The sun has set over streets of houses, government buildings and American backyards everywhere. The world is dark. A news team is on the scene. Their report: someone left the lawn sprinklers on; someone's horse is loose; a seashell is lying in the grass; dogs run by. The Governor issues excited statements appealing for calm. It is night-time in the world. Everyone's afraid. Everyone doesn't know if the sun, once down, will ever rise again. But there is a witness, and the witness will speak.
A “brilliant” examination of American complacency and how it puts the nation’s—and the world’s—security at risk (The Wall Street Journal). The ancient Greeks hard-wired a tragic sensibility into their culture. By looking disaster squarely in the face, by understanding just how badly things could spiral out of control, they sought to create a communal sense of responsibility and courage—to spur citizens and their leaders to take the difficult actions necessary to avert such a fate. Today, after more than seventy years of great-power peace and a quarter-century of unrivaled global leadership, Americans have lost their sense of tragedy. They have forgotten that the descent into violence and war has been all too common throughout human history. This amnesia has become most pronounced just as Americans and the global order they created are coming under graver threat than at any time in decades. In a forceful argument that brims with historical sensibility and policy insights, two distinguished historians argue that a tragic sensibility is necessary if America and its allies are to address the dangers that menace the international order today. Tragedy may be commonplace, Brands and Edel argue, but it is not inevitable—so long as we regain an appreciation of the world’s tragic nature before it is too late. “Literate and lucid—sure to interest to readers of Fukuyama, Huntington, and similar authors as well as students of modern realpolitik.” —Kirkus Reviews
Archetypes are real. Muses are real. Writers are the channels of these spirits & if that sounds like witchcraft that's because it is. These stories gave me chills. Sylvia Plath & Lana Del Rey course through the veins of these dark, sexy, mind-bending, fantastical, romantic, & haunting tales. Authors from different genres came together in their love & passion for these muses. The Blacklist: Kathryn Louise Crazy Mary: Patricia Grisafi Pipedreams: Devora Gray And All the World Drops Dead: Max Booth III Without Him (and Him, and Him) There is No Me: Laura Diaz de Arce Going About 99: Christine Stoddard The Lazarus Wife: Tiffany Morris Stag Loop: Brendan Vidito SP World: Lorraine Schein A Ghost of My Own Making: Ashley Inguanta Loose Ends: A Movie: Tiffany Scandal Girls in the Garden of Holy Suffering: Lisa Marie Basile The Gods in the Blood: Gabino Iglesias The Land of Other: Farah Rose Smith Sad Girl: Monique Quintana Corinne: JC Drake Sphinx Tears: Cara DiGirolamo Rituals of Gorgons: Larissa Glasser The Wife: Victoria Dalpe Dayglo Reflection: Manuel Chavarria Catman's Heart: Laura Lee Bahr Panic Bird: Selene MacLeod Because of Their Different Deaths: Stephanie Wytovich
“Inspiring, tragic, and at times heart-rendingly funny.” —People Unsentimental, unexpectedly funny, and incredibly honest, Tragedy Plus Time is a love letter to every family that has ever felt messy, complicated, or (even momentarily) magnificent. Meet the Magnificent Cayton-Hollands, a trio of brilliant, acerbic teenagers from Denver, Colorado, who were going to change the world. Anna, Adam, and Lydia were taught by their father, a civil rights lawyer, and mother, an investigative journalist, to recognize injustice and have their hearts open to the universe—the good, the bad, the heartbreaking (and, inadvertently, the anxiety-inducing and the obsessive-compulsive disorder-fueling). Adam chose to meet life’s tough breaks and cruel realities with stand-up comedy; his older sister, Anna, chose law; while their youngest sister, Lydia, struggled to find her place in the world. Beautiful and whip-smart, Lydia was witty, extremely sensitive, fiercely stubborn, and always somewhat haunted. She and Adam bonded over comedy from a young age, running skits in their basement and obsessing over episodes of The Simpsons. When Adam sunk into a deep depression in college, it was Lydia who was able to reach him and pull him out. But years later as Adam’s career takes off, Lydia’s own depression overtakes her, and, though he tries, Adam can’t return the favor. When she takes her own life, the family is devastated, and Adam throws himself into his stand-up, drinking, and rage. He struggles with disturbing memories of Lydia’s death and turns to EMDR therapy to treat his post-traumatic stress disorder when he realizes there’s a difference between losing and losing it. Adam Cayton-Holland is a tremendously talented writer and comedian, uniquely poised to take readers to the edges of comedy and tragedy, brilliance and madness. Tragedy Plus Time is a revelatory, darkly funny, and poignant tribute to a lost sibling that will have you reaching for the phone to call your brother or sister by the last page.
A New York Times Notable Book 2012 The rural town of Stockton, New York, is famous for nothing: no one was born there, no one died there, nothing of any historical import at all has ever happened there, which is why Solomon Kugel, like other urbanites fleeing their pasts and histories, decided to move his wife and young son there. To begin again. To start anew. But it isn’t quite working out that way for Kugel… His ailing mother stubbornly holds on to life, and won’t stop reminiscing about the Nazi concentration camps she never actually suffered through. To complicate matters further, some lunatic is burning down farmhouses just like the one Kugel bought, and when, one night, he discovers history—a living, breathing, thought-to-be-dead specimen of history—hiding upstairs in his attic, bad quickly becomes worse. Hope: A Tragedy is a hilarious and haunting examination of the burdens and abuse of history, propelled with unstoppable rhythm and filled with existential musings and mordant wit. It is a comic and compelling story of the hopeless longing to be free of those pasts that haunt our every present.
A critical re-examination of the views of Plato, Aristotle, Hegel and Nietzsche on tragedy. Ancient Greek tragedy is revealed as surprisingly modern and experimental, while such concepts as mimesis, catharsis, hubris and the tragic collision are discussed from different perspectives.
Every year at an exclusive private boarding school in New York state, the graduating students uphold an old tradition - they must swear an oath of secrecy and leave behind a "treasure" for each incoming senior. When Duncan Meade inherits the room and secrets of Tim Macbeth, he uncovers evidence of a clandestine romance, and unravels the truth behind one of the biggest mysteries in the school's history. How far would you go to keep a secret?
We might think we are through with the past, but the past isn't through with us. Tragedy permits us to come face to face with the things we don't want to know about ourselves, but which still make us who we are. It articulates the conflicts and contradictions that we need to address in order to better understand the world we live in. A work honed from a decade's teaching at the New School, where 'Critchley on Tragedy' is one of the most popular courses, Tragedy, the Greeks and Us is a compelling examination of the history of tragedy. Simon Critchley demolishes our common misconceptions about the poets, dramatists and philosophers of Ancient Greece - then presents these writers to us in an unfamiliar and original light.
Bobby Petrocelli's story is one of personal triumph and hope following a devastating tragedy in his life. One night he went to bed in his suburban America (League City, Texas) home a happy man with a loving wife, but when he woke up dazed in his kitchen, his wife was dead and his life changed forever. A pickup had crashed into the wall of his bedroom driven by a man more than twice legally drunk. Now he tells his story nationwide to high school students, speaking of the consequences of drinking and driving.
