The Earth has been saved from the Ultimate threat: Gah Lak Tus. But scientist George Tarleton has captured a piece of that awesome entity and plans to reactivate it for his own evil purposes. Collects "Ultimate Vision" issues #1-#5. Young adult.
Written by best-selling Author Tom King! One of the most celebrated comic books of the century, collected in full at last! Vision wants to be human, and what's more human than family? So he heads back to the beginning - to the laboratory where Ultron created him as a weapon. The place where he first rebelled against his given destiny and imagined that he could be more - that he could be a man. There, he builds them. A wife, Virginia. Teenage twins, Viv and Vin. They look like him. They have his powers. They share his grandest ambition - or is that obsession? - the unrelenting need to be ordinary. Behold the Visions! Theirs is a story of togetherness and tragedy - one that will send the Android Avenger into a devastating confrontation with Earth's Mightiest Heroes. COLLECTING: VISION 1-12
Collects Star Wars: Vader - Dark Visions #1-5. Who is Darth Vader? He has been many things: enforcer, commander, destroyer. He is, to many throughout the Galactic Empire, the ultimate symbol of power and fear. But there are those who have seen the Dark Lord in a different light. Some corners of the galaxy are so desperate that even Vader can be a knight in shining armor - while for certain Imperial Commanders, Vader's anger is the price of failure. But what is it like to lose your heart to a Sith Lord - and what fate awaits the star-crossed lover who has fallen for a man so unattainable? Plus, learn how it feels to be an X-wing pilot going head-to-head with Vader's TIE Fighter - and discover more of the many sides of the galaxy's greatest villain!
In the shadow of an abandoned castle, a wolf pack seeks shelter. the she-wolf ’s pups will not be able to survive the harsh transylvanian winter. And they are being stalked by a lone wolf, Morgra, possessed of a mysterious and terrifying power known as the sight. Morgra knows that one of the pups born beneath the castle holds a key to power even stronger than her own—power that could give her control of this world and the next. but the pack she hunts will do anything to protect their own, even if it means setting in motion a battle that will involve all of nature, including the creature the wolves fear the most—Man.
Kara Zor-El has seen some epic adventures over the years, but finds her life without meaning or purpose. Here she is, a young woman who saw her planet destroyed and was sent to Earth to protect a baby cousin who ended up not needing her. What was it all for? Wherever she goes, people only see her through the lens of Superman’s fame. Just when Supergirl thinks she’s had enough, everything changes. An alien girl seeks her out for a vicious mission. Her world has been destroyed, and the bad guys responsible are still out there. She wants revenge, and if Supergirl doesn’t help her, she’ll do it herself, whatever the cost. Now a Kryptonian, a dog, and an angry, heartbroken child head out into space on a journey that will shake them to their very core.
When Davey Wexler's father is killed in a holdup in Atlantic City, her mother moves Davey and her brother to Los Alamos to get away from the memories--but Davey is a girl frozen in fear and anger, until she meets an older boy called Wolf who can read her tiger eyes.
The Language of Vision celebrates and interprets the complementary expressions of photography and literature in the South. Southern imagery and text affect one another, explains Joseph R. Millichap, as intertextual languages and influential visions. Focusing on the 1930s, and including significant works both before and after this preeminent decade, Millichap uncovers fascinating convergences between mediums, particularly in the interplay of documentary realism and subjective modernism. Millichap's subjects range from William Faulkner's fiction, perhaps the best representation of literary and graphic tensions of the period, and the work of other major figures like Robert Penn Warren and Eudora Welty to specific novels, including Ralph Ellison's Invisible Man and James Agee's Let Us Now Praise Famous Men. Fleshing out historical and cultural background as well as critical and theoretical context, Millichap shows how these texts echo and inform the visual medium to reveal personal insights and cultural meanings. Warren's fictions and poems, Millichap argues, redefine literary and graphic tensions throughout the late twentieth century; Welty's narratives and photographs reinterpret gender, race, and class; and Ellison's analysis of race in segregated America draws from contemporary photography. Millichap also traces these themes and visions in Natasha Trethewey's contemporary poetry and prose, revealing how the resonances of these artistic and historical developments extend into the new century. This groundbreaking study reads southern literature across time through the prism of photography, offering a brilliant formulation of the dialectic art forms.
Baghdad, 2003. The reign of Saddam Hussein is over. The Americans are in command. And no one is in control. Former cop turned military contractor Christopher Henry knows that better than anyone. He’s in the country to train up a new Iraqi police force, and one of his recruits has just been murdered. With civil authority in tatters and dead bodies clogging the streets, Chris is the only person in the Green Zone with any interest in finding out who killed him-and why. Chris’ inquiry brings him first to Sofia, an American-raised Iraqi who now sits on the governing council, and then to Nassir, a grizzled veteran of Saddam’s police force-and probably the last real investigator left in Baghdad. United by death but divided by conflicting loyalties, the three must help each other navigate the treacherous landscape of post-invasion Iraq in order to hunt down the killers. But are their efforts really serving justice-or a much darker agenda? Inspired by his real-life experiences as a CIA operations officer in Iraq, writer Tom King (BATMAN) teams with artist Mitch Gerads to deliver a wartime crime thriller like no other in THE SHERIFF OF BABYLON VOL. 1: BANG. BANG. BANG., collecting issues #1-6 of their groundbreaking Vertigo series.
A mysterious former Sith wanders the galaxy in this stunning Star Wars tale. An original novel inspired by the world of The Duel from the Star Wars Visions animated anthology. The Jedi are the most loyal servants of the Empire. Two decades ago, Jedi clans clashed in service to feuding lords. Sickened by this endless cycle, a sect of Jedi rebelled, seeking to control their own destiny and claim power in service of no master. They called themselves Sith. The Sith rebellion failed, succumbing to infighting and betrayal, and the once rival lords unified to create an Empire . . . but even an Empire at peace is not free from violence. Far on the edge of the Outer Rim, one former Sith wanders, accompanied only by a faithful droid and the ghost of a less civilized age. He carries a lightsaber, but claims lineage to no Jedi clan, and pledges allegiance to no lord. Little is known about him, including his name, for he never speaks of his past, nor his regrets. His history is as guarded as the red blade of destruction he carries sheathed at his side. As the galaxy's perpetual cycle of violence continues to interrupt his self-imposed exile, and he is forced to duel an enigmatic bandit claiming the title of Sith, it becomes clear that no amount of wandering will ever let him outpace the specters of his former life.