Desert, Wilderness, Wasteland and Word examines the significance of the desert from biblical, theological, and ethical perspectives. This is achieved primarily through the publication of Jacques Ellul's recently discovered, newly translated essay, which considers the theology of the desert. Prefaced by an enlightening introduction, and five incendiary essays which critically reflect on Ellul's work, this volume offers a fresh, provocative insight into Jacques Ellul's writing. Illuminating the relevance of Ellul's work for our present, Desert, Wilderness, Wasteland and Word offers readers an encounter with a new, revitalising biblical word.
Zane Grey, premier chronicler of the American West and legendary storyteller, is sure to captivate new and loyal fans with this reissue of the last of his four Western epics.
"The Design of "The Waste Land" offers a detailed, comprehensive explanation of T. S. Eliot's enigmatic poem. It relates The Waste Land to earlier and later poems by Eliot, demonstrating that the major poems describe a continuous spiritual odyssey or quest undertaken by the same individual, initiated by the moment of ecstasy in the Hyacinth garden." "Blistein's analysis of Eliot's sources reveals that the protagonist's glimpse of "the heart of light" is equivalent to drinking from the Grail, or communing with God. The incarnate deity momentarily transforms the Hyacinth garden into the likeness of the Edenic paradise. With the inevitable passing of the moment of communion, the protagonist in effect is expelled from the paradisiacal garden as mankind was from Eden. By contrast, the familiar world appears to him a wasteland. The protagonist seeks to drink again from the divine Source and return again to the garden as it was when transfigured by the divine presence. His is a quest for grail and homeland."--BOOK JACKET.
T. S. Eliot's The Waste Land is often considered to be the most important poem written in English in the twentieth century. The poem dramatically shattered old patterns of form and style, proposed a new paradigm for poetry and poetic thought, demanded recognition from all literary quarters, and changed the ways in which it was possible to approach, read, or write poetry. The Waste Land helped to define the literary and artistic period known as modernism. This Companion is the first to be dedicated to the work as a whole, offering fifteen new essays by international scholars and covering an extensive range of topics. Written in a style that is at once sophisticated and accessible, these fresh critical perspectives will serve as an invaluable guide for scholars, students, and general readers alike.
Uniting Paganism and Chritianity, Eastern and Western spirituality, and cosmic consciousness with earthly existence, this is ebook collector's edition containing Jack Haas' three autobiographical works within one volume (IN AND OF, ROOTS AND WINGS, and OM, BABY!) Although each book is an independent work, the three together comprise a most unique spiritual journey, eloquently detailing Jack Haas' alchemical travels, shamanic sojourns, and mystical adventures with his soror mystica (his alchemical mystical sister) as they experience a plethora of improbable encounters, synchronicities, mythical realizations, and metaphysical fulfillments, as well as encountering a remarkable cast of eccentrics, immortal masters, and spirited individuals. A truly profound spiritual autobiography.
Reveals the many treasures to be found on the spiritual path, with rare insights on love, habit, purpose, mercy, brotherhood, charity, the soul, vision, mission, immortality, and faith. Unveils exciting new interpretations of the Bible.
Transfiguration explores the work of John Ruskin, Robert Browning, Dante Gabriel Rossetti, and Walter Pater, treating in particular the ways in which they engaged with the Christian content of their subject, and, in Pater's case, how the art of Christianity was contrasted with classical sculpture. Stephen Cheeke examines two related phenomena: idolatry (a false substitution, a sexual betrayal), and the poetics of transfiguration (to elevate or glorify subject matter not thought of as conventionally poetic, to praise). Central to the book is the question of the 'translation' of religion into art and aesthetics, a process which supposedly undergirds the advent of the museum age and makes possible the idea of a 'religion of art' as a phenomenon of late century Aestheticism. Such a phenomenon is prepared for, however, through the engagement with Christian painting and classical sculpture in the work of these four writers. All four thought carefully about the ways in which a particular mimetic impulse of 'making-live' in artworks could be connected to religious experience. This meant exploring the nature of the link between seeing and believing—visualising in order to conceive, to verify, but also in the sense of being acted upon by the visible. All four wrote about the great power of artworks to transfigure the objects of their attention. In each case, there emerges the possibility of a secret sexual knowledge hiding within, or lying on the other side of the sensuous knowledge of aesthesis. All four wondered whether this was inherently hostile to Christianity, or whether it may, finally, be an accommodation within it.
Manipulation of the past and forced erasure of memories have been global phenomena throughout history, spanning a varied repertoire from the destruction or alteration of architecture, sites, and images, to the banning or imposing of old and new practices. The present volume addresses these questions comparatively across time and geography, and combines a material approach to the study of memory with cross-disciplinary empirical explorations of historical and contemporary cases. This approach positions the volume as a reference-point within several fields of humanities and social sciences. The collection brings together scholars from different fields within humanities and social science to engage with memorialization and damnatio memoriae across disciplines, using examples from their own research. The broad chronological and comparative scope makes the volume relevant for researchers and students of several historical periods and geographic regions.
In the 1930s, German theologian Dietrich Bonhoeffer anticipated the restoration of the church after the coming second world war through a new kind of monasticism, a way of life of uncompromising adherence to the Sermon on the Mount in imitation of Christ. Since then, the renewal of Christian monasticism has become a great spiritual movement. Imbued with a love for God and neighbor, and with a healthy self-love, people are going to monasteries to deepen their relationship with God, to pray, and to find peace. While some monastic institutions are suffering a decline in traditional vocations, many Christians are exploring monastic lifestyles. This book introduces The Community of the Transfiguration in Australia, the story of a new monastic community and an inspiring source of hope for the world at another time of spiritual, social, and ecological crisis.
