A researcher sits in the archive of the British Psychoanalytic Society in London, examining fragile pieces of paper, small notebooks, and diaries. A writer in Berlin finds himself haunted by the city's socialist-era buildings, and by their designer. Each begins to sketch the historical figure at the heart of his fixation. Joan Riviere was an early English psychoanalyst and Sigmund Freud's earliest translator. Hermann Henselmann was a German architect, famous for many of the post-war buildings of the German Democratic Republic. The two novellas about their lives form an incomplete history of Europe's 20th century—its wars, its politics and thought.
Although perhaps better known for his accounts of China and the Arctic, this is Barrow's first travel book. He went to the Cape of Good Hope as private secretary to Lord Macartney. " He traversed every part of the colony, and visited the several countries of the Keffirs, the Hottentots, and the Bosjesmen, performing " a journey exceeding one thousand miles on horseback, on foot, and very rarely in a covered wagon, and full half the distance as a pedestrian, and never except for a few nights sleeping under a roof " "--abebooks website.
After her capture at the hands of Grandmother and the Second Empire, Karigan G'ladheon is making halting progress towards recovery. Karigan takes on increasingly dangerous missions, haunted by the specter of her torturer, Nyssa, and sinking ever further into the mire of her recollections of the past and the losses she's sustained. Meanwhile, the forces of the Second Empire are moving on Sacoridia and their primary target is a vulnerable garrison that guards a crucial mountain pass. Faced with new fatherhood and a country on the verge of war, King Zachary sends a contingent of soldiers and Green Riders to the pass--but his own recovery from the events of the north is not yet complete either. Reunited with her fellow Riders at the pass, Karigan takes on a leadership role, but quickly finds that the Riders are not as she last left them. As tension mounts and war draws ever closer to the heart of Sacoridia, Karigan must discover what it truly means to be a Rider and a hero of the realm--and what sacrifices must be made to truly heal from her past.
The only college-level publication on Korean art history written in English Korean pop culture has become an international phenomenon in the past few years. The popularity of the nation’s exports—movies, K-pop, fashion, television shows, lifestyle and cosmetics products, to name a few—has never been greater in Western society. Despite this heightened interest in contemporary Korean culture, scholarly Western publications on Korean visual arts are scarce and often outdated. A Companion to Korean Art is the first academically-researched anthology on the history of Korean art written in English. This unique anthology brings together essays by renowned scholars from Korea, the US, and Europe, presenting expert insights and exploring the most recent research in the field. Insightful chapters discuss Korean art and visual culture from early historical periods to the present. Subjects include the early paintings of Korea, Buddhist architecture, visual art of the late Chosŏn period, postwar Korean Art, South Korean cinema, and more. Several chapters explore the cultural exchange between the Korean peninsula, the Chinese mainland, and the Japanese archipelago, offering new perspectives on Chinese and Japanese art. The most comprehensive survey of the history of Korean art available, this book: Offers a comprehensive account of Korean visual culture through history, including contemporary developments and trends Presents two dozen articles and numerous high quality illustrations Discusses visual and material artifacts of Korean art kept in various archives and collections worldwide Provides theoretical and interpretive balance on the subject of Korean art Helps instructors and scholars of Asian art history incorporate Korean visual arts in their research and teaching The definitive and authoritative reference on the subject, A Companion to Korean Art is indispensable for scholars and academics working in areas of Asian visual arts, university students in Asian and Korean art courses, and general readers interested in the art, culture, and history of Korea.
