A geological saga that digs deep, revealing how even the most ordinary rocks can be stepping stones to the hidden history of our planet. Unearthing the Underworld reveals the hidden world of rocks—the keepers of secrets of past environments, changing climates, and the pulse of life over billions of years. Even the most seemingly ordinary stone can tell us much about the history of this planet, opening vistas of ancient worlds of ice, raging floods, strange unbreathable atmospheres, and prehistoric worlds teeming with life. Remarkably, many types of rocks owe their existence to living organisms—from the remains of bodies of dead animals to rocks formed from rotting ancient forests, or even created by the activity of fungi, bacteria, and viruses. Anything but dull and uninteresting, rocks are intriguing portals that illuminate the secret underworld upon which we live.
London’s Underworld takes us on the nightmarish last journeys of condemned criminals to the gallows at Tyburn. We enter death-trap eighteenth century prisons, one of which the novelist Henry Fielding described as a ‘prototype of hell’. We walk the crowded streets of Victorian London with its swarms of prostitutes and follow the ingenious villains who carried out the first great train robbery in 1854. We see the rise and fall of the interwar racecourse gangs and the bloody battle for control of the Wes End. This fascinating book illustrates how crime in the capital has evolved from the extreme violence of the early eighteenth century to the vastly more complex and lucrative, but no less brutal, gangland of today.
“A much-needed resource for those serious about biblical studies.” —Mark M. Yarbrough, president, Dallas Theological Seminary The Bible has long been dismissed as a book of myths, legends, fairy tales, and propaganda. Yet when we examine the archaeological evidence, its accuracy comes to light. In Unearthing the Bible, Dr. Titus M. Kennedy presents 101 objects that provide compelling evidence for the historical reliability of Scripture from the dawn of civilization through the early church. Gathered from more than 50 museums, private collections, and archaeological sites, these pieces not only reinforce the reliability of the biblical narratives, but also provide rich cultural insights into the ancient world. Using this visual guide, you can find context for your faith as you make your way through the Bible. Dr. Kennedy’s photographs and detailed descriptions enable you to examine each piece of fascinating evidence for yourself. From the earliest tablets of creation to artifacts connected with the life and resurrection of Jesus, Unearthing the Bible shows you can be confident there is an abundance of archaeological support for the history told in the Scriptures.
What accounts for the persistence of the figure of the black criminal in popular culture created by African Americans? Unearthing the overlooked history of art that has often seemed at odds with the politics of civil rights and racial advancement, Under a Bad Sign explores the rationale behind this tradition of criminal self-representation from the Harlem Renaissance to contemporary gangsta culture. In this lively exploration, Jonathan Munby takes a uniquely broad view, laying bare the way the criminal appears within and moves among literary, musical, and visual arts. Munby traces the legacy of badness in Rudolph Fisher and Chester Himes’s detective fiction and in Claude McKay, Julian Mayfield, and Donald Goines’s urban experience writing. Ranging from Peetie Wheatstraw’s gangster blues to gangsta rap, he also examines criminals in popular songs. Turning to the screen, the underworld films of Oscar Micheaux and Ralph Cooper, the 1970s blaxploitation cycle, and the 1990s hood movie come under his microscope as well. Ultimately, Munby concludes that this tradition has been a misunderstood aspect of African American civic life and that, rather than undermining black culture, it forms a rich and enduring response to being outcast in America.
Abundantly illustrated, this essential volume examines depictions of the Underworld in southern Italian vase painting and explores the religious and cultural beliefs behind them. What happens to us when we die? What might the afterlife look like? For the ancient Greeks, the dead lived on, overseen by Hades in the Underworld. We read of famous sinners, such as Sisyphus, forever rolling his rock, and the fierce guard dog Kerberos, who was captured by Herakles. For mere mortals, ritual and religion offered possibilities for ensuring a happy existence in the beyond, and some of the richest evidence for beliefs about death comes from southern Italy, where the local Italic peoples engaged with Greek beliefs. Monumental funerary vases that accompanied the deceased were decorated with consolatory scenes from myth, and around forty preserve elaborate depictions of Hades’s domain. For the first time in over four decades, these compelling vase paintings are brought together in one volume, with detailed commentaries and ample illustrations. The catalogue is accompanied by a series of essays by leading experts in the field, which provides a framework for understanding these intriguing scenes and their contexts. Topics include attitudes toward the afterlife in Greek ritual and myth, inscriptions on leaves of gold that provided guidance for the deceased, funerary practices and religious beliefs in Apulia, and the importance accorded to Orpheus and Dionysos. Drawing from a variety of textual and archaeological sources, this volume is an essential source for anyone interested in religion and belief in the ancient Mediterranean.
Don DeLillo's 1997 masterwork Underworld, one of the most acclaimed and long-awaited novels of the last twenty years, was immediately recognized as a landmark novel, not only in the long career of one of America's most distinguished novelists but also in the ongoing evolution of the postmodern novel. Vast in scope, intricately organized, and densely allusive, the text provided an immediate and engaging challenge to readers of contemporary fiction. This collection of thirteen essays brings together new and established voices in American studies and contemporary American literature to assess the place of this remarkable novel not only within the postmodern tradition but within the larger patterns of American literature and culture as well. By seeking to place the novel within such a context, this lively collection of provocative readings offers a valuable guide for both students and scholars of the American literary imagination.
THE APOCALYPSE CODEX PROPHESIZES THE COMING OF THE APOCALYPSE, UNLESS, OF COURSE, THE UNDERGROUND APOCALYPSE RESISTANCE CAN PREVENT THE APOCALYPSE FROM HAPPENING. HOWEVER, IN THE TRICKY PROCESS OF TRYING TO PREVENT THE APOCALYPSE, THE APOCALYPSE RESISTANCE INSTEAD CAUSES THE APOCALYPSE TO BEGIN. IS THE ZOMBIE DOOMSDAY UPON US: IN SHADOW OF TOMORROW, HELLREBEL AND HELLDEVIL ARE ORPHANED TWINS RAISED AS DAY-WALKING VAMPIRE HUNTERS BY THE BROTHERHOOD OF BLOOD, OTHERWISE KNOWN DOWN THE ROAD AS THE UNDERGROUND APOCALYPSE RESISTANCE. WALKING DEAD MEN WANTED AS VIGILANTE OUTLAWS HUNTED DOWN BY THE LAW, HELLREBEL AND HELLDEVIL MUST HUNT DOWN THE DEVIL INCARNATE BEFORE THE DEVIL INCARNATE HUNTS DOWN SIN INCARNATE. OTHERWISE, SIN INCARNATE WILL GIVE BIRTH TO DEATH INCARNATE ~~~~~~~~~~~~~ DID YOU KNOW ROBERT LOUIS STEVENSON PENNED DR. JECKYLL AND MR. HYDE ON A SIX-DAY COCAINE BINGE? LIKE DR. JECKYLL AND MR. HYDE, EACH ONE OF US HAS A SPLIT PERSONALITY. THE GOOD SIDE THAT WE SHOW OFF DURING THE DAY, AND THEN THAT DARK SIDE THAT WE TRY TO KEEP HIDDEN IN THE DARKEST CORNER OF OUR CLOSET. I HIDE THESE EPISODES INSIDE THE CLOSET. WE ALL HAVE SKELETONS BURIED IN OUR CLOSET. BUT ME, I HAVE A CEMETERY BURIED IN MINE. HOWEVER, I FEAR SOMEONE WILL UNLOCK MY CLOSET. I SEE IT EVERY NIGHT IN MY NIGHTMARES, NIGHTMARES THAT WAKE ME EVERY NIGHT. LIKE FRANKENSTEIN, I SEE MYSELF FLEEING IN FEAR, RUNNING FASTER AND FASTER, RUSHING DOWN A DARK ROAD DISAPPEARING THROUGH THE SNOW-SWEPT WOODS GROWING DARKER AMIDST A BITTER WINTER, RUNNING FARTHER AND FURTHER AWAY, RUSHING THROUGH THE WIND-SWEPT WILD. IT WANDERS WAYWARD ACROSS UNFOLDING VIRGIN VISTAS AS IT WONDERS TO GOD IN HEAVEN, WHY THE HELL IN THE WORLD ARE THE RABID DOGS IN SUCH RUTHLESS, PITILESS, RELENTLESS PURSUIT? THERE ARE SOME DOGS THAT BARK. HOWEVER, THERE ARE OTHER DOGS THAT BITE. SAVE ME FROM MY SINS BEFORE THEY CATCH UP TO ME. MAN MAKES HIS HELL AND MY MIND IS MINE. SAVE ME FROM THE DEVIL AND FREE MY SOUL FROM THIS LIVING HELL. AS A WALKING DEAD MAN HUNTED DOWN IN THE DEAD MANS LAND, YUPPIE CITY WAS HOOKED ON MALE FUEL. MALE FUEL TURNED YOU INTO A MAN. MALE FUEL TURNED YOU INTO A MACHINE. MALE FUEL TURNED YOU INTO A MONSTER. HOWEVER, WHEN BIO/CIDE WENT UNDER, BIO/CIDE CITY NO LONGER MASS-PRODUCED MALE FUEL. THE ALICE-IN-WONDERLAND WITHDRAWAL SYMPTOM OF MALE FUEL WAS THAT YOU DEVELOPED VIOLENT ZOMBIE-LIKE BEHAVIOR THAT TURNED YOU INTO A HUMAN BEAST THAT BEHAVED LIKE A ZOMBIE. WHAT WAS STILL LEFT AT THE BIO/CIDE CITY WAS HORDED BY HUMANS THAT TOOK REFUGE UNDERGROUND. HOWEVER, FOR THOSE THAT WERE STILL ALIVE, THE UNDERWORLD WAS NOT ANY BETTER THAN THE WORLD THEY LEFT BEHIND. FOLLOWING THE GRAVEYARD WARS, THE WORLD OF HORROTICA WAS RECLAIMED BY THE OUTCASTS AND THE OUTLAWS WHO WEATHERED THE STORM WHILE LIVING UNDERGROUND WHERE THE REMAINING REMNANTS OF THE HUMAN CIVILIZATION RETURNED TO THE MORTAL WORLD WHERE THE OUTCASTS AND THE OUTLAWS TOOK CONTROL OF THE HUMAN WORLD, WHICH BECAME KNOWN AS THE LAWLESS LAND.
A native of Bombay, Suketu Mehta gives us an insider’s view of this stunning metropolis. He approaches the city from unexpected angles, taking us into the criminal underworld of rival Muslim and Hindu gangs, following the life of a bar dancer raised amid poverty and abuse, opening the door into the inner sanctums of Bollywood, and delving into the stories of the countless villagers who come in search of a better life and end up living on the sidewalks. As each individual story unfolds, Mehta also recounts his own efforts to make a home in Bombay after more than twenty years abroad. Candid, impassioned, funny, and heartrending, Maximum City is a revelation of an ancient and ever-changing world.
“Reading with all the innate and iconoclastic dramatic flair of a well scripted novel . . .an extraordinary story of modern archaeology.” —Midwest Book Review In October 336 BC, statues of the twelve Olympian Gods were paraded through the ancient capital of Macedon. Following them was a thirteenth, a statue of King Philip II who was deifying himself in front of the Greek world. Moments later Philip was stabbed to death; it was a world-shaking event that heralded in the reign of his son, Alexander the Great. Equally driven by a heroic lineage stretching back to gods and heroes, Alexander conquered the Persian Empire in eleven years but died mysteriously in Babylon. Some 2,300 years later, a cluster of subterranean tombs were unearthed in northern Greece containing the remains of the Macedonian royal line. This is the remarkable story of the quest to identify the family of Alexander the Great and the dynasty that changed the Graeco-Persian world forever. Written in close cooperation with the investigating archaeologists, anthropologists, and scientists, this book presents the revelations, mysteries and controversies in a charming, accessible style. Is this really the tomb of Philip II, Alexander’s father? And who was the warrior woman buried with weapons and armor beside him? “Impressively researched, Grant weaves an adventurous tale set in what reads like a travelogue of Greek history and folklore that makes Unearthing the Family of Alexander the Great an important work for academics and anthropologists, but also for a wider audience, both for its important subject matter and excellent presentation. Highly recommended.” —Richard A. Gabriel, author of Great Generals of the Ancient World “Faultless ancient Greek history.” —Books Monthly
In a world of trendsetting film icons, few are more familiar than Mae West. Yet for all her public controversy, West is also a mystery. Marybeth Hamilton combines elements of biography, cultural analysis, and social history to unmask West and reveal her commercial savvy, willpower, and truly shocking theatrical transgressions.
