Transition in Post-Soviet Art

Transition in Post-Soviet Art

Author: Octavian Esanu

Publisher: Central European University Press

Published: 2013-06-10

Total Pages: 376

ISBN-13: 6155225532

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The artistic tradition that emerged as a form of cultural resistance in the 1970s changed during the transition from socialism to capitalism. This volume presents the evolution of the Moscow-based conceptual artist group called Collective Actions, proposing it as a case-study for understanding the transformations that took place in Eastern European art after the fall of the Berlin Wall. Esanu introduces Moscow Conceptualism by performing a close examination of the Collective Actions group's ten-volume publication Journeys Outside the City and of the Dictionary of Moscow Conceptualism. He analyzes above all the evolution of Collective Actions through ten consecutive phases, discussing changes that occur in each new volume of the Journeys. Compares the part of the Journeys produced in the Soviet period with those volumes assembled after the dissolution of the USSR. The concept of "transition" and the activities of Soros Centers for Contemporary Art are also analyzed.


Transition in Post-Soviet Art

Transition in Post-Soviet Art

Author: Octavian Esanu

Publisher: Central European University Press

Published: 2013-01-01

Total Pages: 378

ISBN-13: 6155225117

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"With an abridged translation of the Dictionary of Moscow Conceptualism."


Art of Transition

Art of Transition

Author: Elise Herrala

Publisher:

Published: 2021-12-31

Total Pages: 248

ISBN-13: 9780367086855

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Art of Transition offers an unprecedented ethnographic view of the field of art in Russia between two eras of world-historical significance, socialism and global capitalism, and shows how the Russian art world has negotiated its cultural standing in an unequal, globalized present.


Art beyond Borders

Art beyond Borders

Author: Jerome Bazin

Publisher: Central European University Press

Published: 2016-03-01

Total Pages: 531

ISBN-13: 9633860830

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This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe?s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists? strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period. ÿ


Trust and Democratic Transition in Post-communist Europe

Trust and Democratic Transition in Post-communist Europe

Author: Ivana Marková

Publisher:

Published: 2004

Total Pages: 217

ISBN-13: 9780191734922

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A collection of essays concerned with theoretical and empirical analyses of trust and distrust in post-communist Europe which show that, while political and economic changes can have rapid effects, cultural and psychological changes may linger and influence political trust and representations of democracy.


Sounds Beyond

Sounds Beyond

Author: Kevin C. Karnes

Publisher: University of Chicago Press

Published: 2021-12-24

Total Pages: 206

ISBN-13: 022680190X

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Spaces beyond : an introduction -- A beginning : the Riga Polytechnic disco, 1974-76 -- Tintinnabuli and the sacred -- Ritual moments : the RPI festivals, 1976-77 -- Tallinn 1978 -- Aftersounds : Bolderāja, Sergiyev Posad, and a train to Brest-Litovsk.


A Companion to Contemporary Art in a Global Framework

A Companion to Contemporary Art in a Global Framework

Author: Jane Chin Davidson

Publisher: John Wiley & Sons

Published: 2023-10-16

Total Pages: 597

ISBN-13: 111984178X

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A Companion to Contemporary Art in a Global Framework explores the ways specialists and institutions in the fine arts, curation, cultural studies, and art history have attempted to situate art in a more global framework since the 1980s. Offering analyses of the successes and setbacks of these efforts to globalize the art world, this innovative volume presents a new and exciting way of considering art in its global contexts. Essays by an international panel of leading scholars and practicing artists assert that what we talk about as ‘art’ is essentially a Western concept, thus any attempts at understanding art in a global framework require a revising of established conceptual definitions. Organized into three sections, this work first reviews the history and theory of the visual arts since 1980 and introduces readers to the emerging area of scholarship that seeks to place contemporary art in a global framework. The second section traces the progression of recent developments in the art world, focusing on the historical and cultural contexts surrounding efforts to globalize the art world and the visual arts in particular global and transnational frameworks. The final section addresses a wide range of key themes in contemporary art, such as the fundamental institutions and ontologies of art practice, and the interactions among art, politics, and the public sphere. A Companion to Contemporary Art in a Global Framework is essential reading for undergraduate and graduate students, scholars, researchers, and general readers interested in exploring global art beyond the traditional Euro-American context.


Empty Action

Empty Action

Author: Marina Gerber

Publisher: transcript Verlag

Published: 2018-11-30

Total Pages: 237

ISBN-13: 3839440904

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Collective Actions is one of the most significant artistic practices to emerge from Moscow Conceptualism. The group's enigmatic idea of 'Empty action' is the focal point for Marina Gerber's exploration of this practice in relation to labour in the late Soviet Union. Based on interviews with members of the group (Monastyrski, Panitkov, Alexeev, Makarevich, Elagina, Romashko, Hänsgen and Kiesewalter) she exposes the relation between their jobs, their individual art practices and their contribution to the collective in the context of post-Stalinist debates on labour and free time. Departing from the mundane fact that Collective Actions' practice took place in free time from work for the Soviet State, Gerber identifies Empty action as a form of 'art after work'.


Contemporary Art and Capitalist Modernization

Contemporary Art and Capitalist Modernization

Author: Octavian Esanu

Publisher: Routledge

Published: 2020-10-08

Total Pages: 299

ISBN-13: 1000180239

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This book addresses the art historical category of "contemporary art" from a transregional perspective, but unlike other volumes of its kind, it focuses in on non-Western instantiations of "the contemporary." The book concerns itself with the historical conditions in which a radically new mode of artistic production, distribution, and consumption – called "contemporary art" – emerged in some countries of Eastern Europe, the post-Soviet republics of the USSR, India, Latin America, and the Middle East, following both local and broader sociopolitical processes of modernization and neoliberalization. Its main argument is that one cannot fully engage with the idea of the "global contemporary" without also paying careful attention to the particular, local, and/or national symptoms of the contemporary condition. Part I is methodological and theoretical in scope, while Part II is historical and documentary. For the latter, a number of case studies address the emergence of the category "contemporary art" in the context of Lebanon, Egypt, India, Hungary, Slovenia, Croatia, Bosnia and Herzegovina, Armenia, and Moldova. The book will be of interest to scholars working in art history, globalism, cultural studies, and postcolonial studies.


The postsocialist contemporary

The postsocialist contemporary

Author: Octavian Esanu

Publisher: Manchester University Press

Published: 2021-11-23

Total Pages: 199

ISBN-13: 1526157993

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The postsocialist contemporary joins a growing body of scholarship debating the definition and nature of contemporary art. It comes to these debates from a historicist perspective, taking as its point of departure one particular art programme, initiated in Eastern Europe by the Hungarian-American billionaire George Soros. First implemented in Hungary, the Soros Center for Contemporary Art (SCCA) expanded to another eighteen ex-socialist countries throughout the 1990s. Its mission was to build a western ‘open society’ by means of art. This book discusses how network managers and artists participated in the construction of this new social order by studying the programme’s rise, evolution, impact and broader ideological and political consequences. Rather than recounting a history, its engages critically with ‘contemporary art’ as the aesthetic paradigm of late-capitalist market democracy.