Three Tales

Three Tales

Author: Gustave Flaubert

Publisher: Oxford University Press, USA

Published: 1999

Total Pages: 148

ISBN-13: 9780192836311

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Acclaimed by Italo Calvino as "one of the most extraordinary spirtual journeys ever accomplished outside any religion," Three Tales (1877) was the last of Flaubert's works published during his lifetime. The ambitious range of the stories -- "A Simple Heart," "The Legend of Saint Julian the Hospitaller," and "Herodias" -- reaches from the author's own century back to the Middle Ages and to ancient Israel. "A Simple Heart," in Flaubert's own words, "is just the account of an obscure life, that of Felicite a poor country girl, pious but mystical, quietly devoted, and as tender as fresh bread... I want to arouse people's pity, to make sensitive souls weep, since I am one myself." The middle story, "The Legend of Saint Julian the Hospitaller," tells of a bloodthirsty hunter and warrior whose attempts to escape a dire prophecy ultimately lead to a state of grace. "Herodias," the final tale, is based on the legends surrounding King Herod, Salome, and John the Baptist. It served as the inspiration for later interpretations, including Oscar Wilde's Salome and Jules Massenet's opera Herodiade. "To any modern writer, in whatever language," remarked Anthony Burgess of Three Tales, "these are recommended as a fundamental textbook of style." Book jacket.


Flaubert's Parrot

Flaubert's Parrot

Author: Julian Barnes

Publisher: Vintage

Published: 2011-06-15

Total Pages: 214

ISBN-13: 0307797856

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BOOKER PRIZE NOMINEE • From the internationally bestselling author of The Sense of an Ending comes a literary detective story of a retired doctor obsessed with the 19th century French author Flaubert—and with tracking down the stuffed parrot that once inspired him. • “A high literary entertainment carried off with great brio.” —The New York Times Book Review Julian Barnes playfully combines a detective story with a character study of its detective, embedded in a brilliant riff on literary genius. A compelling weave of fiction and imaginatively ordered fact, Flaubert's Parrot is by turns moving and entertaining, witty and scholarly, and a tour de force of seductive originality.


Objective Narrative, Irony and Sympathy in Flaubert's 'Un Coeur Simple'

Objective Narrative, Irony and Sympathy in Flaubert's 'Un Coeur Simple'

Author: Rebecca Steltner

Publisher: GRIN Verlag

Published: 2007-10

Total Pages: 30

ISBN-13: 363875782X

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Essay from the year 2001 in the subject Romance Languages - French Literature, grade: 83 (entspricht 1+), University of Canterbury (School of European Culture and Languages), course: Seminar, 14 entries in the bibliography, language: English, abstract: Generally speaking, the statement is true: the reader does indeed feel sympathy towards Félicité and Flaubert's use of language certainly contributes to this. How is what needs to be examined. The judgement that 'Flaubert's tendency towards 'objective' narrative paradoxically increases the sympathy that the reader feels for Félicité' also poses many other questions such as what is meant by 'objective' narrative? How is it used in Un Coeur simple? What are the author's reasons for using such a narrative? And is so- called 'objective' narrative really objective or at all possible? By the way the view is worded, it seems that 'objective' narrative and the reader's sympathy for a fictional character are incompatible and that the increase in sympathy is thus paradoxical. At the moment this may indeed sound impossible but after having had a look at the other factors that come into this equation, which are e.g. the choice of subject matter, the use of style indirect libre and the role of irony - the reader's increased sympathy should come across as a logical result. I am aware that it is of course controversial to engage in academic argument over such impressions as 'irony' or 'tone', because such notions are highly subjective and a therefore a certain source of disagreement. Nevertheless, ironology does come up with some interesting approaches to Flaubert's style and especially his use of style indirect libre and the question whether it actually increases sympathy. I also believe that irony is employed as an important vehicle for sympathy in this story.


Un Coeur Simple

Un Coeur Simple

Author: Gustave Flaubert

Publisher: Createspace Independent Publishing Platform

Published: 2017-07-16

Total Pages: 78

ISBN-13: 9781548914431

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Un coeur simple by Gustave Flaubert


Creative Multilingualism

Creative Multilingualism

Author: Rajinder Dudrah

Publisher:

Published: 2020-05-05

Total Pages: 336

ISBN-13: 9781783749294

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Creative Multilingualism: A Manifesto is a welcome contribution to the field of modern languages, highlighting the intricate relationship between multilingualism and creativity, and, crucially, reaching beyond an Anglo-centric view of the world.


The Summer I Learned to Fly

The Summer I Learned to Fly

Author: Dana Reinhardt

Publisher: Random House Digital, Inc.

Published: 2011

Total Pages: 226

ISBN-13: 0385739540

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Thirteen-year-old Drew starts the summer of 1986 helping in her mother's cheese shop and dreaming about co-worker, Nick. But when her widowed mother begins dating, Drew turns to her father's copy of "The Book of Lists," her pet rat, and Emmett--a boy on a quest--to help her cope.


Words and Your Heart

Words and Your Heart

Author: Kate Jane Neal

Publisher: Feiwel & Friends

Published: 2017-12-26

Total Pages: 48

ISBN-13: 1250297273

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This book is about your heart (the little bit inside of you that makes you, you!) The words we listen to can affect how we feel. Some words can do amazing things and make us happy. And some words can really hurt us (we all know what sort of words those are). Our words have power, and we can choose to use them to make the world a better place. Simple, direct, and emotive, Words and Your Heart’s message is that words have extraordinary power–to harm and to heal, to create and to destroy, and to spread love.


Trauma and Its Representations

Trauma and Its Representations

Author: Deborah Jenson

Publisher: JHU Press

Published: 2003-05-01

Total Pages: 322

ISBN-13: 0801876176

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Mimesis has been addressed frequently in terms of literary or visual representation, in which the work of art mirrors, or fails to mirror, life. Most often, mimesis has been critiqued as a simple attempt to bridge the distance between reality and its representations. In Trauma and Its Representations: The Social Life of Mimesis in Post-Revolutionary France, Deborah Jenson argues instead that mimesis not only denotes the representation of reality but is also a crucial concept for understanding the production of social meaning within specific historical contexts. Examining the idea of mimesis in the French Revolution and post-Revolutionary Romanticism, Jenson builds on recent work in trauma studies to develop her own notion of traumatic mimesis. Through innovative readings of museum catalogs, the writings of Benjamin Constant, the novels of George Sand and Gustave Flaubert, and other works, Jenson demonstrates how mimesis functions as a form of symbolic wounding in French Romanticism.