The Topsy-Turvies are just a nice ordinary family. They sleep in the kitchen, get up at midnight and have breakfast in the bedroom, wear their coats indoors and their pyjamas when they go out, and are most surprised when they visit Mrs Plum next door and find she doesn't. They decide to make her house lovely for her by turning everything upside down - and when a burglar climbs through the window, they do their best to make him feel at home. First published in 1995, this story is as witty and original as one would expect from the author of Horrid Henry. It is now reissued with brand-new illustrations by Emily Bolam, whose bright and brilliant pictures of the Topsy-Turvies are as much fun as the text.
Reuse, recycle, renew, and rethink! Climb aboard the Topsy-Turvy Bus with Maddy and Jake as it travels around the country teaching communities the importance of taking care of the earth and creating a better, cleaner, healthier world. Based on a real Topsy-Turvy Bus created by Hazon, the largest Jewish environmental organization in North America.
In his most expansive and unruly collection to date, the acclaimed poet Charles Bernstein gathers poems, both tiny and grand, that speak to a world turned upside down. Our time of “covidity,” as Bernstein calls it in one of the book’s most poignantly disarming works, is characterized in equal measure by the turbulence of both the body politic and the individual. Likewise, in Topsy-Turvy, novel and traditional forms jostle against one another: horoscopes, shanties, and elegies rub up against gags, pastorals, and feints; translations, songs, screenplays, and slapstick tangle deftly with commentaries, conundrums, psalms, and prayers. Though Bernstein’s poems play with form, they incorporate a melancholy, even tragic, sensibility. This “cognitive dissidence,” as Bernstein calls it, is reflected in a lyrically explosive mix of pathos, comedy, and wit, though the reader is kept guessing which is which at almost every turn. Topsy-Turvy includes an ode to the New York City subway and a memorial for Harpers Ferry hero Shields Green, along with collaborations with artists Amy Sillman and Richard Tuttle. This collection is also full of other voices: Pessoa, Geeshie Wiley, Friedrich Rückert, and Rimbaud; Carlos Drummond, Virgil, and Brian Ferneyhough; and even Caudio Amberian, an imaginary first-century aphorist. Bernstein didn’t set out to write a book about the pandemic, but these poems, performances, and translations are oddly prescient, marking a path through dark times with a politically engaged form of aesthetic resistance: We must “Continue / on, as / before, as / after.” The audio version of Topsy-Turvy is performed by the author.
In 1585, Luis Frois, a 53 year old Jesuit who spent all of his adult life in Japan listed 611(!) ways Europeans and Japanese were contrary (completely opposite) to one another. Robin D. Gill, a 53 year old writer who spent most of his adulthood in Japan, translates these topsy-turvy claims - we sniff the top of our melons to see if they are ripe / they sniff the bottom of theirs (10% of the book), examines their validity (20% of the book), and plays with them (70% of the book). Readers with the intellectual horsepower to enjoy ideas will be grateful for pages discussing things like the significance of black and white clothing or large eyes vs. small ones, while others with a ken to collect quirky facts will be delighted to find, say, that the women in Kyoto were known to urinate standing up, or Japanese horses had their stale gathered by long-handled ladles, etc., and serious students of history and comparative culture will gain a better understanding of the nature of radical difference (exotic, by definition) and its relationship with the farsighted policy of accommodation pioneered by Valignano in the Far East.
"When God made the earth and the heavens above with beautiful colors so bright, with so many hues, how did he choose? Yet somehow they all look just right." --page 1. This is an inspirational book for young children.
