Transcultural Montage
Transcultural Montage

Author: Christian Suhr

Publisher: Berghahn Books

Published: 2013-10-01

Total Pages: 336

ISBN-13: 0857459651

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The disruptive power of montage has often been regarded as a threat to scholarly representations of the social world. This volume asserts the opposite: that the destabilization of commonsense perception is the very precondition for transcending social and cultural categories. The contributors—anthropologists, filmmakers, photographers, and curators—explore the use of montage as a heuristic tool for comparative analysis in anthropological writing, film, and exhibition making. Exploring phenomena such as human perception, memory, visuality, ritual, time, and globalization, they apply montage to restructure our basic understanding of social reality. Furthermore, as George E. Marcus suggests in the afterword, the power of montage that this volume exposes lies in its ability to open the very “combustion chamber” of social theory by juxtaposing one’s claims to knowledge with the path undertaken to arrive at those claims.

Montages
Montages

Author: Cristina Baldacci

Publisher: Mimesis

Published: 2018-09-18T00:00:00+02:00

Total Pages: 200

ISBN-13: 8869771822

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Montage, today, is a widespread procedure that doesn’t concern just artistic production, but also our daily lives and the use everyone makes of that huge visual archive that contemporary media place at our disposal. In a technologically advanced society, where the notion of postproduction regulates our relationship with images and objects, it is therefore necessary to thoroughly investigate the role, possibilities, and, most of all, anthropological and political connotations of montage; and to ask ourselves whether – in comparison to the heroic years of the avant-garde movements – montage has become a faded and standardized practice or if it is a more and more effective means to understand and reprogramme the world, especially in relation to the technical possibilities offered by new media and remix practices.

Transcultural English Studies
Transcultural English Studies

Author: Frank Schulze-Engler

Publisher: Rodopi

Published: 2009

Total Pages: 487

ISBN-13: 9042025638

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What is most strikingly new about the transcultural is its sudden ubiquity. Following in the wake of previous concepts in cultural and literary studies such as creolization, hybridity, and syncretism, and signalling a family relationship to terms such as transnationality, translocality, and transmigration, 'transcultural' terminology has unobtrusively but powerfully edged its way into contemporary theoretical and critical discourse. The four sections of this volume denote major areas where 'transcultural' questions and problematics have come to the fore: theories of culture and literature that have sought to account for the complexity of culture in a world increasingly characterized by globalization, transnationalization, and interdependence; realities of individual and collective life-worlds shaped by the ubiquity of phenomena and experiences relating to transnational connections and the blurring of cultural boundaries; fictions in literature and other media that explore these realities, negotiate the fuzzy edges of 'ethnic' or 'national' cultures, and participate in the creation of transnational public spheres as well as transcultural imaginations and memories; and, finally, pedagogy and didactics, where earlier models of teaching 'other' cultures are faced with the challenge of coming to terms with cultural complexity both in what is being taught and in the people it is taught to, and where 'target cultures' have become elusive. The idea of 'locating' culture and literature exclusively in the context of ethnicities or nations is rapidly losing plausibility throughout an 'English-speaking world' that has long since been multi- rather than monolingual. Exploring the prospects and contours of 'Transcultural English Studies' thus reflects a set of common challenges and predicaments that in recent years have increasingly moved centre stage not only in the New Literatures in English, but also in British and American studies.

Transcultural Poetics
Transcultural Poetics

Author: Gurbhagat Singh

Publisher: Delhi : Ajanta Publications : Distributors, Ajanta Books International

Published: 1988

Total Pages: 178

ISBN-13:

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Social and Cultural Anthropology: The Key Concepts
Social and Cultural Anthropology: The Key Concepts

Author: Nigel Rapport

Publisher: Routledge

Published: 2014-07-11

Total Pages: 561

ISBN-13: 131766082X

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Social and Cultural Anthropology: the Key Concepts is an easy to use A-Z guide to the central concepts that students are likely to encounter in this field. Now fully updated, this third edition includes entries on: Material Culture Environment Human Rights Hybridity Alterity Cosmopolitanism Ethnography Applied Anthropology Gender Cybernetics With full cross-referencing and revised further reading to point students towards the latest writings in Social and Cultural Anthropology, this is a superb reference resource for anyone studying or teaching in this area.

Transcultural Cinema
Transcultural Cinema

Author: David MacDougall

Publisher: Princeton University Press

Published: 2021-07-13

Total Pages: 329

ISBN-13: 1400851815

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David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way, To Live with Herds, A Wife among Wives, Takeover, PhotoWallahs, and Tempus de Baristas. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer. In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new.

Doing Organizational Ethnography
Doing Organizational Ethnography

Author: Anne Reff Pedersen

Publisher: Routledge

Published: 2016-06-23

Total Pages: 228

ISBN-13: 1317387678

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This book presents a new way of understanding organizational ethnography due to its strong emphasis on what the word organizational means in organizational ethnography. In the past five years, a new organizational studies research field has developed involving organizational ethnographies, which is when organizations are studied using ethnographical methods. This development has shed light on the methods and difficulties of organizational ethnography, and yet we argue that confusion still remains as to what organizational ethnographical approaches are. This edited volume offers students and scholars a profound understanding of organizational ethnography by presenting concrete examples, reflections and discussions of how to understand and adequately conceptualize the word organizational in organizational ethnography. All the chapters illustrate the work of analytically combining different organizational phenomena (e.g. strategy making, policymaking), analytical perspectives (e.g. sensemaking, narratives) and ethnographical methods (e.g. texts, observations, shadowing, interviews) and demonstrate different ways of doing organizational ethnography. At the end of each chapter, an experienced researcher in the field offers comments and discussion on the contributions of the chapter, providing reflections on the implications for research in the field to which they ascribe. In Doing Organizational Ethnography, organizational is defined as polyphonic ways of organizing based on the interactions of the many voices, discourses, practices and narratives in and around organizations and the book provides readers with in-depth reflections on what organizing and organizations become when doing organizational ethnography.

Transcultural Perspectives in Literature, Language, Art, and Politics
Transcultural Perspectives in Literature, Language, Art, and Politics

Author: Aristi Trendel

Publisher: Rowman & Littlefield

Published: 2024-09-23

Total Pages: 267

ISBN-13: 1666956007

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Transcultural Perspectives in Literature, Language, Art, and Politics is a contribution to the field of transcultural studies that has been gaining ground since the turn of the twentieth century. Embracing the transcultural lens in the humanities and social sciences, it demonstrates how the relevance, necessity and wide range of this approach can better enhance our understanding of the contemporary world as well as the past. Though all the contributors have a humanities background, they work in different research fields such as literary studies, linguistics, translation studies, cinema, or intellectual history, and use a variety of theoretical frames. A transdisciplinary framework also seems to be the most practical one to meet the challenges that transcultural phenomena and developments present. In sixteen chapters organized in five sections (literature, translation and linguistics, cinema, communication and politics), the volume explores the dynamics of transculturality at a micro and macro level, its benefits and limits. These studies suggest that transculturality is not only used as an intellectual working tool but also as an identity in motion that may represent a glimmer of hope in a world that seems to be in the throes of unreason and on the brink of self-induced destruction.

Transcultural Italies
Transcultural Italies

Author: Charles Burdett

Publisher: Transnational Italian Cultures

Published: 2020

Total Pages: 368

ISBN-13: 1789622557

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The history of Italian culture stems from multiple experiences of mobility and migration, which have produced a range of narratives, inside and outside Italy. This collection interrogates the dynamic nature of Italian identity and culture, focussing on the concepts and practices of mobility, memory and translation. It adopts a transnational perspective, offering a fresh approach to the study of Italy and of Modern Languages.

Dandyism and Transcultural Modernity
Dandyism and Transcultural Modernity

Author: Hsiao-yen Peng

Publisher: Routledge

Published: 2015-01-28

Total Pages: 319

ISBN-13: 1136941746

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This book views the Neo-Sensation mode of writing as a traveling genre, or style, that originated in France, moved on to Japan, and then to China. The author contends that modernity is possible only on "the transcultural site"—transcultural in the sense of breaking the divide between past and present, elite and popular, national and regional, male and female, literary and non-literary, inside and outside. To illustrate the concept of transcultural modernity, three icons are highlighted on the transcultural site: the dandy, the flaneur, and the translator. Mere flaneurs and flaneurses simply float with the tide of heterogeneous information on the transcultural site, whereas the dandy/flaneur and the cultural translator, propellers of modernity, manage to bring about transformative creation. Their performance marks the essence of transcultural modernity: the self-consciousness of working on the threshold, always testing the limits of boundaries and tempted to go beyond them. To develop the concept of dandyism—the quintessence of transcultural modernity—the Neo-Sensation gender triad formed by the dandy, the modern girl, and the modern boy is laid out. Writers discussed include Liu Na’ou, a Shanghai dandy par excellence from Taiwan, Paul Morand, who looked upon Coco Chanel the female dandy as his perfect other self, and Yokomitsu Riichi, who developed the theory of Neo-Sensation from Kant’s the-thing-in-itself.