Universal Poems are collection of some of the finest poems which cut across diverse cultures, social background, religion and race. It include categories like love, lost love, romance, friendship, nature, dedication, seasons, depression, life, death, haiku, etc. Some of the poems in this book express the feelings of the author at a particular time while others are based on inspiration and unique imagination and they are well written for your maximum relaxation and enjoyment.
In 1978, Lydia Tomkiw - precocious, inventive poet and beguiling new wave chanteuse - blazed out from Chicago's intertwined worlds of poetry and punk rock. Her trajectory stands as a thrilling testament to the independent do-it-yourself ethos - that the journey from the Chicago's Ukrainian Village to the inaugural volume of Best American Poetry can be made via nightclubs, armed with little more than office xerox machines, glue, restless imagination, words and moxie.Tomkiw's poetry is both innovative and immensely enjoyable - formally playful, rigorously perceptive, delightfully surreal, and fueled by her singular, sexy charm. Tomkiw's story leads us back to a circle of immensely talented poets, mostly women, including Elaine Equi, Sharon Mesmer, and Connie Deanovich. Collectively they invigorated American urban poetry and cleared a path for a more vital, raucous, and fiercely female verse. In their scene lay the roots of now celebrated forms like slam and spoken word. With her acclaimed band Algebra Suicide - designed explicitly as a vehicle for her poetry - she pushed the boundaries of poetic performance, while also leaving behind a series of unassailably ace records. This new collection presents all her publications in facsimile editions, preserving the raw sizzle of her early self-published chapbooks as well as comprehensively reissuing the works that secured her reputation. In addition, it brings together over 180 uncollected poems, joined by critical and biographical essays by poets Paul Hoover and Sharon Mesmer and music critic Ira Robbins.LYDIA TOMKIW POEMS restores to print and posterity an exhilarating and important voice in American poetry.
Great poetry calls into question everything. It dares us to break free from the safe strategies of the cautious mind. It opens us to pain and joy and delight. It amazes, startles, pierces, and transforms us. It can lead to communion and grace. Through the voices of ten inspiring poets and his own reflections, the author of Sacred America shows how poetry illuminates the eternal feelings and desires that stir the human heart and soul. These poems explore such universal themes as the awakening of wonder, the longing for love, the wisdom of dreams, and the courage required to live an authentic life. In thoughtful commentary on each work, Housden offers glimpses into his personal spiritual journey and invites readers to contemplate the significance of the poet's message in their own lives. In Ten Poems to Change Your Life, Roger Housden shows how these astonishing poems can inspire you to live what you always knew in your bones but never had the words for. "The Journey" by Mary Oliver "Last Night as I Was Sleeping" by Antonio Machado "Song of Myself" by Walt Whitman "Zero Circle" by Rumi "The Time Before Death" by Kabir "Ode to My Socks" by Pablo Neruda "Last Gods" by Galway Kinnell "For the Anniversary of My Death" by W. S. Merwin "Love After Love" by Derek Walcott "The Dark Night" by St. John of the Cross
Alicia Mountain’s urgent and astonishing debut collection maps a new queer landscape through terrain alive and sensual, defiant and inviting. With a voice that beckons while it howls, Mountain nimbly traverses lyric, confessional, and narrative modes, leaving groundbreaking tracks for us to follow. High Ground Coward offers fists full of soil, leftovers for breakfast, road trip as ritual, twins of lovers and twins of ourselves. This world blooms with hunger-inducing detail, its speakers asking us to consider what it will take to satisfy our own appetites while simultaneously trying to nourish one another. “Ferocious, even the softest part,” Mountain shows us “a way to fall in love with wanting,” leaving us “ravenous, but gradually.” Bearing witness to identity formation in solitude and communion, High Ground Coward is an almanac of emotional and relational seasons. Mountain’s speakers question the meaning of inheritance, illness, violence, mythology, and family architecture. Whether Mountain is at work revealing the divinity of doubt, the entanglement of devotion, or the dominion that place holds over us, High Ground Coward heralds a thrilling poetic debut. From “Scavenger” We three eat food and are in love. This is the easy way to say there are stores beneath the floor. Potatoes and shallots, hard-necked garlic streaked purple, jars beside jars, themselves each staving globes of suction. Preservation, a guardian hunger. In the evening I whisper to the boiled beet, like a naked organ in my flushed hand: You are ground blood, you are new born, you have never been nothing— thawfruit seedflower greenstart rootbulb handpull shedscrub mouthsweet and again.
The works collected in this volume provide an illuminating introduction to George Eliot's incisive views on religion, art and science, and the nature and purpose of fiction. Essays such as 'Evangelical Teaching' show her rejecting her earlier religious beliefs, while 'Woman in France' questions conventional ideas about female virtues and marriage, and 'Notes on Form in Art' sets out theories of idealism and realism that she developed further in Middlemarch and Daniel Deronda. It also includes selections from Eliot's translations of works by Strauss and Feuerbach that challenged many ideas about Christianity; excerpts from her poems; and reviews of writers such as Wollstonecraft, Goethe and Browning. Wonderfully rich in imagery and observations, these pieces reveal the intellectual development of this most challenging and rewarding of writers.
Three Poems, Hannah Sullivan’s debut collection, which won the 2018 T. S. Eliot Prize, reinvents the long poem for a digital age. “You, Very Young in New York” paints the portrait of a great American city, paying close attention to grand designs as well as local details, and coalescing in a wry and tender study of romantic possibility, disappointment, and the obduracy of innocence. “Repeat Until Time” shifts the scene to California and combines a poetic essay on the nature of repetition with an enquiry into pattern-making of a personal as well as a philosophical kind. “The Sandpit After Rain” explores the birth of a child and death of a father with exacting clarity.
DigiCat Publishing presents to you this special edition of "Colors of Life: Poems and Songs and Sonnets" by Max Eastman. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
