UPON THE FRAGILE SHORE is a play for four actors by Caridad Svich that explores human rights and environmental issues around the world especially in relationship to human-made tragedies and their aftermath. The play centers on stories from the United States, Nigeria, Syria, Malaysia, sub-Sahara, and Venezuela. Seven interlocking stories. Fourteen characters played by four actors. All of us living on the fragile shore. A play-conversation about tragedy, hope, faith, and who we are as audience.
Four plays by playwright/theatre-maker Caridad Svich (OBIE for Lifetime Achievement) - The Hour of All Things, The Breath of Stars, Upon the Fragile Shore and Agua de luna (psalms for the rouge) - explore the rough and necessary waters of citizenship under the effects of globalization and threads of human connection across multiple geographic landscapes. The Hour of All Things tells the story of an ordinary person trying to figure out how to take a stand against systemic oppression; The Breath of Stars is a radical, atomized reconfiguration of Shakespeare's The Tempest seen through the lens of global capitalism in the digital age. Upon the Fragile Shore spans the stories of individuals in eighteen countries to focus on human-made environmental and human tragedies and their effects. Agua de luna (psalms for the rouge) looks at the tough and tender lives of immigrants and their adult children in Detroit as they struggle to relocate the power of myth in their everyday lives. With an introduction by Welsh playwright and director Ian Rowlands and essays by practitioners Zac Kline, Blair Baker, Neil Scharnick, Carla Melo and Sherrine Azab, this wide-ranging, daring collection of plays refuses to settle the complex and thorny questions of existence.
This trilogy of brilliant novels - The Sportswriter, Independence Day, and The Lay of the Land - that charts the life and times of one of the most beloved and enduring characters in modern fiction. When we meet Frank Bascombe in The Sportswriter, his unguarded voice instantly wins us over and pulls us into a life that has been irrevocably changed by the loss of a marriage, a career, a child. We then follow Frank, ever brilliantly and hilariously observant, through Independence Day and The Lay of the Land, witnessing his fortune's rise and his family's fragmentation and reintegration. With finely honed prose and an eye that captures the most subtle nuances of the human condition in all its pathos, humour, beauty and strangeness, Richard Ford transforms Frank Bascombe's life into a riveting moving parable of life in America today.
I am Comet Caldwell. And I sort of, kind of, absolutely hate my name. People expect extraordinary things from a girl named Comet. That she’ll be effortlessly cool and light up a room the way a comet blazes across the sky. But from the shyness that makes her book-character friends more appealing than real people to the parents whose indifference hurts more than an open wound, Comet has never wanted to be the center of attention. She can’t wait to graduate from her high school in Edinburgh, Scotland, where the only place she ever feels truly herself is on her anonymous poetry blog. But surely that will change once she leaves to attend university somewhere far, far away. When new student Tobias King blazes in from America and shakes up the school, Comet thinks she’s got the bad boy figured out. Until they’re thrown together for a class assignment and begin to form an unlikely connection. Everything shifts in Comet’s ordinary world. Tobias has a dark past and runs with a tough crowd—and none of them are happy about his interest in Comet. Targeted by bullies and thrown into the spotlight, Comet and Tobias can go their separate ways…or take a risk on something extraordinary. From the New York Times bestselling author of The Impossible Vastness of Us and the On Dublin Street series comes a heartfelt and beautiful new young adult novel, set in Scotland, about daring to dream and embracing who you are.
NoPassport theatre alliance and press in collaboration with force/collision, Theater J and Twinbiz NYC commissioned and presented an evening of short works in support of gun control on Janurary 26, 2013 at Georgetown University's Gonda Theatre in Washington D.C. directed by force/collision to coincide with Molly Smith and Suzanne Blue Star Boy's March on Washington for Gun Control.
"A poetic State of Mind" is an internal journey through self discovery and awareness. It is a collection of both narrative and poetry, a poetic path to peace.
With The Sportswriter, in 1985, Richard Ford began a cycle of novels that ten years later – after Independence Day won both the Pulitzer Prize and the PEN/Faulkner Award – was hailed by The Times of London as “an extraordinary epic [that] is nothing less than the story of the twentieth century itself.” Frank Bascombe’s story resumes, in the fall of 2000, with the presidential election still hanging in the balance and Thanksgiving looming before him with all the perils of a post-nuclear family get-together. He’s now plying his trade as a realtor on the Jersey shore and contending with health, marital and familial issues that have his full attention: “all the ways that life seems like life at age fifty-five strewn around me like poppies.” Richard Ford’s first novel in over a decade: the funniest, most engaging (and explosive) book he’s written, and a major literary event.
Since before recorded history, people have congregated near water. But as growing populations around the globe continue to flow toward the coasts on an unprecedented scale and climate change raises water levels, our relationship to the sea has begun to take on new and potentially catastrophic dimensions. The latest generation of coastal dwellers lives largely in ignorance of the history of those who came before them, the natural environment, and the need to live sustainably on the world’s shores. Humanity has forgotten how to live with the oceans. In The Human Shore, a magisterial account of 100,000 years of seaside civilization, John R. Gillis recovers the coastal experience from its origins among the people who dwelled along the African shore to the bustle and glitz of today’s megacities and beach resorts. He takes readers from discussion of the possible coastal location of the Garden of Eden to the ancient communities that have existed along beaches, bays, and bayous since the beginning of human society to the crucial role played by coasts during the age of discovery and empire. An account of the mass movement of whole populations to the coasts in the last half-century brings the story of coastal life into the present. Along the way, Gillis addresses humankind’s changing relationship to the sea from an environmental perspective, laying out the history of the making and remaking of coastal landscapes—the creation of ports, the draining of wetlands, the introduction and extinction of marine animals, and the invention of the beach—while giving us a global understanding of our relationship to the water. Learned and deeply personal, The Human Shore is more than a history: it is the story of a space that has been central to the attitudes, plans, and existence of those who live and dream at land’s end.
