From New York Times bestseller Mimi Jean Pamfiloff comes Vampire in the Jungle, a Paranormal Rom-Com. “Bring me that vampire! Or else!” When a powerful goddess gives Damien one week to deliver the world’s last vampire, he only has one question: “Why is the vampire hiding in the jungle?” Damien isn’t sure, but he knows what’ll happen if he fails: the insane goddess will execute the only two women Damien’s ever cared for. (It’s complicated.) Also, there’s the small matter of his assistant, who believes her destiny is to become a vampire herself. (It’s very complicated.) Unfortunately, the vampire in question hates the modern world, has a severe attachment to his lair, and he makes it a point to kill anyone who gets too close. No mercy. Can Damien and his crew of supernatural oddballs convince this deadly vampire to come out of hiding before it’s too late?
From New York Times bestseller Mimi Jean Pamfiloff comes Vampire in the Jungle, a Paranormal Rom-Com. "Bring me that vampire! Or else!" When a powerful goddess gives Damien one week to deliver the world's last vampire, he only has one question: "Why is the vampire hiding in the jungle?" Damien isn't sure, but he knows what'll happen if he fails: the insane goddess will execute the only two women Damien's ever cared for. (It's complicated.) Also, there's the small matter of his assistant, who believes her destiny is to become a vampire herself. (It's very complicated.) Unfortunately, the vampire in question hates the modern world, has a severe attachment to his lair, and he makes it a point to kill anyone who gets too close. No mercy. Can Damien and his crew of supernatural oddballs convince this deadly vampire to come out of hiding before it's too late?
The 1940s is a lost decade in horror cinema, undervalued and written out of most horror scholarship. This collection revises, reframes, and deconstructs persistent critical binaries that have been put in place by scholarly discourse to label 1940s horror as somehow inferior to a “classical” period or “canonical” mode of horror in the 1930s, especially as represented by the monster films of Universal Studios. The book's four sections re-evaluate the historical, political, economic, and cultural factors informing 1940s horror cinema to introduce new theoretical frameworks and to open up space for scholarly discussion of 1940s horror genre hybridity, periodization, and aesthetics. Chapters focused on Gothic and Grand Guignol traditions operating in forties horror cinema, 1940s proto-slasher films, the independent horrors of the Poverty Row studios, and critical reevaluations of neglected hybrid films such as The Vampire’s Ghost (1945) and “slippery” auteurs such as Robert Siodmak and Sam Neufield, work to recover a decade of horror that has been framed as having fallen victim to repetition, exhaustion, and decline.
A guide to the origins and legends of undead mythological monsters from around the world. “Vampire!” The very word conjures up visions of ruined castles, of enigmatic, pale-skinned noblemen shrouded in dark cloaks, of slumbering beauties being bloodily ravished by supernatural, nocturnal creatures. But just how accurate is that picture? How much do we really know about these mysterious entities? Surprisingly, perhaps, almost every culture can boast of its own vampire beings, few of which correspond to the stock Hollywood image—some are not even human in form, some do not drink blood, some appear in daylight. Are you ready for such horrors as the Penangal, the screaming blood-soaked lead that drifts through the Malayan jungle seeking victims; the Jaracacca, the Brazilian stalker that hides in the clothes of its victims to drink their blood or bodily fluids; or the Aswang, the scaly demon of the Philippines, who lies among the leafy roofs of huts and drinks through its tongue? And how do we dispose of vampires? Is the simple stake through the heart—much beloved of Hollywood directors—really enough, or is there something more? And does the sight of the crucifix repel all vampires—what if the vampire is Jewish (a dibbyuk)? Vampires is a unique, lavishly illustrated work that explores the rich diversity of vampire belief and lore, ranging from countries as diverse as Japan, Sweden, and Ireland, looking at their historical origins, and setting them in their cultural context.
Take a hike through the world’s rainforests and spot more than 200 wild, colorful, peculiar, and marvelous jungle animals–without ever leaving your own bedroom! Grab your binoculars, put on your leech-proof boots, and get ready for some animal spotting! Get up close to jaguars and sloths, swim with manatees and piranhas, and watch a bird of paradise show. The imaginative narrative will make you feel like you are actually there. The stunning artwork will show you every detail. Packed with incredible illustrations, special features, fact boxes, and conservation highlights, this is the perfect gift for budding zoologists and wild explorers everywhere.
When I started thinking about my poetry book I decided to write about things that I love and enjoy so much. I feel for poems come out right and enjoyable the poet has to be genuine and true about her feelings and what to write about and word must come from the heart. Also the vocabulary and expressions used must reflect a mastery of the language to choose the most suitable words that will be great match perfect for each situation, that is a skill and a gift that God had blessed me with an I am thankful for that. I have also chosen my subjects and situations based on the simple things in life that people enjoy and find it close to their hearts because I believe that when it comes to poetry the simpler the better. I have also written about a range of topics to make it exciting and give the reader the experience and enjoy different situations and reflections, after all variety is the spice of life. Some of the topics that I picked for my reflections and poems were included animals, nature, cultures and values, and faraway places. I am a huge animal lover and you will feel that throughout this book, I spend a lot of my time looking at them, watching animals and wildlife shows, going to zoos and aquariums. The animal world that shares our planet, there is so much beauty and serenity in connection with nature and learn many lessons in struggle, hard work, and motherhood. However, not everything in the animal kingdom is rosy fairy tales of beautiful fur, colorful feathers, and fluffy cubs, there are also a lot of savagery, blood, and cruel fight for survival. I felt to covey that world as it is just like it takes place in nature in a very unique way that hasn’t been described before that that reader will find interesting and amusing. In “Thieves of the Sky,” “Dracula of the Jungle,” “I smell Blood,” “Gentle Giants,” and “Racing the Wind” I spoke of the beauty and of heartwarming sights and discipline of these animals, but at the same time I uncovered their schemes and manipulation in stalking their Prays and tearing them apart in cruel and bloody manner as a mean of survival and domination of the strong over the venerable. In a related topic, but also a matter of principle I wanted to make my voice heard to add that to the many calls and protests against the brutality and savagery oh bullfighting in Spain and other places. The torture and sedition that is inflicted on that poor creature is beyond comprehension. I wanted to portray that in an imaginative story poem that would describe my feeling about a bull fight event and what was a better way to do that from the perspective of the bull itself. In my piece “Ole... Ole... Save Me” I thought to myself: What if the bull can talk, express his grief, and cry for help? What would it say about its plight, the matador, the surroundings, and people around it? How would it react to the constant stabbing, bleeding wounds, and intimidation? I did that in a very interesting way that will capture the imagination and curiosity of the readers, I consider that one of my good thoughts in this book. I was very fortunate that at the age of fourteen I was able to travel to many faraway lands and explore so many places and cultures not as a passive tourist but to live them and actually experience them firsthand. I wanted to share with my readers those great events and talk about the people values, traditions, and their perspective of things and much more!
