Igbo in the Atlantic World

Igbo in the Atlantic World

Author: Toyin Falola

Publisher: Indiana University Press

Published: 2016-09-26

Total Pages: 371

ISBN-13: 0253022576

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The Igbo are one of the most populous ethnic groups in Nigeria and are perhaps best known and celebrated in the work of Chinua Achebe. In this landmark collection on Igbo society and arts, Toyin Falola and Raphael Chijioke Njoku have compiled a detailed and innovative examination of the Igbo experience in Africa and in the diaspora. Focusing on institutions and cultural practices, the volume covers the enslavement, middle passage, and American experience of the Igbo as well as their return to Africa and aspects of Igbo language, society, and cultural arts. By employing a variety of disciplinary perspectives, this volume presents a comprehensive view of how the Igbo were integrated into the Atlantic world through the slave trade and slavery, the transformations of Igbo identities and culture, and the strategies for resistance employed by the Igbo in the New World. Moving beyond descriptions of generic African experiences, this collection includes 21 essays by prominent scholars throughout the world.


Living with Art

Living with Art

Author: Rita Gilbert

Publisher: McGraw-Hill Humanities, Social Sciences & World Languages

Published: 1998

Total Pages: 0

ISBN-13: 9780079132123

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This volume is a basic art text for college students and other interested readers. It offers a broad introduction to the nature, vocabulary, media, and history of art, showing examples from many cultures.


African Canvas

African Canvas

Author:

Publisher: Rizzoli International Publications

Published: 1990

Total Pages: 216

ISBN-13:

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Over a period of three years' travel, acclaimed photojournalist Margaret Courtney-Clarke has documented the artifacts and traditional art of West African women, particularly their brilliantly colored and dynamic wall painting. "The beauty of African Canvas takes the breath away".--The New York Times Book Review. 181 color photographs.


African Cultures, Visual Arts, and the Museum

African Cultures, Visual Arts, and the Museum

Author: Tobias Döring

Publisher: Rodopi

Published: 2002

Total Pages: 308

ISBN-13: 9789042013100

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From the contents: Christine MATZKE: Comrades in arts and arms: stories of wars and watercolours from Eritrea. - Sabine MARSCHALL: Positioning the other': reception and interpretation of contemporary black South African artists. - Kristine ROOME: The art of liberating voices: contemporary South African art exhibited in New York. - Jonathan ZILBERG: Shona sculpture and documenta 2002: reflections on exclusions.


The Legendary Uli Women of Nigeria

The Legendary Uli Women of Nigeria

Author: Ambassador (Dr.) Robin Renee Sanders

Publisher: Xlibris Corporation

Published: 2013-11-11

Total Pages: 434

ISBN-13: 1483679233

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Dr. Robin Renee Sanders, having lived in Africa for several years, was always struck by the ancestral, socio-historical and educational aspects of certain African cultural practices, especially languages, artifacts, and sign and symbol systems from the Ovahimba in Namibia and Pygmies in Congo, to the Horom, Hausa, Igbo, Yoruba, and Fulani of Nigeria. Her experiences on the Continent made her appreciate each and every culture and "its information systems," which in the end she called "communication expressions." The book follows eight extraordinary Nigerian women in the December phase of their lives as they try to preserve the meanings of their endangered sign, symbol, and motif system called Uli (oo-lee). Uli is an acknowledgement of their Igbo history, culture and ancestors. Sanders agrees with others scholars who posit that non-text, non-oral forms of communication expressions such as Nigeria's Uli, and other sign and symbol systems throughout the world, particularly in Africa, are just as important or "viable" as the written word and their meanings should be respected and preserved. Endangered cultural practices, like Uli, are just as important to protect as endangered languages as a symbolic relationship exists between the two.


Things Fall Apart

Things Fall Apart

Author: Chinua Achebe

Publisher: Penguin

Published: 1994-09-01

Total Pages: 226

ISBN-13: 0385474547

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“A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities.


Under the Udala Trees

Under the Udala Trees

Author: Chinelo Okparanta

Publisher: Houghton Mifflin Harcourt

Published: 2015

Total Pages: 341

ISBN-13: 0544003446

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Inspired by her mother's stories of war and Nigeria's folktale traditions, Under the Udala Trees is Chinelo Okparanta's deeply searching, powerful debut about the dangers of living and loving openly


Art and Religion in Africa

Art and Religion in Africa

Author: Rosalind Hackett

Publisher: A&C Black

Published: 1998-10-01

Total Pages: 245

ISBN-13: 0826436552

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Africa's religious and artistic traditions constitute a primary example of its intellectual and cultural vitality. Artistic works play a vital role - especially where oral traditions dominate - in communicating ideas about the relationship between the human, spiritual and natural worlds. This work is a comparative study of Africa's visual and performing arts, concentrating on their geographical, material and gendered diversity, and focusing on the relation of these arts to African religion. The author combines ethnographic and art-historical methodology but does not assume any prior knowledge of African art or African religion. The text seeks a greater understanding of the philosophical and religious aspects of African art, thus challenging western perceptions of what is "important" in terms of artistic representation. This approach reveals the transformative capacities and multi-dimensionality of African art. The work also highlights the changes brought about by Christianity, Islam and the newer religious movements in post-colonial Africa.