Two Romances, Op. 40 and 50
Author: Ludwig van Beethoven
Publisher: Alfred Music
Published:
Total Pages: 28
ISBN-13: 9781457472336
DOWNLOAD EBOOKA solo, for Violin with Piano Accompaniment, composed by udwig van Beethoven.
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Author: Ludwig van Beethoven
Publisher: Alfred Music
Published:
Total Pages: 28
ISBN-13: 9781457472336
DOWNLOAD EBOOKA solo, for Violin with Piano Accompaniment, composed by udwig van Beethoven.
Author: Ludwig van Beethoven
Publisher: Alfred Music
Published:
Total Pages: 20
ISBN-13: 9781457478307
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Author: Charles Bériot
Publisher:
Published: 1909
Total Pages: 48
ISBN-13:
DOWNLOAD EBOOKAuthor: Antonín Dvořák
Publisher:
Published: 1916
Total Pages: 40
ISBN-13:
DOWNLOAD EBOOKAuthor: Ludwig van Beethoven
Publisher:
Published: 1923
Total Pages: 24
ISBN-13:
DOWNLOAD EBOOKAuthor: Kenyon C. Rosenberg
Publisher: Scarecrow Press
Published: 1987
Total Pages: 278
ISBN-13: 9780810820418
DOWNLOAD EBOOKNo descriptive material is available for this title.
Author: Mark Rowe
Publisher: Routledge
Published: 2017-07-05
Total Pages: 363
ISBN-13: 1351563920
DOWNLOAD EBOOKFrom 1840-57, Heinrich Ernst was one of the most famous and significant European musicians, and performed on stage, often many times, with Berlioz, Mendelssohn, Chopin, Liszt, Wagner, Alkan, Clara Schumann, and Joachim. It is a sign of his importance that, in 1863, Brahms gave two public performances in Vienna of his own and Ernst's music to raise money for the now mortally ill violinist. Berlioz described Ernst as 'one of the artists whom I love the most, and with whose talent I am most sympathetique', while Joachim was in no doubt that Ernst was 'the greatest violinist I ever heard; he towered above the others'. Many felt that he surpassed the expressive and technical achievements of Paganini, but Ernst, unlike his great predecessor, was also a tireless champion of public chamber music, and did more than any other early nineteenth-century violinist to make Beethoven's late quartets widely known and appreciated. Ernst was not only a great virtuoso but also an accomplished composer. He wrote two of the most popular pieces of the nineteenth century - the Elegy and the Carnival of Venice - and he is best known today for two solo pieces which represent the ne plus ultra of technical difficulty: the transcription of Schubert's Erlking, and the sixth of his Polyphonic Studies, the variations on The Last Rose of Summer. Perhaps he made his greatest contribution to music through his influence on Liszt's outstanding masterpiece, the B minor piano sonata. In 1849, Liszt conducted Ernst playing his own Concerto Path que, a substantial single-movement work, in altered sonata form, using thematic transformation. Soon after this performance, Liszt wrote his Grosses Konzertsolo (1849-50), his first extended single-movement work, using altered sonata form, and thematic transformation. This is now universally acknowledged to be the immediate forerunner of the sonata, which refines and develops all these techniques. Liszt made his debt clear when, three years after completi
Author: Franco Sciannameo
Publisher: Rowman & Littlefield
Published: 2016-08-04
Total Pages: 205
ISBN-13: 0810888866
DOWNLOAD EBOOKSince the eighteenth century, violin concertos have provided a showcase for dramatic interplay between a soloist’s virtuosity and the blended sonority of an orchestra’s many instruments. Using this genre to showcase skill and ingenuity, composers cemented the violin concerto as a key genre of classical music and gifted our ears with such timeless masterpieces as Vivaldi’s Four Seasons. In Experiencing the Violin Concerto, Franco Sciannameo draws on his years of scholarship and violin performance to trace the genre through Baroque, Classical, and modern periods. Along the way, he explores the social and personal histories of composers, and the fabulous virtuosi who performed concertos, and audiences they conquered worldwide. Inviting readers to consider not only the components of the music but also the power of perception and experience, Sciannameo recreates the atmosphere of a live performance as he paints a narrative history of technique and innovation. Experiencing the Violin Concerto uses descriptions in place of technical jargon to make the world of classical music accessible to amateur music lovers. As part of the Listener’s Companion series, the volume gives readers an enhanced experience of key works by investigating the environments in which the works were written and first performed as well as those in which they are enjoyed today.