A Player's Guide to Chamber Music
A Player's Guide to Chamber Music

Author: Paul Jeffery

Publisher: The Crowood Press

Published: 2017-09-14

Total Pages: 291

ISBN-13: 0719825075

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Chamber music includes some of the world's greatest music. It is widely played in homes, without an audience, by players who are mostly amateurs, and much of the repertoire is playable even by those of quite moderate ability. A Player's Guide to Chamber Music gives advice on what music is available and helps the player to identify what is suitable. It covers chamber music from the seventeenth to the later twentieth century and all instrumental combinations including strings, piano, wind instruments, duet sonatas and baroque ensembles. All the significant composers and musical aspects of playing are covered along with works suitable for inexperienced players. Illustrated with 63 black & white illustrations.

Six Canonic Sonatas
Six Canonic Sonatas

Author: Georg Philipp Telemann

Publisher: Alfred Music

Published: 1996-02-01

Total Pages: 24

ISBN-13: 9781457479625

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Expertly arranged Violin Duets by Georg Philipp Telemann from the Kalmus Edition series. This is from the Baroque era.

Performance Practice
Performance Practice

Author: Roland Jackson

Publisher: Routledge

Published: 2013-10-23

Total Pages: 542

ISBN-13: 1136767703

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Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field.

Complete Sonatas
Complete Sonatas

Author: William McGibbon

Publisher: A-R Editions, Inc.

Published: 2018-11-30

Total Pages: 207

ISBN-13: 1987200578

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Now better known for his collections of Scottish tunes with variations, William McGibbon (1696–1756) was the best-known and most popular violinist-composer in Edinburgh in the eighteenth century. His three volumes of trio sonatas—one of which survives only in fragmentary form—combine fluidity of writing with Corellian influence. The 1729 set was the first music published in Scotland for the transverse flute, and its sixth trio sonata features virtuosic violin writing as well. This edition contains twelve trio sonatas, six solo sonatas, six flute duets, and the surviving first flute part of the fragmentary third volume of trio sonatas.

The Piano in Chamber Ensemble, Third Edition
The Piano in Chamber Ensemble, Third Edition

Author: Maurice Hinson

Publisher: Indiana University Press

Published: 2021-07-27

Total Pages: 606

ISBN-13: 0253056756

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In this expanded and updated edition, The Piano in Chamber Ensemble: An Annotated Guide features over 3200 compositions, from duos to octets, by more than 1600 composers. Maurice Hinson and Wesley Roberts catalog published works for piano with two or more instruments with information on performance level, length, individual movements, overall style, and publisher. Divided into sections according to the number and types of instruments involved, The Piano in Chamber Ensemble then subdivides entries according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and teachers will find a wealth of chamber works from all periods in this invaluable guide.

Bach Perspectives 11
Bach Perspectives 11

Author: Mary Oleskiewicz

Publisher: University of Illinois Press

Published: 2017-11-07

Total Pages: 203

ISBN-13: 0252050088

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Among his numerous children, Johann Sebastian Bach sired five musically gifted sons. The eleventh volume of Bach Perspectives presents essays that explore these men’s lives and careers via distinctive and, in several cases, alternative and interdisciplinary methodologies. Robert L. Marshall traces how each of the sons grappled with—and at times suffocated beneath—their illustrious father’s legacy. Mary Oleskiewicz’s essay investigates the Bach family’s connections to historical keyboard instruments and musical venues at the Prussian court, while David Schulenberg looks at Carl Philipp Emanuel Bach’s diverse and innovative keyboard works. Evan Cortens digs into everything from performance materials to pay stubs to offer a detailed view of the business of Carl Philipp Emanuel Bach’s liturgical music. Finally, Christine Blanken discusses how the rediscovery of Bach family musical manuscripts in the Breitkopf archive opens up new perspectives on familiar topics. A supplemental companion website is now available for Bach Perspectives 11. This resource features additional images, captions, and short descriptions to provide an essential supplement to the printed text.