Visit my website for more info: WWW.TRACEANDCOLOR.COM This fun children's tracing and coloring book features 60 unique and inspiring illustrations and messages for you to trace and color. This book was created with a purpose to hopefully inspire and encourage every little girl and let them know that they can achieve anything. Grab a copy for you or a loved one today!
A vibrant picture book featuring an irrepressible new character—perfect for fans of The Dot and Beautiful Oops!—from acclaimed illustrator Julia Denos. In a place where color ran wild, there lived a girl who was wilder still. Her name was Swatch, and color was her passion. From brave green to in-between gray to rumble-tumble pink . . . Swatch wanted to collect them all. But colors don’t always like to be tamed. . . . This is an exuberant celebration of all the beauty and color that make up our lives.
The first study of the role of the newspaperwoman in American literary culture at the turn of the twentieth century, this book recaptures the imaginative exchange between real-life reporters like Nellie Bly and Ida B. Wells and fictional characters like Henrietta Stackpole, the lady-correspondent in Henry James's Portrait of a Lady. It chronicles the exploits of a neglected group of American women writers and uncovers an alternative reporter-novelist tradition that runs counter to the more familiar story of gritty realism generated in male-dominated newsrooms. Taking up actual newspaper accounts written by women, fictional portrayals of female journalists, and the work of reporters-turned-novelists such as Willa Cather and Djuna Barnes, Jean Marie Lutes finds in women's journalism a rich and complex source for modern American fiction. Female journalists, cast as both standard-bearers and scapegoats of an emergent mass culture, created fictions of themselves that far outlasted the fleeting news value of the stories they covered. Front-Page Girls revives the spectacular stories of now-forgotten newspaperwomen who were not afraid of becoming the news themselves—the defiant few who wrote for the city desks of mainstream newspapers and resisted the growing demand to fill women's columns with fashion news and household hints. It also examines, for the first time, how women's journalism shaped the path from news to novels for women writers.
A powerful historical novel about the human will to survive, as a family is torn apart by war, and struggle to find one another again. The year is 1066. The Duke of Normandy has arrived on English soil, quickly quashing any uprising from the native Saxons and wresting the crown from King Harold. The men of Tresche are a strong Saxon family. Made up mostly of bastards, the men are warriors from the moment they are old enough to hold a wooden sword in their tiny hands. Nothing could prepare them for the army of Duke William, and nothing could prepare them for the losses they suffer at the Battle of Hastings. They are left with only their memories of the past as they embark on a journey to bring the shattered pieces of their lives, and their family, back together. AUTHOR’S NOTE: This book includes graphic scenes of violence that depicts a dark time in history. Historically, before he became King of England, William the Bastard secured his duchy by gouging out the eyes and cutting off the hands and feet of his prisoners. He then catapulted them into the town of Alencon, whose barons were not accepting of him as a nobleman. This is a story of a family William seeks vengeance upon. Though this book and the full three book series falls under the romance genre, this is not a typical romance of fairy tales and happily ever afters.
This in-depth look at a diverse group of young women at an alternative high school illuminates issues of race, class, gender, and identity formation, and shows the enormous power of schools to re-orient young women from school failure to success.
Growing up in a Philadelphia suburb in the 1960s, there were instances when I was quite reluctant to point out to my classmates, who were all White, that I was indeed African American. There was an impenetrable boundary between African Americans and Whites. To be something else other than White meant to attract unwanted and unneeded attention. Sometimes I felt I harbored a secret, a mark, or stain, one that my friends and I just didn't discuss. I do not remember intentionally trying to deny who I am, but I am sure there were instances when I just didn't speak up with a loud voice. The pressure to somehow join the majority was intense and painful. Robert Moore, whose African American identity today may be questioned by some because of his very light skin color, grew up in an all-white suburb of Philadelphia in the 1960s when the push to assimilate was blatant. An examination of the life experiences of people sometimes felt to be at the perimeter serves to point out that the racial categories of White and Black in America remain strong and impenetrable. The book spans nearly fifty years beginning in the author's youth to a contemporary period when he is a sociology teacher in a university classroom. Book jacket.