Pottery has a long history in India. Over the centuries it has been used for domestic ware, votive pieces and for architecture. Each area of the country is known for its different styles, decorations and ways of making. In this book, the author, not only looks at Indian pottery but also at the communities who make it, their organization, history and philosophy.
Focusing on traditional urban potters in the northwest Indian cities of Jodhpur and Udaipur, this sociological study examines the relationships among present-day potters, distributors, and vendors in order to better understand the organization of early complex societies and to identify different kinds of early craft specialists.
This Is An Unusual Exploration Into India S Timeless Civilization By An Enthropologist Who Has Devoted Six Years To Extensive Survey Of The Peasant Potters Of More Than Half Of India. The Author Of This Book , Writes Professor N.K. Bose , Has Applied Some Methods In The Study Of Indian Culture Which&. Have Not Been Used By Any Other Student Of Cultural Anthropology In This Country. His Method Of Correlation Of Material Culture With The Total Cultural System Marks A Departure From The Conventional Studies Of Cultural Processes. He Has Suggested New Methods Of Reconstructing History, And His Data On Contemporary Pottery Making Afford A Reassessment Of Indian Archaeological Materials.The Author S Extensive Experience With Inter-Disciplinary Inquiry Yields Insight. From A Detailed Analysis Of The Ethnographic Data On Pottery Making, He Makes Some Significant Observations: There Is Continuity In Potter-Craft Tradition In India, Traceable From The Pre-Historic Times. The Survival Of The Ethnic Groups Of Potters, Well Within Their Respective Technological Zones Of Pre-Historic Pottery Making, Makes The Aryanization Of India Doubtful. Different Regions Of India Have Evolved Their Own Indigenous Cultures Providing Extreme Diversity To The Material Base Of Indian Society-Their Unity Lies In The Basic Philosophy Of Life, In The Higher Forms Of Culture. To An Average Indian, The Diversity Of Cultures-Food, Dress, Language, Worship-Does Not Really Matter, So Long As He Believes That Every Way Of Life Has Its Own Contribution To Humanity, And That Before The Inexorable Law Of Nature, Every Being Has An Equal Right To Survive Through The Full Course Of Its Cosmic Life. This Idealization Of Diversity Has Helped India Develop A Tradition Of Tolerance, Which Is The Soul Of Her Civilization.Apart From Its Contribution To Anthropology, The Book Will Be Of Particular Interest To Historians Of Culture And Philosophers Of Social History
Encompassing the sheer beauty and variety of traditional Indian designs, this fascinating store of decorative motifs is inspired by a 5,000-year-old artistic heritage. Hundreds of unique black-and-white embellishments have been precisely adapted from a wide range of cultural artifacts: coins and pottery from South India, Ajanta and Bagh murals, Muslim monuments, textiles from Gujarat and Punjab, as well as designs from masks and other tribal pieces. A stimulating and immediately usable archive for today's illustrators, designers, and art enthusiasts!
History as a social science is arguably more self-reflective than associated disciplines in that family. Other social scientists seem to see little reason to look beyond the paradigm they are developing in the present times. Historians on the other hand, tend to depend on the cumulative process of the development of their craft and the fund of accumulated knowledge. Yet, while this is acknowledged in the practice of research, Historiography in itself as a subject of study has rarely found its place in the syllabi of Indian universities. Knowledge of Historiography is taken for granted when a scholar plunges into research. In an attempt to address this lacuna, the Indian Council of Historical Research (ICHR) has planned a series of volumes on Historiography comprising articles by subject specialists commissioned by the ICHR. The first volume in the series, Approaches to History: Essays in Indian Historiography brings to the readers the first fruits of that endeavour. While the essays encompass areas of research presently at the frontiers of new research, scholars will also find the bibliographies accompanying the essays of significant appeal.
The 23 papers presented here are the product of the interdisciplinary exchange of ideas and approaches to the study of kitchen pottery between archaeologists, material scientists, historians and ethnoarchaeologists. They aim to set a vital but long-neglected category of evidence in its wider social, political and economic contexts. Structured around main themes concerning technical aspects of pottery production; cooking as socioeconomic practice; and changing tastes, culinary identities and cross-cultural encounters, a range of social economic and technological models are discussed on the basis of insights gained from the study of kitchen pottery production, use and evolution. Much discussion and work in the last decade has focussed on technical and social aspects of coarse ware and in particular kitchen ware. The chapters in this volume contribute to this debate, moving kitchen pottery beyond the Binfordian ‘technomic’ category and embracing a wider view, linking processualism, ceramic-ecology, behavioral schools, and ethnoarchaeology to research on historical developments and cultural transformations covering a broad geographical area of the Mediterranean region and spanning a long chronological sequence.
