Sometimes in our lives, we suffer heartaches and pains. Sometimes we suffer them alone. The characters are real, and the events are true. The burdens these characters carry are heavy. Walk with me down this lonely road and know there is a way out of a negative situation. Hope, sacrifice, and love is what these characters need. Hope, sacrifice, and love is what these characters could have if they want it. I wanted a way out of my negative lifestyle, so I decided to put my experiences on paper rather than continue to live them on the streets. I pray this anthology of street poetry pierce the suffering heart, devour the lonely soul, and vanish our bad habits. Only then have I done what God has called me to do. May God continue to bless you always. May God continue to bless your families always. Please remember this, “Only by the grace of God these heavy burdens that we carry will be lifted.” Author’s e-mail address: [email protected], Author’s Website: www.lboogie.net
"Harryette Mullen is a magician of words, phrases, and songs . . . No voice in contemporary poetry is quite as original, cosmopolitan, witty, and tragic." —Susan Stewart, citation for the Academy of American Poets Fellowship Urban tumbleweed, some people call it, discarded plastic bag we see in every city blown down the street with vagrant wind. —from Urban Tumbleweed Urban Tumbleweed is the poet Harryette Mullen's exploration of spaces where the city and the natural world collide. Written out of a daily practice of walking, Mullen's stanzas adapt the traditional Japanese tanka, a poetic form suited for recording fleeting impressions, describing environmental transitions, and contemplating the human being's place in the natural world. But, as she writes in her preface, "What is natural about being human? What to make of a city dweller taking a ‘nature walk' in a public park while listening to a podcast with ear-bud headphones?"
"Urban Nature" celebrates nature's resiliency and captures the many faces of wildness in the city with poems by more than 130 emerging and recognized poets.
"We knew Koch, Guest, O'Hara, Ashbery, and Schuyler thrived on the gritty, buoyant clank of city life, but that they drew from a secret fountain there only the Brill Building really let on, until now. In seven crisply argued, essayistic chapters, Gray lets us see and feel the invisible paradise glowing within the visible form of the subway, the skyscraper, the tenement bank, the tattoo parlor, a heaven ̀growing in the street/right up through the concrete, but soft and sweet and dreaming."---Kevin Killian, Author, Little Men --Book Jacket.
This beautifully illustrated book pairs poetry with nonfiction, telling the fascinating stories of the animals who have found homes in our city landscapes across the world, from the pythons traveling Singapore's sewers to the monkeys living in India's temples. Humans may have built towns and cities, but we aren’t the only ones who live in them. Given the smallest chance—a park, a garden, a window box; a basement, a subway tunnel, a bridge—wildlife manages to survive in the city. Among colorful illustrated pages buzzing with city life and animal activity, you'll discover the host of wild animals who live among humans: butterflies, bats, spiders, honeybees, coyotes, and more. Each animal’s story is told through a short poem accompanied by an informational paragraph. Some poems are comical, some poignant, and all make the reader see the world in a different way. After a rousing exploration of animal life, find definitions of the various types of poetry forms used in the book: haiku, cinquain, sonnet, terza rima, villanelle, triolet, reverso, acrostic, and free verse. Look around—you may discover neighbors you didn't know you had!
Once associated with Broadway premieres and New Year's Eve, Times Square has more recently been known more for its porn shops, prostitutes, and other purveyors of questionable moral fiber. Starting a decade ago, everything began to change. The city shuttered the flesh shops, buildings closed for renovation, and a wonderfully whimsical collection of wordplay appeared on the abandoned movie marquees that stretched down 42nd Street. These enchanting, inspiring, even uplifting snippets are collected here in postcard form, for enjoying and sharing.
Gwendolyn Brooks was one of the most accomplished and acclaimed poets of the last century, the first black author to win the Pulitzer Prize and the first black woman to serve as poetry consultant to the Library of Congress—the forerunner of the U.S. Poet Laureate. Here, in an exclusive Library of America E-Book Classic edition, is her groundbreaking first book of poems, a searing portrait of Chicago’s South Side. “I wrote about what I saw and heard in the street,” she later said. “There was my material.”
An entertaining and wonderfully interesting magical book about a very mysterious British poet, known by the name of 'Jedi, The Urban Poet'. Who is he? Where does he come from? What has he got to say about life? When I was approached to do this book, as an author I felt privileged to publish Jedi's poems and reveal a small hint of his story, but I am still no wiser to who he is or where he really comes from, or where he is going next. All I know is Jedi the Urban Poet appears like a ship out of the fog and disappears like a shadow when the sun goes back in behind a cloud. He is a protester of lost causes and a friend of the underdog. The last words he said to me before he said goodbye were, "I' a citizen of nowhere but always homesick for somewhere." May all who read this book enjoy it!
Street Matters links urban policy and planning with street protests in Brazil. It begins with the 2013 demonstrations that ostensibly began over public transportation fare increases but quickly grew to address larger questions of inequality. This inequality is physically manifested across Brazil, most visibly in its sprawling urban favelas. The authors propose an understanding of the social and spatial dynamics at play that is based on property, labor, and security. They stitch together the history of plans for urban space with the popular protests that Brazilians organized to fight for property and land. They embed the history of civil society within the history of urban planning and its institutionalization to show how urban and regional planning played a key role in the management of the social conflicts surrounding land ownership. If urban and regional planning at times benefited the expansion of civil rights, it also often worked on behalf of class exploitation, deepening spatial inequalities and conflicts embedded in different city spaces.
Maryann Corbett’s Street View is a panorama of views: suburban and urban avenues, shown in leaf and in snow; alleyways where misfits lurk in darkness, but also where “Adonis, charioteer of municipal waste collection, rides with the morning”; and boulevards of old buildings whose elegance remains undeniable, even when “prinked in the clown suit of commerce.” Street View also navigates the resiliency and failings of the human body, and the memories of family and pivotal acquaintances that shape viewpoints for good or ill. This is the work of a seasoned poet in command of her craft, and deservedly, a finalist for the 2016 Able Muse Book Award. PRAISE FOR STREET VIEW: Assaulted, as we all are, by relentless, restless noise-throbbing subwoofers, urban construction, cynical marketing and violent news, even our own banal chitchat-Maryann Corbett “strafe[s] back with the whole Roget/ and gun[s her] engine to its own rough strife. . . .” Though her weapons, her engines, are stillness, insight, and rhythm, there is indeed a sense in which the poems in Street View wallop their subjects with language. The exquisite, seemingly effortless grace of these poems with their penetrating music and humor deserve a commendation like that the poet gives Veronese: “This is the catechesis/ we need now, for the kind of sight we work with/ here, where the world kabooms.” -George David Clark Given her gift with detail, Maryann Corbett is the perfect person to offer a view, but an even more perfect person to offer a “street view,” the title of her new collection. While Corbett has made a career of being precise, she can be whimsical as well, right down to the “Northrop Mall . . . as fixed and formal as an English sonnet.” Yet perhaps her greatest strength is that she is not afraid to be the quiet steady gaze that takes in everything: all the things most people would miss. -Kim Bridgford Maryann Corbett takes the ode less traveled (not to mention the terzanelle less tried and the dactylic hexameter almost unheard of) to oddly familiar destinations: the West Side Y in New York City, Grand Avenue in St. Paul, the dentist’s clinic. She is a rhapsodist of times past and places lost or endangered, but she also lives very much in the present. She examines experiences with shrewdness and fascination, crafting them into poems that are breathtaking in their intelligence and brio. -Susan McLean In Maryann Corbett’s new book, we are given a Street View on the world, from Minneapolis to Jerusalem. These streets are populated with a variety of town characters, from the vagrant to the dangerous academic “Weirdo” with his void-sucked soul who makes one think of mass killings. Suffice it to say that the street view might be uglier than the view onto the mountains or the ocean, but in that ugliness can be found a clearer view on the truth of how we live today. -Tony Barnstone
