Unmasking the Forger
Author: David Sox
Publisher: Universe Publishing(NY)
Published: 1988
Total Pages: 224
ISBN-13:
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A Galileo Forgery
Author: Horst Bredekamp
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2014-07-28
Total Pages: 162
ISBN-13: 3110374706
DOWNLOAD EBOOKGalileo’s O, Volume III, is perhaps without peer in the history of the book. In this work, historians in various fields revise the results they presented in the first two volumes, which focused on the New York copy of Sidereus Nuncius, written in 1610. The analysis of this book was conceived as a uniquely multidisciplinary and cooperative undertaking, and many of its findings remain valid. Yet the subject of analysis proved to be the work of an international group of forgers. Volume III describes the chronology and methods by which the discovery of forgery was made – a veritable watershed moment in the continuing struggle between the ever-more refined methods of forgers and new methods used to apprehend them. Ultimately, the work also provides insight into the psychology of specialists who “research themselves” in order to prevent similar errors in the future.
The Ghost and the Forger
Author: Nancy Parsons
Publisher: Lulu.com
Published: 2018-01-13
Total Pages: 204
ISBN-13: 0999509241
DOWNLOAD EBOOKH.H. Willoughby is a forger by profession, and he wants to write his memoir. To do this, he needs a ghostwriter so he engages Nell Bane. Willoughby is an endearing fellow-charming and engaging-but their partnership carries Nell to the limits of the law and causes her to wonder if she is aiding and abetting a criminal. Furthermore, the ominous presence of Willoughby's accomplice, Woodford Stone, haunts Nell and foreshadows trouble as the novel's action moves through museums, studios and art galleries. In The Ghost and the Forger, all the elements of a Nell Bane novel come into play: psychology, ethics and intrigue.
Quantifying Research Integrity
Author: Michael Seadle
Publisher: Springer Nature
Published: 2022-05-31
Total Pages: 121
ISBN-13: 3031023064
DOWNLOAD EBOOKInstitutions typically treat research integrity violations as black and white, right or wrong. The result is that the wide range of grayscale nuances that separate accident, carelessness, and bad practice from deliberate fraud and malpractice often get lost. This lecture looks at how to quantify the grayscale range in three kinds of research integrity violations: plagiarism, data falsification, and image manipulation. Quantification works best with plagiarism, because the essential one-to-one matching algorithms are well known and established tools for detecting when matches exist. Questions remain, however, of how many matching words of what kind in what location in which discipline constitute reasonable suspicion of fraudulent intent. Different disciplines take different perspectives on quantity and location. Quantification is harder with data falsification, because the original data are often not available, and because experimental replication remains surprisingly difficult. The same is true with image manipulation, where tools exist for detecting certain kinds of manipulations, but where the tools are also easily defeated. This lecture looks at how to prevent violations of research integrity from a pragmatic viewpoint, and at what steps can institutions and publishers take to discourage problems beyond the usual ethical admonitions. There are no simple answers, but two measures can help: the systematic use of detection tools and requiring original data and images. These alone do not suffice, but they represent a start. The scholarly community needs a better awareness of the complexity of research integrity decisions. Only an open and wide-spread international discussion can bring about a consensus on where the boundary lines are and when grayscale problems shade into black. One goal of this work is to move that discussion forward.
Forged
Author: Jonathon Keats
Publisher: Oxford University Press
Published: 2013-01-03
Total Pages: 208
ISBN-13: 019931148X
DOWNLOAD EBOOKAccording to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality. Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han van Meegeren who duped the avaricious Hermann Göring, to the frustrated British artist Eric Hebborn, who began forging to expose the ignorance of experts, art forgers have challenged "legitimate" art in their own time, breaching accepted practices and upsetting the status quo. They have also provocatively confronted many of the present-day cultural anxieties that are major themes in the arts. Keats uncovers what forgeries--and our reactions to them--reveal about changing conceptions of creativity, identity, authorship, integrity, authenticity, success, and how we assign value to works of art. The book concludes by looking at how artists today have appropriated many aspects of forgery through such practices as street-art stenciling and share-and-share-alike licensing, and how these open-source "copyleft" strategies have the potential to make legitimate art meaningful again. Forgery has been much discussed--and decried--as a crime. Forged is the first book to assess great forgeries as high art in their own right.
Sculpture and the Museum
Author: ChristopherR. Marshall
Publisher: Routledge
Published: 2017-07-05
Total Pages: 227
ISBN-13: 1351549545
DOWNLOAD EBOOKSculpture and the Museum is the first in-depth examination of the varying roles and meanings assigned to sculpture in museums and galleries during the modern period, from neo-classical to contemporary art practice. It considers a rich array of curatorial strategies and settings in order to examine the many reasons why sculpture has enjoyed a position of such considerable importance - and complexity - within the institutional framework of the museum and how changes to the museum have altered, in turn, the ways that we perceive the sculpture within it. In particular, the contributors consider the complex issue of how best to display sculpture across different periods and according to varying curatorial philosophies. Sculptors discussed include Canova, Rodin, Henry Moore, Flaxman and contemporary artists such as Rebecca Horn, Rachel Whiteread, Mark Dion and Olafur Eliasson, with a variety of museums in America, Canada and Europe presented as case studies. Underlying all of these discussions is a concern to chart the critical importance of the acquisition, placement and display of sculpture in museums and to explore the importance of sculptures as a forum for the expression of programmatic statements of power, prestige and the museum's own sense of itself in relation to its audiences and its broader institutional aspirations.
Art
Author: David A. Scott
Publisher: Cotsen Institute of Archaeology Press
Published: 2016-12-31
Total Pages: 518
ISBN-13: 1938770412
DOWNLOAD EBOOKThis book presents a detailed account of authenticity in the visual arts from the Paleolithic to the postmodern. The restoration of works of art can alter the perception of authenticity and may result in the creation of fakes and forgeries. These interactions set the stage for the subject of this book, which initially examines the conservation perspective, then continues with a detailed discussion of notions of authenticity and philosophical background. There is a disputed territory between those who view the present-day cult of authenticity as fundamentally flawed and those who have analyzed its impact upon different cultural milieus, operating across performative, contested, and fragmented ground. The book discusses several case studies where the ideas of conceptual authenticity, aesthetic authenticity, and material authenticity can be incorporated into an informative discourse about art from the ancient to the contemporary, illuminating concerns relating to restoration and art forgery.
Manual of Curatorship
Author: John M. A. Thompson
Publisher: Routledge
Published: 2015-07-17
Total Pages: 1668
ISBN-13: 1317791592
DOWNLOAD EBOOKBased on original contributions by specialists, this manual covers both the theory and the practice required in the management of museums. It is intended for all museum and art gallery profession staff, and includes sections on new technology, marketing, volunteers and museum libraries.
Az Murder Goes...Artful
Author: Barbara G Peters
Publisher: Sourcebooks, Inc.
Published: 2010-01-31
Total Pages: 233
ISBN-13: 1615951520
DOWNLOAD EBOOKRaymond Chandler called it “The Simple Art of Murder, ” but It never has been simple to write mysteries. This volume explores the crimes in novels that are rooted in the worlds of art, architecture, and antiquities.
Fake?
Author: Mark Jones
Publisher: Univ of California Press
Published: 1990-01-01
Total Pages: 316
ISBN-13: 9780520070875
DOWNLOAD EBOOKDescribes the methods used to make artistic, literary, documentary, and political forgeries and the recent scientific advances in their detection. Includes over 600 objects from the British Museum and many other major collections, from ancient Babylonia to the present day.
