Picturing the Language of Images is a collection of thirty-three previously unpublished essays that explore the complex and ever-evolving interaction between the verbal and the visual. The uniqueness of this volume lies in its bringing together scholars from around the world to provide a broad synchronic and diachronic exploration of the relationship between text and image, as well as a reflection on the limits of representation through a re-thinking of the very acts of reading and viewing. While covering a variety of media—such as literature, painting, photography, film and comics—across time—from the 18th century to the 21st century—this collection also provides a special focus on the work of particular authors, such as A. S. Byatt, W. G. Sebald, and Art Spiegelman.
Follows a city's decline into chaos with the arrival of Prometheus, the titan who stole fire from the gods and tried to give it to humankind as a gift.
The twenty-first century has witnessed an explosion of speculative fiction in translation (SFT). Rachel Cordasco examines speculative fiction published in English translation since 1960, ranging from Soviet-era fiction to the Arabic-language dystopias that emerged following the Iraq War. Individual chapters on SFT from Korean, Czech, Finnish, and eleven other source languages feature an introduction by an expert in the language's speculative fiction tradition and its present-day output. Cordasco then breaks down each chapter by subgenre--including science fiction, fantasy, and horror--to guide readers toward the kinds of works that most interest them. Her discussion of available SFT stands alongside an analysis of how various subgenres emerged and developed in a given language. She also examines the reasons a given subgenre has been translated into English. An informative and one-of-a-kind guide, Out of This World offers readers and scholars alike a tour of speculative fiction's new globalized era.
Classworks Fiction and Poetry is part of a comprehensive series of teacher's resource books, covering Reception to Year 6. Classworks takes teacher resources back to basics: no filling, no padding, no waffle - just all the nuts and bolts you need for great lessons, built the way you want them.
This is the most up-to-date book yet published on pathology of the head and neck. Its contents have been divided into ten chapters, devoted to the spectrum of precursor and neoplastic lesions of the squamous epithelium; the nasal cavities and paranasal sinuses; oral cavity, maxillofacial skeleton and teeth; salivary glands, nasopharynx and Waldeyer`s ring; larynx and hypopharynx, ear and temporal bone; neck and neck dissection, as well as eye and ocular adnexa.
This is a fanciful story as the main character mainly recounts one particularly eventful year of his life as a young boy living in a fictional small town in rural Australia. Sawtip was a unique hamlet that had strangely attracted a hodgepodge of characters from all over the world. People who never quite felt they belonged anywhere until they found Sawtip. Among the folk who entered the boy’s life was his teacher, Mr Cramburn; a troubled soul who escaped what he could of life by anchoring himself to his cherished Rules of Life. The somewhat dotty but dear Miss Julia Castalia and Mr Cramburn’s mother whose sad life had turned her into a selfishly possessive parent and drove her son to his excesses, but whose eccentricities revealed a woman of imagination and love. There were also the O’Nancyitches, an impish family of peplechauns; a cross between leprechauns and people. In particular the daughter of that family, Peggy O’Nancyitch, who kept to herself but was ever present when the young narrator needed rescuing. The narrator’s family consisted of his nine siblings which included his elder twin brothers whom he had always perceived as the worst of his tormentors. There was his story telling father and his mother, who was always there with tenderness and wise, comforting words. And not to forget the was his walking-stick wielding and cantankerous grandmother who was also always there and always to be avoided. The narrator’s life revolved around his friends, school, playing marbles, avoiding the bullies and his lifelong infatuation with Charlotte (Prissy-Face) Righteous-Worthington. Having fun and getting into mischief were prime ingredients in the boy’s life. In pursuit of these he and his companions tormented the valley’s cows into going on a milk strike before getting their revenge. The young narrator had constantly to be on his toes to cope with the bullies that plagued his life. However although bullies had the brawn he had a reservoir of cunning and imagination and of course Peggy. Playing marbles was a great attraction to the boys of Sawtip and the narrator was a champion. Unfortunately Simon (the Bulldog from Brooklyn) Jones also fancied himself as a marbles aficionado and worse still he was also enamoured with the beautiful Charlotte. This led to several potentially unpleasant encounters, as she manipulated them both, that culminated in the greatest marbles game in the entire history of all marbles games. It was during that game that the fabled Blue-Glow Fire Unbeatable Marble appeared when utter defeat loomed large. In adulthood he saw his friends from childhood drifting away and out of his life. His infatuation with Charlotte eventually led to a wedding ceremony, however the enigmatic Peggy O’Nancyitch and another appearance of the mythical Marble saved the young man; this time from a fate of nagging and mundane boredom.
