Russia's large-scale invasion on the 24th of February 2022 once again made Ukraine the focus of world media. Behind those headlines remain the complex developments in Ukraine's history, national identity, culture and society. Addressing readers from diverse backgrounds, this volume approaches the history of Ukraine and its people through primary sources, from the early modern period to the present. Each document is followed by an essay written by an expert on the period, and a conversational piece touching on the ongoing Russian aggression against Ukraine. In this ground-breaking collection, Ukraine's history is sensitively accounted for by scholars inviting the readers to revisit the country's history and culture. With a foreword by Olesya Khromeychuk.
Drawn from various disciplines and a broad spectrum of research interests, these essays reflect on the challenging issues confronting women in Ukraine today. The contributors are an interdisciplinary, transnational group of scholars from gender studies, feminist theory, history, anthropology, sociology, women’s studies, and literature. Among the issues they address are: the impact of migration, education, early socialization of gender roles, the role of the media in perpetuating and shaping negative stereotypes, the gendered nature of language, women and the media, literature by women, and local appropriation of gender and feminist theory. Each author offers a fresh and unique perspective on the current process of survival strategies and postcommunist identity reconstruction among Ukrainian women in their current climate of patriarchalism.
Having been spared the constraints imposed on intellectual discourse by the totalitarian regime of the past, young Ukrainian scholars now engage with many Western ideological theories and practices in an atmosphere of intellectual freedom and uncensored scholarship. Displacing the Soviet legacy of prescribed thought and practices, this volume's female contributors have infused their work with Western elements, although vestiges of Soviet-style ideas, research methodology, and writing linger. The result is the articulation of a "New Imaginaries" -- neither Soviet nor Western -- that offers a unique approach to the study of gender by presenting a portrait of Ukrainian society as seen through the eyes of a new generation of feminist scholars.
A vivid and intimate account of the Ukrainian Revolution, the rare moment when the political became the existential What is worth dying for? While the world watched the uprising on the Maidan as an episode in geopolitics, those in Ukraine during the extraordinary winter of 2013–14 lived the revolution as an existential transformation: the blurring of night and day, the loss of a sense of time, the sudden disappearance of fear, the imperative to make choices. In this lyrical and intimate book, Marci Shore evokes the human face of the Ukrainian Revolution. Grounded in the true stories of activists and soldiers, parents and children, Shore’s book blends a narrative of suspenseful choices with a historian’s reflections on what revolution is and what it means. She gently sets her portraits of individual revolutionaries against the past as they understand it—and the future as they hope to make it. In so doing, she provides a lesson about human solidarity in a world, our world, where the boundary between reality and fiction is ever more effaced.
Winner of the 2018 Lionel Gelber Prize From the author of the Pulitzer Prize-winning Gulag and Iron Curtain, winner of the Cundill Prize and a finalist for the National Book Award, a revelatory history of Stalin's greatest crime. In 1929, Stalin launched his policy of agricultural collectivization—in effect a second Russian revolution—which forced millions of peasants off their land and onto collective farms. The result was a catastrophic famine, the most lethal in European history. At least five million people perished between 1931 and 1933 in the U.S.S.R. In Red Famine, Anne Applebaum reveals for the first time that three million of them died not because they were accidental victims of a bad policy, but because the state deliberately set out to kill them. Applebaum proves what has long been suspected: that Stalin set out to exterminate a vast swath of the Ukrainian population and replace them with more cooperative, Russian-speaking peasants. A peaceful Ukraine would provide the Soviets with a safe buffer between itself and Europe, and would be a bread basket region to feed Soviet cities and factory workers. When the province rebelled against collectivization, Stalin sealed the borders and began systematic food seizures. Starving, people ate anything: grass, tree bark, dogs, corpses. In some cases they killed one another for food. Devastating and definitive, Red Famine captures the horror of ordinary people struggling to survive extraordinary evil.
Since 2015, British photographer Mark Neville (born 1966) has been documenting life in Ukraine, with subjects ranging from holidaymakers on the beaches of Odessa and the Roma communities on the Hungarian border to those internally displaced by the war in Eastern Ukraine. Employing his activist strategy of a targeted book dissemination, Neville is committed to making a direct impact upon the war in Ukraine. He will distribute 2,000 copies of this volume free to policy makers, opinion makers, members of parliament both in Ukraine and Russia, members of the international community and those involved directly in the Minsk Agreements. He means to reignite awareness about the war, galvanize the peace talks and attempt to halt the daily bombing and casualties in Eastern Ukraine which have been occurring for four years now. Neville's images are accompanied by writings from both Russian and Ukrainian novelists, as well as texts from policy makers and the international community, to suggest how to end the conflict.
This book explores contemporary propaganda and mainstream Western news media, with reference to the Ukraine crisis. It examines Western media narratives of the immediate causes of the crisis, the respective roles of those who participated in or otherwise supported the demonstrations of 2013–2014 – including US-backed NGOs and rightist militia – and the legitimacy, or otherwise, of the destabilization of the democratically elected Yanukovych government. It considers how the crisis was contextualized with reference to broader themes of competition for power over Eurasia and the Washington Consensus. It assesses accounts of the role of Russia and of ethnic Russian Ukrainians in Crimea, Odessa and the Donbass and traces how Western mainstream media went out of their way to demonize Vladimir Putin. The book deconstructs prevailing Western narratives as to the reasons for the shooting down of Malaysian Airways flight MH17 in July 2014, and counters Western media concentration on the issue of culpability for the attack with an alternative narrative of egregious failure to close down civilian air space over war zones. From analysis of these discourses, the book identifies principles of post-2001 Western conflict propaganda as these appeared to play out in Ukraine. This book will be of much interest to students of propaganda, media and communication studies, Russian and Eastern European politics, security studies and IR.
Ukraine is embroiled in a bloody civil war. Both sides stand accused of collaborating with fascists, of committing war crimes, of serving foreign interests. This proxy-war between Russia and the West was accompanied by a fierce information war. This book separates fact from fiction with extensive and reliable documentation. While remaining critical of Russia and the Donbass rebellion, De Ploeg demonstrates that many of the recent disasters can be traced to Ukrainian ultranationalists, pro-western political elites and their European and North-American backers. Ukraine in the Crossfire tackles the importance of ultranationalist violence during and after the EuroMaidan movement, and documents how many of these groups are heirs to former nazi-collaborators. It shows how the Ukrainian state has seized on the ultranationalist war-rhetoric to serve its own agenda, clamping down on civil liberties on a scale unprecedented since Ukrainian independence. De Ploeg argues that Kiev itself has been the biggest obstacle to peace in Donbass, with multiple leaks suggesting that US officials are pushing for a pro-war line in Ukraine. With the nation ́s eyes turned towards Russia, the EU and IMF have successfully pressured Ukraine into adopting far-reaching austerity programs, while oligarchic looting of state assets and massive tax-avoidance facilitated by western states continue unabated. De Ploeg documents the local roots of the Donbass rebellion, the overwhelming popularity of Crimea's secession, and shows that support for Ukraine's pro-western turn remains far from unanimous, with large swathes of Ukraine's Russophone population opting out of the political process. Nevertheless, De Ploeg argues, the pro-Western and pro-Russian camps are often similar: neoliberal, authoritarian, nationalist and heavily dependent on foreign support. In a wider exploration of Russo-Western relations, he examines similarities between the contemporary Russian state and its NATO counterparts, showing how the two power blocs have collaborated in some of their worst violent excesses. A far cry from civilizational or ideological clashes, De Ploeg argues that the current tensions flow from NATO ́s military dominance and aggressive posture, both globally and within eastern Europe, where Russia seeks to preserve the status-quo. Packed with shocking facts, deftly moving from the local to the international, from the historical to the recent; De Ploeg connects the dots.
The Many Faces of the Contemporary Russian Propaganda in the Balkans: Sputnik Srbija analyzes information published by the news website Sputnik Srbija during the first year of the Russian invasion of Ukraine. This book provides an overview of the contemporary Serbian media sphere and the dire conditions that Serbian journalists face to explore how Russian propaganda has flourished in the region. This volume establishes a framework to understand the ideological core of Russian propaganda that, above all, aims to reconstruct societal reality through anti-Western rhetoric. This framework helps to explore the relationship between Russian propaganda and Serbian nationalism, expanding on the significance of their mutual ties and confronting the implications of their close-knit connections.
