This fiction debut is "a warm tale of 'princess dyke' life in L.A. What they lack in resources, they make up for in their celebration of familia, love and unapologetic sexual configurations" (Ana Castillo).
Leticia Marisol Estrella Torez, a young Latina, heads north to escape her past and change her fortunes but nevertheless returns to the powerful pull of la familia. Reprint.
The garish neon lights of New York City’s Times Square can be very seductive. And so can the promises of dark pleasures on the seedier side streets. To Davey Owen, the lure of a glowing sign advertising “Live Girls” was too hard to resist. He was looking for a little entertainment. He found instead a nightmare in the form of a beautiful but strangely pale woman. A woman who offers him passion, ecstasy— and eternal life—but takes in exchange his lifeblood and his very soul. It's scary, it's involving, and it’s also mature and thoughtful.” — Stephen King on Dark Channel “The most nightmarish vampire story I have ever read.” — Ramsey Campbell “Garton never fails to go for the throat!” — Richard Laymom “Garton has a flair for taking veteran horror theiries and twisting them to evocative or entertaining effect.” — Publishers Weekly “Ray Garton has consistently created some of the best horror ever set to print.” — Cemetery Dance
An ancient title of respect for women, the word “cunt” long ago veered off this noble path. Inga Muscio traces the road from honor to expletive, giving women the motivation and tools to claim “cunt” as a positive and powerful force in their lives. In this fully revised edition, she explores, with candidness and humor, such traditional feminist issues as birth control, sexuality, jealousy between women, and prostitution with a fresh attitude for a new generation of women. Sending out a call for every woman to be the Cuntlovin' Ruler of Her Sexual Universe, Muscio stands convention on its head by embracing all things cunt-related. This edition is fully revised with updated resources, a new foreword from sexual pioneer Betty Dodson, and a new afterword by the author. “Bright, sharp, empowering, long-lasting, useful, sexy....”—San Francisco Chronicle “... Cunt provides fertile ground for psychological growth.”—San Francisco Bay Guardian “Cunt does for feminism what smoothies did for high-fiber diets—it reinvents the oft-indigestible into something sweet and delicious.”—Bust Magazine
An “exuberant [and] smart” novel of love, family, the fluidity of identity, and the mysteries of the past (Publishers Weekly). Set amid the outsider worlds of twenty-first century downtown New York, 1990s Los Angeles, and 1940s Mexico City, Like Son is the not-so-simple story of a love-blindness shared between a father and a son. Born a bouncing baby girl named Francisca Cruz, Frank Cruz is now a post-punk thirty-year-old who has inherited his dead father’s wanderlust, unrequited love, and hyperbolic tendencies. From the author ofTrace Elements of Random Tea Parties, this is a “powerfully written chronicle of love, in which gender is irrelevant, and the siren call of the past threatens the present” (Booklist). “Frank Cruz—born as a girl named Francisca, but living and identifying as a man—is a loner from Southern California. His father, diagnosed with terminal cancer, offers Frank tragic stories of the Cruz family, a key to a safe deposit box and an arresting 1924 photograph of a beautiful woman named Nahui Olin, a bohemian Mexican artist/poet from an aristocratic background. Frank (who narrates) learns that Nahui had many lovers, lived transgressively and was endlessly wooed. When his father dies, Frank sets off for New York and lands in the East Village, where he meets and falls in love with Nathalie; she eerily reminds him of Nahui, whose face and history have now obsessed him. Their relationship is solid until the horror of September 11 throws them into chaos and sadness that tests their relationship, and Frank’s self-image. With her blunt prose, Lemus doesn't waste a word in this smart, never sentimental identity novel.” —Publishers Weekly
Frank Cruz is a sardonic post-punk of 30. Born a bouncing baby girl - Francisca - to parents tangled in a doomed love affair, inheritor of his father's wanderlust. Left a crumbling photo of a beautiful woman at his father's deathbed. Fleeing to New York City, where he meets Nathalie - eccentric, gorgeous, sharp-tongued: the spit of the woman in the portrait. Love - seven happy go lucky years. And then in September 2001, the sky falls apart...
In concise and distilled prose, Lemus presents a collection of still lifes, landscapes, and portraits of a challenging year that threatened all she loved most. “A love story that’s profoundly rooted in the emotional, geographical, and sociopolitical terrain of today . . . Like song lyrics or snapshots, her wisps and fragments of language take on a coded and otherworldly atmosphere, one that conveys wonder and dread almost subliminally . . . Particulate Matter is a moving example of how to write about climate change, not didactically, but with the deep impact of both personal loss and literary elegance.” —NPR Books “A tiny, powerful flame of a book. Lemus’ writing lands like sparks and ash, fragmented and tinged with grief . . . Particulate Matter is . . . an exploration of the simultaneity of delight, yearning, grief and confusion of being in love with a person and a place. Of being alive at all.” —San Francisco Chronicle Particulate Matter is the story of a year in Felicia Luna Lemus’s marriage when the world turned upside down. It’s set in Los Angeles, and it’s about love and crisis, loss and grief, the city and the ocean, ancestral ghosts and history haunting. Nature herself seemed to howl. Fires raged and covered the house Lemus and her spouse shared in ash. Everything crystallized. It was the most challenging and terrifying time she had ever experienced, and yet it was also a time when the sublime beauty of the everyday shone through with particular power and presence.