Former Illinois State Police Investigations Commander Michale Callahan recounts his review of the wrongful convictions of Randy Steidl and Herb Whitlock for the 1986 murder of newlyweds Dyke and Karen Rhoads in Paris, Illinois, and ongoing attempts on the part of officials to impede Callahan's investigation.
The Middle East is almost never off the front pages, yet most Americans know little about the region. Why? The mainstream media and Ivy League academics, instead of helping, only make matters worse by casting everything in the usual politically correct mold: Arab terrorists are just desperate freedom fighters, and the region's one free democracy -- Israel -- is the oppressor, not least because of its alliance with America. And if Islamic extremism is a problem, the establishment tells us, it's only because it's rooted in that source of all evils: religion. A different strain of political correctness has seeped into some minds on the right -- most notably the Bush administration, which, so ready to buy into the egalitarian myths we are all taught, believed that Western-style democracy could flourish anywhere. Now, in The Politically Incorrect Guide to the Middle East, veteran Middle East correspondent Martin Sieff puts the lie to all these myths and clichés, giving you everything you need to know about the region to understand its past, its present, and its possible future.
Venice’s Commissario Brunetti takes on his “most difficult and politically sensitive case to date” in the gripping New York Times–bestselling series (Booklist). In Death and Judgment, a truck crashes and spills its dangerous cargo on a treacherous road in the Italian Dolomite mountains. Meanwhile, in Santa Lucia, a prominent international lawyer is found dead aboard an intercity train. Suspecting a connection between the two tragedies, Brunetti digs deep for an answer, stumbling upon a seedy Venetian bar that holds the key to a crime network that reaches far beyond the laguna. But it will take another violent death in Venice before Brunetti and his colleagues begin to understand what is really going on. “No one is more graceful and accomplished than Leon.” —The Washington Post “The sophisticated but still moral Brunetti, with his love of food and his loving family, proves a worthy custodian of timeless values and verities.” —The Wall Street Journal “[Brunetti’s] humane police work is disarming, and his ambles through the city are a delight.” —The New York Times Book Review “The heady atmosphere of Venice and a galaxy of fully realized characters enrich this intriguing and finally horrifying tale.” —Publishers Weekly “The first of Leon’s books to knit together all her strengths: endearing detective, jaundiced social pathology, and a paranoid eye for plotting on a grand scale.” —Kirkus Reviews
"In Going to Extremes, renowned legal scholar and best-selling author Cass R. Sunstein offers startling insights into why and when people gravitate toward extremism."--Inside jacket.
Considering the importance which Latinos will have on American culture and politics in the 21st century, very little of a nonscholarly nature has been written about them. Rogers fills the gap somewhat with this journalistic biography of Ernesto Cortes,a grass-roots leader who teaches Latinos how to use the political system. A man who combines religion and secular ideology, Cortes is doing for the Latino communities nationally what Jesse Jackson did in Chicago a decade earlier. The book effectively captures the flavor of the movement in small, rural locales and in major urban centers, conveying Cortes's ideology and energy, as well as the issues close to the Latino heart. A welcome look at minority politics in the 1990s.
***2019 NATIONAL BOOK AWARD FINALIST*** Winner of the Arab American Book Award in Fiction Finalist for the Kirkus Prize in Fiction Finalist for the California Book Award Longlisted for the Aspen Words Literary Prize A Los Angeles Times bestseller Named a Best Book of the Year by The Washington Post, Time, NPR, Minneapolis Star Tribune, Dallas Morning News, The Guardian, Variety, and Kirkus Reviews Late one spring night in California, Driss Guerraoui—father, husband, business owner, Moroccan immigrant—is hit and killed by a speeding car. The aftermath of his death brings together a diverse cast of characters: Guerraoui's daughter Nora, a jazz composer returning to the small town in the Mojave she thought she'd left for good; her mother, Maryam, who still pines for her life in the old country; Efraín, an undocumented witness whose fear of deportation prevents him from coming forward; Jeremy, an old friend of Nora’s and an Iraqi War veteran; Coleman, a detective who is slowly discovering her son’s secrets; Anderson, a neighbor trying to reconnect with his family; and the murdered man himself. As the characters—deeply divided by race, religion, and class—tell their stories, each in their own voice, connections among them emerge. Driss’s family confronts its secrets, a town faces its hypocrisies, and love—messy and unpredictable—is born. Timely, riveting, and unforgettable, The Other Americans is at once a family saga, a murder mystery, and a love story informed by the treacherous fault lines of American culture.
A fable about the power of books and knowledge, “finely balanced between pathos and comedy,” from one of Czechoslovakia’s most popular authors (Los Angeles Times). A New York Times Notable Book Haňtá has been compacting trash for thirty-five years. Every evening, he rescues books from the jaws of his hydraulic press, carries them home, and fills his house with them. Haňtá may be an idiot, as his boss calls him, but he is an idiot with a difference—the ability to quote the Talmud, Hegel, and Lao-Tzu. In this “irresistibly eccentric romp,” the author Milan Kundera has called “our very best writer today” celebrates the power and the indestructibility of the written word (The New York Times Book Review).
From the olive trees of southern France to Gnostic cults in Egypt, a man and his lovers are invented and reinvented in this first volume of a great literary adventure. For British doctor Bruce Drexel, a return to Provence is bittersweet. Here, at a rustic chateau, he once fell in love with Sylvie, the Frenchwoman who would become his wife, and befriended her brother, Piers. The three made up a peculiar, potent ménage for years until Sylvie’s descent into madness and Piers’s suicide. As Drexel attends to Piers’s affairs, he becomes steeped in the memories of a spiritually transformational trip to Egypt; the band of intellectual confederates who used to be his intimate friends; and a three-sided love that became his reason for being. So begins Monsieur, the masterful first entry of Durrell’s Avignon Quintet, an infinite regress of memory and imagination that challenges the formal conventions of fiction.
Is today's youth over sensitive, mollycoddled and intellectually pathetic? Does the scourge of political correctness threaten the very fabric of our nations? Yes, and yes! comes the cry of the incensed politician, columnist, comedian, disgruntled father, and baby boomer. Dubbed the 'snowflake generation', these hypersensitive cowards are up in arms about silly things like bathrooms smeared with faeces in the shape of Swastikas, climate change, and statues of colonisers being kept in their natural habitats of universities and town squares. They make obstinate requests like wondering if a vegan option might be available, or if you could (please) use their correct pronouns. In response to this outrage, writer and Washington Post pop culture host Hannah Jewell has decided to write a book to explain why being a snowflake might not be a bad thing. It might even make the world a better place. Subversive, provocative and very funny, Hannah explains how, shockingly, despising the generation that comes after your own isn't actually a new thing, and why it's good for students (and indeed the rest of us) to kick off. She shows how you can instill resilience in children without having to live through a war or be made to eat octopus; and provides a handy guide to how you - yes, you! - can also become a snowflake and help to make the world a kinder, more empathetic place.