In Unnatural Landscapes, Ceiridwen Terrill combines lucid science writing with first-person tales of adventure to provide an introduction to invasion ecology and restoration management.
Consciously or not, wildlife managers generally act from a theoretical basis, although they may not be fully versed in the details or ramifications of that theory. In practice, the predictions of the practitioners sometimes prove more accurate than those of the theoreticians. Practitioners and theoreticians need to work together, but this proves di
The landscapes, cultures, and cuisines of deserts in the Middle East and North America have commonalities that have seldom been explored by scientistsÑand have hardly been celebrated by society at large. Sonoran Desert ecologist Gary Nabhan grew up around Arab grandparents, aunts, uncles, and cousins in a family that has been emigrating to the United States and Mexico from Lebanon for more than a century, and he himself frequently travels to the deserts of the Middle East. In an era when some Arabs and Americans have markedly distanced themselves from one another, Nabhan has been prompted to explore their common ground, historically, ecologically, linguistically, and gastronomically. Arab/American is not merely an exploration of his own multicultural roots but also a revelation of the deep cultural linkages between the inhabitants of two of the worldÕs great desert regions. Here, in beautifully crafted essays, Nabhan explores how these seemingly disparate cultures are bound to each other in ways we would never imagine. With an extraordinary ear for language and a truly adventurous palate, Nabhan uncovers surprising convergences between the landscape ecology, ethnogeography, agriculture, and cuisines of the Middle East and the binational Desert Southwest. There are the words and expressions that have moved slowly westward from Syria to Spain and to the New World to become incorporatedÑfaintly but recognizablyÑinto the language of the people of the U.S.ÐMexico borderlands. And there are the flavorsÑpiquant mixtures of herbs and spicesÑthat have crept silently across the globe and into our kitchens without our knowing where they came from or how they got here. And there is much, much more. We also learn of others whose work historically spanned these deserts, from Hadji Ali (ÒHi JollyÓ), the first Moslem Arab to bring camels to America, to Robert Forbes, an Arizonan who explored the desert oases of the Sahara. These men crossed not only oceans but political and cultural barriers as well. We are, we recognize, builders of walls and borders, but with all the talk of ÒhomelandÓ today, Nabhan reminds us that, quite often, borders are simply lines drawn in the sand.
Digital technology has transformed the way that we visualise the natural world, the art we create and the stories we tell about our environments. Exploring contemporary digital art and literature through an ecocritical lens, Digital Vision and the Ecological Aesthetic (1968 - 2018) demonstrates the many ways in which critical ideas of the sublime, the pastoral and the picturesque have been renewed and shaped in digital media, from electronic literature to music and the visual arts. The book goes on to explore the ecological implications of these new forms of cultural representation in the digital age and in so doing makes a profound contribution to our understanding of digital art practice in the 21st century.
This anthology explores the connections between photography, the digital, and painting in contemporary art practices. While there is much research being undertaken into the mediums under discussion as discrete concerns in the digital age, there is little investigation into these in combination. As photography, the digital, and painting frame the contemporary visual discourse, a rigorous investigation into this relationship is much needed. This book, which continues the investigations begun with PaintingDigitalPhotography, undertakes this by leading the research into questions of medium-fluidity in contemporary visual art practices. The contributors here are renowned artists, senior academics, theorists, and younger researches contributing to the field of study. Their essays address a wide range of interrelated topics, including AI generation of digital imagery, hyperreal photographic visions of the world, the embodied experience of the painter, and art practice that synthesises the three mediums, amongst others. This book will be of particular interest to scholars, academics, and researchers studying the associations of these mediums in the digital age.
Madagascar is one of the most biologically diverse places on the planet, the result of 160 million years of isolation from the African mainland. More than 80% of its species are not found anywhere else on Earth. However, this highly diverse flora and fauna is threatened by habitat loss and fragmentation, and the island has been classified as one of the world’s highest conservation priorities. Drawing on insights from geography, anthropology, sustainable development, political science and ecology, this book provides a comprehensive assessment of the status of conservation and environmental management in Madagascar. It describes how conservation organisations have been experimenting with new forms of protected areas, community-based resource management, ecotourism, and payments for ecosystem services. But the country must also deal with pressing human needs. The problems of poverty, development, environmental justice, natural resource use and biodiversity conservation are shown to be interlinked in complex ways. Authors address key questions, such as who are the winners and losers in attempts to conserve biodiversity? And what are the implications of new forms of conservation for rural livelihoods and environmental justice?