Broke, without a job, their ship almost a scrap heap, Valerian and Laureline are stuck on Rubanis, unable to pay for repairs. So when a trio of old acquaintances introduces them to the head of the local police, who is looking for independent agents for a risky – but well-paid – mission, they accept readily enough. But Rubanis is the most corrupt planet in the entire galaxy. How are they to find out who really holds the reins of power there?
Two agents of 24th century Earth patrol space and time to safeguard both the planet's future and its past. The 12th volume of Valerian and Laureline, one of the most influential science-fiction comic series of the past 40 years!
Fifth volume of the collection, and it’s almost a new series that begins, without ever losing any of what makes its strength or its charm. In this volume of the Collection you will find books 13 to 15, and our heroes’ life has been irretrievably changed with the disappearance of future Earth and Galaxity. Lacking work, they become freelance spies in the 80s in On the Frontiers. Lacking money, they’re reluctant arms dealers in The Living Weapons. Lacking options, they turn investigators slash bait on corrupt Rubanis in The Circles of Power. The apparent descent into hell of the two former agents is the chance for the authors to study the ambiguities of our world, either directly or through the lens of alien civilisations; along with the ambiguity – pragmatism versus heroism – of the titular character, saved from a fall from grace by his ever irreproachable partner.
In this sixth volume of the Collected Edition, our two former agents, now idle, create their own adventures by helping their fellow beings, and resume their quest to find Earth.
Valerian and Laureline take a break from adventuring and go on a cruise, but Valerian feels uncomfortable among the idle and the powerful. He’s not bored for long, though, because when a quartet of mercenaries board the cruise ship to kidnap the son of the Caliph of Iksaladam, they end up taking Laureline as well. With the almighty Caliph offering a massive reward for his son’s return, Valerian’s quest to rescue his girl is suddenly hindered by every bounty hunter in the galaxy...
."..Valerian and his beautiful, sharp-witted and sharp-tongued partner, Laureline, live adventures set against visually stunning backgrounds: complex architectural inventions, futuristic machines, otherworldly landscapes, and odd-looking aliens..."--Amazon.com.
The (false?) gods of Hypsis are once again interfering with Human history. Tired of their lower status among their peers, the trinity in charge of planet Earth opens communications with megacorporation Vivaxis at the end of the 20th century – an occurrence Valerian and Laureline’s allies report to the two ex-agents. But to what end did the Hypsians initiate such a contact? And who is the mysterious Sat who, from the depths of Point Central, also endeavours to meddle with Human affairs?
A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.
On an interstellar cruise ships, a mysterious individual in full environmental suit is working hard to get to Earth. On Earth, meanwhile, another person in a spacesuit is exploring a nuclear reactor on behalf of its owners. That second man is Valerian, and since the disappearance of Galaxity, he’s been forced to make a living by putting his advanced knowledge and equipment to good use. But what he’s discovered insidethe plant is extremely worrisome...
This study analyzes the relationship between race and genre in four of Toni Morrison’s novels: The Bluest Eye, Tar Baby, Jazz, and Beloved. Heinert argues how Morrison’s novels revise conventional generic forms such as bildungsroman, folktales, slave narratives, and the formal realism of the novel itself. This study goes beyond formalist analyses to show how these revisions expose the relationship between race, conventional generic forms, and the dominant culture. Morrison’s revisions critique the conventional roles of African Americans as subjects of and in the genre of the novel, and (re)write roles which instead privilege their subjectivity. This study provides readers with new ways of understanding Morrison’s novels. Whereas critics often fault Morrison for breaking with traditional forms and resisting resolution in her novels, this analysis show how Morrison’s revisions shift the narrative truth of the novel from its representation in conventional forms to its interpretation by the readers, who are responsible for constructing their own resolution or version of narrative truth. These revisions expose how the dominant culture has privileged specific forms of narration; in turn, these forms privilege the values of the dominant culture. Morrison’s novels attempt to undermine this privilege and rewrite the canon of American literature.
