different worlds, magical realism has served as an effective decolonizing agent, providing the ground for marginal voices, submerged traditions, and emergent literatures to develop and create masterpieces. At the same time, this process is not limited to postcolonial situations but constitutes a global trend that replenishes realism from within. In addition to describing what many consider to be the progressive cultural work of magical realism, Faris also confronts the recent accusation that magical realism and its study as a global phenomenon can be seen as a form of commodification and an imposition of cultural homogeneity. And finally, drawing on the narrative innovations and cultural scenarios that magical realism enacts, she extends those principles toward issues of gender and the possibility of a female element within magical realism.


Magic Realism

Magic Realism

Author: Maria-Elena Angulo

Publisher: Routledge

Published: 2018-10-24

Total Pages: 166

ISBN-13: 1317954238

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Since the 1930s, Latin American writers have used magic realism to transcend the limits of the fantastic and illuminate social problems within the culture. The author considers five modern Latin American novels. Starting with two canonical texts of magic realism, Alejo Carpentier's El reino de este mundo (1949) and Garcia Marquez's Cien a-os de soledad (1967), the author argues that Los Sangurimas (1934), by the Ecuadorian Jos de la Cuadra, is a seminal work due to de la Cuadra's new approach to reality and his use of marvelous and hyperbolic elements. The author shows the continuation of this example in Ecuador in Demetrio Aguilera-Malta's Siete lunas y siete serpientes (1970) and Alicia Y nez Coss'o's Bruna, soroche y los tios (1972), which elucidate social problems of race, class, and gender through use of magic realism. In selecting for her study well-known writers such as Carpentier, Garcia Marquez, and others, less well-known such as de la Cuadra, Aguilera-Malta and Y nez Coss'o, the author demonstrates that both canonical and noncanonical writers for many years have been working on this new way of writing to interpret in fiction the highly complex Latin American reality.