David Sheppard's particular blend of interests single him out as unique among Anglican bishops. An outstanding sportsman as well as a dedicated cleric, many will remember him first and foremost as an English cricket captain. Others will recall his ecumenical strengths and his partnership with the Roman Catholic Archbishop, Derek Warlock, when they were both incumbents in Liverpool.
Programming the Absolute discusses the notorious opposition between absolute and program music as a true dialectic that lies at the heart of nineteenth-century German music. Beginning with Beethoven, Berthold Hoeckner traces the aesthetic problem of musical meaning in works by Schumann, Wagner, Liszt, Mahler, and Schoenberg, whose private messages and public predicaments are emblematic for the cultural legacy of this rich repertory. After Romanticism had elevated music as a language "beyond" language, the ineffable spurred an unprecedented proliferation of musical analysis and criticism. Taking his cue from Adorno, Hoeckner develops the idea of a "hermeneutics of a moment," which holds that musical meaning crystallizes only momentarily--in a particular passage, a progression, even a single note. And such moments can signify as little as a fleeting personal memory or as much as the whole of German music. Although absolute music emerged with a matrix of values--the integrity of the subject, the aesthetic autonomy of art, and the intrinsic worth of high culture--that are highly contested in musicology today, Hoeckner argues that we should not completely discard the ideal of a music that continues to offer moments of transcendence and liberation. Passionately and artfully written, Hoeckner's quest for an "essayistic musicology" displays an original intelligence willing to take interpretive risks. It is a provocative contribution to our knowledge about some of Europe's most important music--and to contemporary controversies over how music should be understood and experienced.
Documenting an era of dramatic change and growth in the sophistication of scholarship in rhetoric and composition studies, this book includes essays which find in contemporary theory the language to ask new questions, to reframe existing problems, and to move beyond current impasses in thought and action. The different perspectives offer a stand against current backlash theory, as seen in the reassertion of expressivism and creative writing as the antidote to the difficulties wrought by too much theorizing. All the essays included are winners of the James L. Kinneavy Award and celebrate the award's tenth anniversary as well as its founder, one of the discipline's most learned and beloved scholars. Contributors include David Bleich, Richard M. Coe, William A. Covino, Reed Way Dasenbrock, Sidney I. Dobrin, Lester Faigley, Pamela K. Gilbert, Susan C. Jarratt, Bruce McComiskey, Michael Murphy, Richard E. Miller, Jasper Neel, Gary A. Olson, Joseph Petraglia, George L. Pullman, Joy S. Ritchie, Phillip Sipiora, David W. Smit, Patricia A. Sullivan, John Trimbur, Nancy Welch, and Lynn Worsham.
However you view the present time, it is a new century, a new world, and also a new humanity - in fact, humanity is not something that was ever defined once and for all, but remains an open project. For several decades we have been witnessing a revolution. However, unlike the political and ideological revolutions that took place around the First World War, this is a technological and much more radical one that does not depend on people's beliefs, but rather on the tireless labour of machines. The rise of automation has brought about a revelation of something that had hitherto remained hidden in the workshops of homo faber. That is, there are very few functions, apart from consumption, where a machine cannot replace a human being, be these material or spiritual - machines need energy, but they can also do without it, whereas humans die if deprived of it, or one can imagine a machine producing symphonies, but not enjoying them. So while human beings are still needed, their roles and scopes have to be reconsidered. Workers may be superfluous, but humans are still needed, including those who until recently only recognised themselves as producers. The exclusion of workers from production does not discount humans being able to produce value in the form of consumption. Recognising this will enable us to conceive the "Webfare" - a new digital system that will teach us to find new names and new forms, more tolerance and room for traditional human needs. Above all, it will teach us how to transform the time given to us by automation into an opportunity for progress.
This newly revised, greatly expanded, and updated edition is the essential tool for navigating the language of international human rights related to law, jurisprudence, politics, diplomacy, and philosophy. Broadening the scope and enhancing our understanding of international human rights, the second edition of A Handbook of International Human Rights Terminology contains over four hundred new commonly used key terms and acronyms as well as corrections to terms that have taken on new meaning since the publication of the original. It also includes new treaty instruments and citations of important human rights instruments. Designed to be accessible to persons from different systems and regions of the world, this handbook fills an important void in the burgeoning discourse of international human rights and will become a vital reference work for specialists, students, and newcomers to this field.
Matthew’s portrait of Jesus communicates the importance of the human element of Jesus’s existence. While Mark’s Jesus may be the most human, Matthew was most interested in the human story of Jesus among the Gospel authors. This narrative critical examination of Matthew’s portrait prioritizes the human element of Jesus’s story. He purposely balances the human and transcendent so that he can reinforce the reader’s belief in Jesus and hope that Jesus’s life can be imitated.
