A fast-paced and explosive action thriller, perfect for fans of James Deegan. Jack Tate thought the war was over... ‘Alex Shaw is one of the best thriller writers around!’ Stephen Leather
SHORTLISTED FOR THE 2021 WILBUR SMITH ADVENTURE WRITING PRIZE The start of a gripping new crime thriller series introducing ex-SAS trooper Jack Tate! ‘Looking for breakneck pace and a relentless hero? Alex Shaw has you covered’ James Swallow
The start of a gripping new crime thriller series introducing Intelligence officer Sophie Racine and featuring ex-SAS officer Aidan Snow! ‘Alex Shaw is one of the best thriller writers around!’ Stephen Leather
‘You couldn’t make it up. Brilliant.’ Jeffrey Archer ‘Decades of war has given James Deegan a natural ability to create a world that is incredibly realistic and exciting. This takes military fiction to a whole new level entirely. Deegan is a master’ Tom Marcus Mi5 Survellance officer, Author of Capture or Kill
From Katy Perry training alongside US Marines in a music video, to the global box-office mastery of the US military-supported Transformers franchise, to the explosion of war games such as Call of Duty, it’s clear that the US security state is a dominant force in media culture. But is the ubiquity of cultural products that glorify the security state a new phenomenon? Or have Uncle Sam and Hollywood been friends for a long time? Hearts and Mines examines the rise and reach of the US Empire’s culture industry – a nexus between the US’s security state and media firms and the source of cultural products that promote American strategic interests around the world. Building on and extending Herbert I. Schiller’s classic study of US Empire and communications, Tanner Mirrlees interrogates the symbiotic geopolitical and economic relationships between the US state and media firms that drive the production of imperial culture.
The scientific discovery that chaotic systems embody deep structures of order is one of such wide-ranging implications that it has attracted attention across a spectrum of disciplines, including the humanities. In this volume, fourteen theorists explore the significance for literary and cultural studies of the new paradigm of chaotics, forging connections between contemporary literature and the science of chaos. They examine how changing ideas of order and disorder enable new readings of scientific and literary texts, from Newton's Principia to Ruskin's autobiography, from Victorian serial fiction to Borges's short stories. N. Katherine Hayles traces shifts in meaning that chaos has undergone within the Western tradition, suggesting that the science of chaos articulates categories that cannot be assimilated into the traditional dichotomy of order and disorder. She and her contributors take the relation between order and disorder as a theme and develop its implications for understanding texts, metaphors, metafiction, audience response, and the process of interpretation itself. Their innovative and diverse work opens the interdisciplinary field of chaotics to literary inquiry.