Trio Sonata RV 820
Trio Sonata RV 820

Author: Antonio Vivaldi

Publisher: Snakewood Editions

Published:

Total Pages: 12

ISBN-13:

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Edition and Preface by Javier Lupiáñez The Trio Sonata in G major was independently identified as an early Vivaldian work in 2014 by the Italian scholar, recorder player, and ensemble director Mr. Federico Maria Sardelli and by the Spanish scholar, violin player and ensemble director Mr. Javier Lupiáñez. The piece was recently cataloged as RV 820 in the Vivaldi Catalog and is the earliest known work by Vivaldi. The Trio Sonata presents a different Vivaldi to the one we are used to. It shows the young Vivaldi: On the one hand, clearly influenced by the masters of the end of 17thcentury such Corelli, Bonporti or Torelli, and on the other hand it is easy to perceive that some new and original Vivaldian ideas start to blossom in this early work. The discovery and attribution of this Sonata is very important to understand the roots of Vivaldi’s style and the change of musical taste that happened at the beginning of the 18th century.

Complete violin sonatas and trio sonatas
Complete violin sonatas and trio sonatas

Author: Arcangelo Corelli

Publisher: Courier Corporation

Published: 1992-01-01

Total Pages: 354

ISBN-13: 0486272419

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Elegant works of great lyric expressiveness that rank among the glories of Baroque music. This volume, reprinted from the standard edition, contains all 48 of the trio sonatas (including the famous chaconne) of Opp. 1, 2, 3 and 4, along with all twelve solo sonatas, Op. 5.

All Music Guide to Classical Music
All Music Guide to Classical Music

Author: Chris Woodstra

Publisher: Hal Leonard Corporation

Published: 2005

Total Pages: 1620

ISBN-13: 9780879308650

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Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.

On Playing the Flute
On Playing the Flute

Author: Johann Joachim Quantz

Publisher: UPNE

Published: 2001-03

Total Pages: 470

ISBN-13: 9781555534738

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Originally published in 1752, this is a new paperback edition of the classic treatise on 18th-century musical thought, performance practice, and style

Bach Perspectives 11
Bach Perspectives 11

Author: Mary Oleskiewicz

Publisher: University of Illinois Press

Published: 2017-11-07

Total Pages: 203

ISBN-13: 0252050088

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Among his numerous children, Johann Sebastian Bach sired five musically gifted sons. The eleventh volume of Bach Perspectives presents essays that explore these men’s lives and careers via distinctive and, in several cases, alternative and interdisciplinary methodologies. Robert L. Marshall traces how each of the sons grappled with—and at times suffocated beneath—their illustrious father’s legacy. Mary Oleskiewicz’s essay investigates the Bach family’s connections to historical keyboard instruments and musical venues at the Prussian court, while David Schulenberg looks at Carl Philipp Emanuel Bach’s diverse and innovative keyboard works. Evan Cortens digs into everything from performance materials to pay stubs to offer a detailed view of the business of Carl Philipp Emanuel Bach’s liturgical music. Finally, Christine Blanken discusses how the rediscovery of Bach family musical manuscripts in the Breitkopf archive opens up new perspectives on familiar topics. A supplemental companion website is now available for Bach Perspectives 11. This resource features additional images, captions, and short descriptions to provide an essential supplement to the printed text.

Classical Guitarists
Classical Guitarists

Author: Jim Tosone

Publisher: McFarland

Published: 2015-11-18

Total Pages: 200

ISBN-13: 0786482427

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Classical Guitarists fills a void in the special world of the classical guitar. Although this realm is inhabited by world-class musicians, much of what they think and feel has never been captured in print. The interviewees, including Julian Bream, John Williams, Sharon Isbin, Eliot Fisk, David Starobin and David Tanenbaum are a select group at the peak of their prowess who speak openly and thoughtfully about their opportunities, accomplishments, and lessons learned. Each has made important contributions from establishing significant academic programs to broadening the audience for the classical guitar. The author shares his reviews of their most important recordings and New York City concerts during the 1990s, as well as discographies of their recordings. There are also interviews with Harold Shaw, the most prominent artist manager in the history of the classical guitar and several of today's most important composers for the guitar, including Pulitzer Prize winners George Crumb and Aaron Jay Kernis. An introductory chapter provides an historical perspective on classical guitar and a postscript explains how to create a basic repertoire of recordings.