Van Morrison is an enigma. The legendary rock star who wrote and recorded such influential albums as Astral Weeks and Moondance and has mesmerised millions live is also a reclusive and troubled man who'll do anything to avoid publicity. Through interviews with friends, through the music itself and through painstaking research, Clinton Heylin reveals for the first time the tensions in Morrison s life. From a Belfast childhood and marriage break up to the recording of classic songs and albums, this is Van Morrison laid bare.
Readhowyouwant 16 point large print. Van Morrison, says Greil Marcus, remains a singer who can be compared to no other in the history of modern popular music. When Astral Weeks was released in 1968, it was largely ignored. When it was re-released as a live album in 2009 it reached the top of the Billboard charts, a first for any Van Morrison recording. The wild swings in the music, mirroring the swings in Morrison's success and in people's appreciation (or lack of it) of his music, make Van Morrison one of the most perplexing and mysterious figures in popular modern music, and a perfect subject for the wise and insightful scrutiny of Greil Marcus, one of America's most dedicated cultural critics. This book is Marcus's quest to understand Van Morrison's particular genius through the extraordinary and unclassifiable moments in his long career, beginning in 1965 and continuing in full force to this day. In these dislocations Marcus finds the singer on his own artistic quest precisely to reach some extreme musical threshold, the moments that are not enclosed by the will or the intention of the performer but which somehow emerge at the limits of the musician and his song.
Johnny Rogan presents a comprehensive portrait of an endlessly complicated man, his music, and the place he comes from. Over the last five decades, Van Morrison's music has embraced rock, folk, blues, country and jazz, and he remains a hugely influential artist as well as a conundrum of a man.
A mind-expanding dive into a lost chapter of 1968, featuring the famous and forgotten: Van Morrison, folkie-turned-cult-leader Mel Lyman, Timothy Leary, James Brown, and many more Van Morrison's Astral Weeks is an iconic rock album shrouded in legend, a masterpiece that has touched generations of listeners and influenced everyone from Bruce Springsteen to Martin Scorsese. In his first book, acclaimed musician and journalist Ryan H. Walsh unearths the album's fascinating backstory--along with the untold secrets of the time and place that birthed it: Boston 1968. On the 50th anniversary of that tumultuous year, Walsh's book follows a criss-crossing cast of musicians and visionaries, artists and hippie entrepreneurs, from a young Tufts English professor who walks into a job as a host for TV's wildest show (one episode required two sets, each tuned to a different channel) to the mystically inclined owner of radio station WBCN, who believed he was the reincarnation of a scientist from Atlantis. Most penetratingly powerful of all is Mel Lyman, the folk-music star who decided he was God, then controlled the lives of his many followers via acid, astrology, and an underground newspaper called Avatar. A mesmerizing group of boldface names pops to life in Astral Weeks: James Brown quells tensions the night after Martin Luther King, Jr. is assassinated; the real-life crimes of the Boston Strangler come to the movie screen via Tony Curtis; Howard Zinn testifies for Avatar in the courtroom. From life-changing concerts and chilling crimes, to acid experiments and film shoots, Astral Weeks is the secret, wild history of a unique time and place. One of LitHub's 15 Books You Should Read This March
Van Morrison is primal but sophisticated; he's accessible but inscrutable; he's a complex songwriter and a raw blues shouter; he's a steady influence on the musical scene but wildly unpredictable as well, and it's these complex and often conflicting qualities that make him such a compelling subject for the Singer-Songwriter series. Journalist Erik Hage here eschews a cold, empirical study of structures and influence, and seeks instead more natural and intuitive means of appreciating all that is unique, eclectic, and surprising about Van Morrison's impressive output. In addition to covering almost all of Van Morrison's musical work and offering new readings of many iconic songs, Hage also provides a biographical introduction and a complete discography that can help listeners find new perspective on Morrison's body of work. Even in his darkest and most naked moments-in Astral Weeks for instance-Van Morrison's songs can still suggest something uplifting. Sometimes these two poles are present simultaneously, and at other times they each find distinct expression in a different musical moment. Even on his first solo album, Blowin' Your Mind (which contained the iconic Brown-Eyed Girl) Van Morrison was wrestling with something thornier and deeper, as evidenced by the wrenching T.B. Sheets - a nine-minute opus about the discomfort of visiting a lover in a small room as she lies in bed, wracked with Tuberculosis. Those two songs, at artistic odds with each other and on the same album, are representative of the oppositional forces that fuel much of his work. Hage here provides a guide through all the layers of emotional meaning and musical resonance present in Morrison's work.
Long before there was a peace process in Ireland, Van Morrison unwittingly did his bit to unite a nation divided. Born in the heart of East Belfast in the North, he is revered as a Celtic soul hero in the South. His music, while rooted in jazz and blues and soul, has an Irish accent--a distinctly Protestant Irish accent. Morrison's songs form a map of this small island--a map of places, people, and cultures, too. They evoke a long-ago Belfast at a time before it became violently divided by sectarian conflict during the Troubles. They laud literary giants James Joyce, W.B. Yeats, and Oscar Wilde. They tell of the immigrant experience, the going away from the land that has long been Ireland's heartache. And they form a map of Morrison himself, revealing more than this notoriously difficult character ever would in interviews or conversations. A Sense Of Wonder is not a biography of Van Morrison. Rather, it is a journey through the Ireland depicted in his songs--a journey that begins in Hyndford Street, where we encounter the likes of John McCormack and The McPeake Family, and culminates in a unique picture of an idyllic, almost mythical Ireland where spirituality trumps organized religion, and art yields a stronger legacy than politics. Drawing on original research and interviews with a wide range of characters--from collaborators and associates of Morrison to Northern Ireland First Minister Peter Robinson and actor Liam Neeson.
“All I have to say about these songs is that I love them, and want to sing along to them, and force other people to listen to them, and get cross when these other people don’t like them as much as I do.” —Nick Hornby, from Songbook A wise and hilarious collection from the bestselling author of Just Like You, Funny Girl, About a Boy, and High Fidelity. Songs, songwriters, and why and how they get under our skin… Songbook is Nick Hornby’s labor of love. A shrewd, funny, and completely unique collection of musings on pop music, why it’s good, what makes us listen and love it, and the ways in which it attaches itself to our lives—all with the beat of a perfectly mastered mix tape.
What can we learn about Van Morrison’s life and work as a songwriter through his songs? This book looks closely at the lyrics and music from a selection of his songs. Some are very well-known - ‘Brown Eyed Girl’, ‘Cleaning Windows’ and ‘The Healing Game’. Others are less familiar. Through these songs the book offers insights into some of the most important ideas that the songwriter has explored across his five-decade plus career, starting from the Them period and extending through his solo albums. These readings show how thinking about Morrison’s use of place provides a specific lens that contributes to a greater understanding of his art. The songs are organized into chapters that reflect many of the important places in Morrison’s work as he ventured professionally and imaginatively away from the places of his upbringing towards a wider musical world. These places are in city streetscapes and country landscapes – in home places of streets and ditches, in the enclosed spaces of rooms, in the expansive reaches of the natural world, in indeterminate and specific foreign lands. A picture emerges of the journey that Van Morrison details through his songs, one that sees him first wandering as a boy through his East Belfast haunts, and then venturing out to a wider world away from this local place.
"Van Morrison," says Greil Marcus, "remains a singer who can be compared to no other in the history of modern popular music." When Astral Weeks was released in 1968, it was largely ignored. When it was rereleased as a live album in 2009 it reached the top of the Billboard charts, a first for any Van Morrison recording. The wild swings in the music, mirroring the swings in Morrison's success and in people's appreciation (or lack of it) of his music, make Van Morrison one of the most perplexing and mysterious figures in popular modern music, and a perfect subject for the wise and insightful scrutiny of Greil Marcus, one of America's most dedicated cultural critics. This book is Marcus's quest to understand Van Morrison's particular genius through the extraordinary and unclassifiable moments in his long career, beginning in 1965 and continuing in full force to this day. In these dislocations Marcus finds the singer on his own artistic quest precisely to reach some extreme musical threshold, the moments that are not enclosed by the will or the intention of the performer but which somehow emerge at the limits of the musician and his song.
In an age when image and self-promotion increasingly dominate the rock industry, Van Morrison remains a proud, belligerent outsider. An intensely private man and a revelatory performer, he has communicated more deeply within the limits of rock songwriting—and has been less responsive to the obsessional inquiries of the media—than almost any other artist. Ever since connecting with classic American jazz, blues, and gospel music during his Belfast youth, Van Morrison has stayed one step ahead of fellow musicians, fans, and critics. From the explosive teenage days with Them, through the creation of 1968s seminal Astral Weeks, to the vocal and spiritual experimentation of Veedon Fleece and Into the Music, Morrison has never stopped developing complex lyrical and instrumental visions that defy easy classification. Enjoying commercial success, the recognition of a younger generation, and collaborations ranging from John Lee Hooker to Tom Jones, he continues to dazzle and beguile his audience.In this definitive survey of Van Morrison's life and music, John Collis charts the scale of his achievement and the sources of his creativity, and provides stimulating assessments of his music. Drawing on interviews with those closest to Morrison at every stage of his career, with a full discography and many rare photographs, Van Morrison: Inarticulate Speech of the Heart offers unique insight into one of rock's greatest singer-songwriters and most instantly recognizable voices.
