Twelve Miniatures

Twelve Miniatures

Author: César Cui

Publisher: Alfred Music

Published:

Total Pages: 68

ISBN-13: 9781457470721

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Cui composed character pieces that are appropriate for lessons or recitals.


Orchestral Repertoire: Complete Parts for Cello from the Classic Masterpieces, Volume II

Orchestral Repertoire: Complete Parts for Cello from the Classic Masterpieces, Volume II

Author: Alfred Music

Publisher: Alfred Music

Published:

Total Pages: 44

ISBN-13: 9781457470905

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Kalmus offers the complete parts to select masterworks for cello. Each volume includes major orchestral works that include standard audition repertoire and widely known difficult passages. These books are great for the student to practice and learn excerpts, or for the professional musician preparing for an audition. Volume Two includes the cello parts from such great works as: Vivaldi's Gloria * Mozart's Requiem * Handel's Zadok the Priest * Schubert's Mass in G.


Two Sonatas, Opus 40, Nos. 1 & 2

Two Sonatas, Opus 40, Nos. 1 & 2

Author: Max Reger

Publisher: Alfred Music

Published:

Total Pages: 92

ISBN-13: 9781457470523

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A new Kalmus edition including Reger's two clarinet sonatas. Separate parts included for the clarinet and piano.


Orchestral Repertoire: Complete Parts for Violin from the Classic Masterpieces, Volume III

Orchestral Repertoire: Complete Parts for Violin from the Classic Masterpieces, Volume III

Author: Alfred Music

Publisher: Alfred Music

Published:

Total Pages: 68

ISBN-13: 9781457470394

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Advancing violinists will be thrilled at this series of violin parts from the orchestral masterworks. Great for audition preparation or just to become familiar with the repertoire. Titles: * The Carnival of the Animals (Saint-Saëns) * Fantasie on a Theme of Tallis (Vaughn Williams) * The Planets (Holst) * Serenade in E Major (Dvorak) * The Three-Cornered Hat (de Falla).


Six Sonatas

Six Sonatas

Author: Johann Sebastian Bach

Publisher: Alfred Music

Published:

Total Pages: 140

ISBN-13: 9781457469954

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A new complete collection including six sonatas for viola and piano by Bach. Separate parts are included.


Analysis of 18th- and 19th-century Musical Works in the Classical Tradition

Analysis of 18th- and 19th-century Musical Works in the Classical Tradition

Author: David Beach

Publisher: Routledge

Published: 2012

Total Pages: 386

ISBN-13: 0415806658

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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music—the formal, harmonic, rhythmic, and voice-leading organizations—as well as its unique features. It develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms. The book begins with foundational chapters in music theory, starting with basic diatonic harmony and progressing rapidly to more advanced topics, such as phrase design, phrase expansion, and chromatic harmony. The second part contains analyses of complete musical works and movements. The text features over 150 musical examples, including numerous complete annotated scores. Suggested assignments at the end of each chapter guide students in their own musical analysis.


The Essential Canon of Classical Music

The Essential Canon of Classical Music

Author: David Dubal

Publisher: Macmillan

Published: 2003-10-24

Total Pages: 796

ISBN-13: 9780865476646

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Identifies almost two hundred forty composers whose works are most important to an understanding of classical music, with essays on sixty of the most significant. Presented in chronological order for the Medieval, Renaissance, and Elizabethan ages, the age of the Baroque, the age of Classicism, the Romantic age, and the age of Modernism.


Rethinking Brahms

Rethinking Brahms

Author: Nicole Grimes

Publisher: Oxford University Press

Published: 2022-10-28

Total Pages: 585

ISBN-13: 0197541755

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As one of the most significant and widely performed composers of the nineteenth century, Brahms continues to command our attention. Rethinking Brahms counterbalances prevailing scholarly assumptions that position him as a conservative composer (whether musically or politically) with a wide-ranging exploration and re-evaluation of his significance today. Drawing on German- and English-language scholarship, it deploys original approaches to his music and pursues innovative methodologies to interrogate the historical, cultural, and artistic contexts of his creativity. Empowered by recent theoretical work on form and tonality, it offers fresh analytical insights into his music, including a number of corpus studies that interrogate the relationships between Brahms and other composers, past and present. The book brings into sharp focus the productive tension that exists between the perceived fixedness of musical texts and the ephemerality of performance by considering how historical and modern performers shape established understandings of Brahms and his music. Rethinking Brahms invites the reader to hear familiar pieces anew as they are refracted through historical, artistic, and philosophical prisms. Bringing us up to the present day, it also gives sustained attention to the resounding impact of Brahms's compositions on new music by exploring works by recent composers who have engaged deeply with his oeuvre. Combining awareness of overarching contexts with perceptive insights into Brahms's music, this book enlivens our understanding of Brahms, providing a dynamic, multifaceted, complex, and invigoratingly fresh portrait of the composer.


The Variations of Johannes Brahms

The Variations of Johannes Brahms

Author: Julian Littlewood

Publisher: Plumbago Books and Arts

Published: 2004

Total Pages: 384

ISBN-13: 0954012348

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Variation is a fundamental musical principle, yet its most naked expression - variation form - resists all but the broadest of descriptions. This book offers listener, performer, analyst and composer an eclectic array of approaches to `Theme and Variations', including: patterns of departure and return; real versus perceived time; strategies of propulsion and closure in an intrinsically cyclic and open-ended form; the interplay of authorial voices deriving from dialogue between the `self' of variations and the `other' of their theme; critique of a theme through a set's generic references; drama and narrative achieved through textural and tonal control; and the intrinsic sound of a variation, so different from that of a freely composed work. These topics are introduced through a general survey of the form, seen through the prisms of the provenance of themes and the ideologies of sets, before being developed through close study of Brahms's variation sets and movements. Brahms was supremely aware of his place in music history and was uncommonly self-conscious in his manipulation of different techniques of composition. His variation sets - some of the most well-crafted and beloved examples - place the interplay of forms and styles at the heart of their identity. Moreover, in their stunning breadth and diversity they offer a microcosm of Brahms's entire output, a succinct revelation of his life-long concerns. Through them we marvel at his technical and poetic mastery, and journey to the heart of his creative character.


Nineteenth-Century Chamber Music

Nineteenth-Century Chamber Music

Author: Stephen Hefling

Publisher: Routledge

Published: 2004-03-01

Total Pages: 404

ISBN-13: 1135887624

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Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.