This book lists every record that reached the top 100 of the singles chart and the top 100 of the albums chart of the United Kingdom between 5 January 2013 and 28 December 2013. The charts are (c) The Official UK Charts Company Limited and taken from http: //www.officialcharts.com. The chart dates are the Saturday of each week and the charts are published on Sunday, 6 days before
This book lists every record that reached the top 100 of the singles chart and the top 100 of the albums chart of the United Kingdom between 4 January 2014 and 27 December 2014. The charts are (c) The Official UK Charts Company Limited and taken from http: //www.officialcharts.com. The chart dates are the Saturday of each week and the charts are published on Sunday, 6 days before.
This book lists every record that reached the top 100 of the singles chart and the top 100 of the albums chart of the United Kingdom between 7 January 2016 and 29 December 2016. The charts are (c) The Official UK Charts Company Limited and taken from http: //www.officialcharts.com. The chart dates are the Thursday of each week and the charts are published on Friday, 6 days before.
This book lists every record that reached the top 100 of the singles chart and the top 100 of the albums chart of the United Kingdom between 7 January 2012 and 29 December 2012. The charts are (c) The Official UK Charts Company Limited and taken from http: //www.officialcharts.com. The chart dates are the Saturday of each week and the charts are published on Sunday, 6 days befo
When we try to make sense of pictures, what do we gain when we use a particular method - and what might we be missing or even losing? Empirical experimentation on three types of mythological imagery - a Classical Greek pot, a frieze from Hellenistic Pergamon and a second-century CE Roman sarcophagus - enables Katharina Lorenz to demonstrate how theoretical approaches to images (specifically, iconology, semiotics, and image studies) impact the meanings we elicit from Greek and Roman art. A guide to Classical images of myth, and also a critical history of Classical archaeology's attempts to give meaning to pictures, this book establishes a dialogue with the wider field of art history and proposes a new framework for the study of ancient visual culture. It will be essential reading not just for students of classical art history and archaeology, but for anyone interested in the possibilities - and the history - of studying visual culture.
