Van Dyck

Van Dyck

Author: Stijn Alsteens

Publisher: Yale University Press

Published: 2016-01-01

Total Pages: 321

ISBN-13: 0300212054

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The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inventiveness, and influential approach to portraiture. Works include preparatory drawings and oil sketches that shed light on Van Dyck's working process, prints that allowed his work to reach a wider audience, and grand painted portraits. Some of the masterpieces are drawn from the exceptional holdings of The Frick Collection, while other works are presented here for the first time. Also included are drawings by some of Van Dyck's contemporaries--including his teacher Peter Paul Rubens--that illuminate the lineage of his working method. With insightful contributions by a team of international scholars, this unparalleled study of Van Dyck offers a compelling case for the distinctiveness and importance of the artist's work.


Van Dyck & Britain

Van Dyck & Britain

Author: Karen Hearn

Publisher: Tate Publishing & Enterprises

Published: 2009

Total Pages: 258

ISBN-13:

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Published to accompany the exhibition held at Tate Britain, London, 18 Feb.-17 May 2009.


Van Dyck

Van Dyck

Author: Natalʹi︠a︡ Ivanovna Grit︠s︡aĭ

Publisher: Parkstone Press

Published: 1996

Total Pages: 184

ISBN-13:

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The Mirror and the Palette

The Mirror and the Palette

Author: Jennifer Higgie

Publisher: Simon and Schuster

Published: 2021-10-05

Total Pages: 336

ISBN-13: 1643138049

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A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.


A History of British Art

A History of British Art

Author: Andrew Graham-Dixon

Publisher: Univ of California Press

Published: 1999

Total Pages: 260

ISBN-13: 9780520223769

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Andrew Graham-Dixon unveils the long-kept secret of Britain's rich and vital visual culture.


Painters' Paintings

Painters' Paintings

Author: Anne Robbins

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9781857096118

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Subject: In this intriguing book, Anne Robbins explores the little-known history of artists collecting paintings. Focusing on the collections of Lucian Freud, Henri Matisse, Edgar Degas, Frederic, Lord Leighton, George Frederic Watts, Sir Thomas Lawrence, Sir Joshua Reynolds, and Sir Anthony Van Dyck, she assesses the ways painters benefitted from owning someone else's work, their motivations for collecting, and how the history of a painting's ownership influences our own view of both the artist and the work. Robbins investigates paintings as the sources of creative inspiration, and even their use in teaching theories of art. She also examines how painters acquired the paintings they desired, whether through auction, dealerships, gift or exchange, and how they cared for the works: storing them, displaying them, and, in some cases, flaunting them for self-promotion. Robbins ultimately argues that the acts of acquiring art and of art making evolve in tandem-there are rich, multilayered connections between works owned and works painted. -- publisher's statement


Picturing Courtiers and Nobles from Castiglione to Van Dyck

Picturing Courtiers and Nobles from Castiglione to Van Dyck

Author: John Peacock

Publisher: Routledge

Published: 2020-08-09

Total Pages: 211

ISBN-13: 1000167968

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This interdisciplinary study examines painted portraiture as a defining metaphor of elite self-representation in early modern culture. Beginning with Castiglione’s Book of the Courtier (1528), the most influential early modern account of the formation of elite identity, the argument traces a path across the ensuing century towards the images of courtiers and nobles by the most persuasive of European portrait painters, Van Dyck, especially those produced in London during the 1630s. It investigates two related kinds of texts: those which, following Castiglione, model the conduct of the ideal courtier or elite social conduct more generally; and those belonging to the established tradition of debates about the condition of nobility –how far it is genetically inherited and how far a function of excelling moral and social behaviour. Van Dyck is seen as contributing to these discussions through the language of pictorial art. The book will be of interest to scholars working in art history, cultural history, early modern history and Renaissance studies.


Charles I

Charles I

Author:

Publisher: Royal Academy Editions

Published: 2018

Total Pages: 267

ISBN-13: 9781910350676

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During his reign, King Charles I (1600-1649) assembled one of Europe's most extraordinary art collections. Indeed, by the time of his death, it contained some 2,000 paintings and sculptures. Charles I: King and Collector explores the origins of the collection, the way it was assembled and what it came to represent. Authoritative essays provide a revealing historical context for the formation of the King's taste. They analyse key areas of the collection, such as the Italian Renaissance, and how the paintings that Charles collected influenced the contemporary artists he commissioned. Following Charles's execution, his collection was sold. This book, which accompanies the exhibition, reunites its most important works in sumptuous detail. Featuring paintings by such masters as Van Dyck, Rubens and Raphael, this striking publication offers a unique insight into this fabled collection. AUTHORS: Desmond Shawe-Taylor is Surveyor of the Queen's Pictures. Per Rumberg is Curator at the Royal Academy of Arts, London. David Ekserdjian is Professor of Film and Art History at the University of Leicester. Dr Barbara Furlotti is Associate Lecturer at the Courtauld Institute of Art, London. Gregory Martin, formerly Curator of Baroque Paintings and Assistant Keeper of the National Gallery, London, is Editor of the Corpus Rubenianum. Guido Rebecchini is Lecturer and Head of the Renaissance Section at the Courtauld Institute of Art, London. Vanessa Remington is Senior Curator of Paintings at The Royal Collection. Dr Karen Serres is the Schroder Foundation Curator of Paintings at the Courtauld Gallery, London. Lucy Whitaker is Assistant Surveyor of the Queen's Pictures. Jeremy Wood is Professor Emeritus of Art History at the University of Nottingham. Helen Wyld is Curator at National Museums Scotland. SELLING POINTS: * The compelling story of the British monarch who created one of the most stupendous art collections ever assembled * Accompanies the once-in-a-lifetime exhibition that brings together astonishing works by Van Dyck, Rubens, Titian, Holbein, Mantegna and Rembrandt, among many others * A major BBC TV series on the Royal Collection and a documentary on Charles I is planned 200 colour illustrations


The Van Dyke Family

The Van Dyke Family

Author: Paul C. Van Dyke

Publisher:

Published: 1997

Total Pages: 314

ISBN-13:

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There is no such thing as a small genealogical research project. Family histories, like precocious children, always challenge their authors with more and more questions. Paul C. Van Dyke discovered this fact when he wrote a genealogy of his branch of the Van Dyke family in the late 1950s. That project led Mr. Van Dyke to explore and research the whole history of the Van Dyke family in America. This excellent book, based on primary sources recounting the Dutch settlement of New Jersey, is the fruit of those years of research. It is fundamentally a Dutch-American history. Incorporating a wide variety of historical accounts, original documents and illustrations, Mr. Van Dyke has written a compelling and richly informative account of nine generations of Van Dykes and the nearly three centuries of American history that serve as a backdrop. Thomas Van Dyck of Amsterdam was the 16th-century patriarch whose story opens the book, and the author also includes helpful background information on Holland's golden age of exploration and the Dutch East India Company. Thomas' son, Jan Van Dyck, and his family immigrated to New Amsterdam in 1652, eventually settling in New Utrecht on Long Island. Jan Jansen Van Dyck was the third generation, and his son John Van Dyck participated in the large Dutch migration (c.1711) to the Millstone Valley in Middlesex and Somerset Counties in the prerevolutionary province of New Jersey. The subsequent generations of Van Dyck farmers in New Jersey were well-respected, patriotic members of such communities as New Brunswick, Princeton, Trenton, Ten Mile Run, Penns Neck, Rocky Hill, Harlingen, Griggstown, Bridgepoint, Kingston, Millstone, Somerville, Franklin, Montgomery and West Windsor. When they deemed the time appropriate, some of these hard-working and versatile Dutch broke with the farm tradition to enter upon various commercial occupations and the professions, as exemplified in the final chapter and appendices of the book. Every chapter opens with a genealogical note that provides vital statistics such as birth, marriage and death dates. The names of spouses and children are always included in the narrative accounts of the subjects. Numerous appendices furnish additional details, often through transcriptions of original wills, deeds, military records, etc. A bibliography and separate indices for subjects and surnames are included. (