An examination of Trithemius's "magical theology," which argued for the compatibility of magic and Christian doctrines, and its influence during the Renaissance and Reformation.
This volume offers a revisionist interpretation of Paracelsus and Paracelsianism. It points to the need for a new historiographical approach to the man and his ideas, while demonstrating the value of seeing them in their totallity, as well as in their proper historical text.
An alternative history of philosophy has endured as a shadowy parallel to standard histories, although it shares many of the same themes. It has its own founding texts in the late ancient Hermetica, from whence flowed three broad streams of thought: alchemy, astrology, and magic. These thinkers' attitude toward philosophy is not one of detached speculation but of active engagement, even intervention. It appeared again in the European Middle Ages, in the Renaissance with Rabelais, Paracelsus, Agrippa, Ficino, and Bruno; and in the early modern period with John Dee, Robert Fludd, Jacob Böhme, Thomas Browne, Kenelm Digby, van Helmont, and Isaac Newton. In the 18th-19th centuries, this book considers Lichtenberg's Fragments, Berkeley's Siris, Swedenborg, Hegel, von Baader, and great Romantics such as Novalis, Goethe, S. T. Coleridge, and E. A. Poe, as well as Nietzsche; and in the 20th century it turns to the great modernist literature of Fernando Pessoa, Robert Musil, Ernst Bloch, and P. K. Dick.
Trithemius is best known for his hidden writing- the infamous Steganographia, but his other works, including this short grimoire on the use of crystals in summoning celestial spirits, are no less potent. Through the use of a simple wand, pedestal, lamen, and a polished and clear crystal, Trithemius states that it is possible to manifest and converse with celestial forces and to constrain them through the use of simple invocation and prayer.
Anthony Grafton explores the art and influence of an opaque historical figure: the magus, or learned magician. A distinctive intellectual type in Renaissance Europe, magi contributed to the humanistic currents of the time and had a transformative impact on public life, influencing advances in sculpture, painting, engineering, and other fields.
"Explores two principal genres of illicit learned magic in late Medieval manuscripts: image magic, which could be interpreted and justified in scholastic terms, and ritual magic, which could not"--Provided by publisher.
Based on refractions of earlier beliefs, modern angels - at once terrible and comforting, frighteningly other and reassuringly beneficent - have acquired a powerful symbolic value. This interdisciplinary study looks at how humans conversed with angels in medieval and early modern Europe, and how they explained and represented these conversations.