Former Dodgers All-Star Tommy Davis spins little-known stories about the Golden Age of baseball in Los Angeles and the team's 1963 and 1965 World Series championships.
In Sacred Work, Tom Davis brings to light the ways in which the Planned Parenthood Federation of America, a leading reproductive rights organization, and the clergy are not as incongruent as they often are construed to be. Beginning with Margaret Sanger's efforts to include mainline clergy in the fight to provide information about contraceptives to the general public, Davis details the religious and historical dimensions of this long alliance up through current debates.
In Bible times, God maintained a special provision for the less fortunate. As His people harvested their fields, they were instructed to always leave a portion of the crops for those in need. Today, God's heart continues to beat for the poor, the widows, and the fatherless. And as His children, our divine commission remains the same, a directive that's nothing less than the heart of the Christian message. Author Tom Davis encourages us to move beyond words and become Christ to those in need. Join Tom as he shares a journey from around the world and our own backyard as people's lives are changed through the power of compassion. Filled with remarkable stories of hope and mercy, Fields of the Fatherless will inspire you to love "the least of these," and discover the joy found in becoming the hands and feet of Christ, His way.
"I was hungry and you gave me no food, I was thirsty and you gave me no drink, I was a stranger and you did not welcome me, naked and you did not clothe me, sick and in prison and you did not visit me."? Matthew 25:42-43 ESV In many Bibles, Christ’s words are set apart with a red font. It should be obvious, but this distinction helps remind us that when God becomes Man and that Man speaks—it’s probably something we cannot afford to miss. So why doesn’t the church take these “red letters” to heart? Why aren’t we doing more to be Christ’s hands and feet to the poor, the disenfranchised, the weary, the ill, the fatherless, the prisoners? It’s all there—in red letters. Why has the Church shirked its responsibilities, leaving the work to be done by governments, rock stars, and celebrities? The Gospel wasn’t only meant to be read—it was meant to be lived. From the HIV crisis in Africa to a single abused and lonely child in Russia, the Church must seize the opportunity to serve with a radical, reckless abandon. Author Tom Davis offers both challenge and encouragement to get involved in an increasingly interconnected, desperate modern world.
Biblical archaeology flourished in the 1970s as an attempt to ground the historical witness of the Bible in demonstrable historical reality. Today this research paradigm has been largely abandoned. Thomas Davis charts the rise and fall of a methodology.
A memoir from the Emmy-winning Saturday Night Live writer that is “funny, spiky, and twistedly entertaining” (Entertainment Weekly). 39 Years of Short-Term Memory Loss is a seriously funny and irreverent memoir that gives an insider’s view of the birth and rise of Saturday Night Live, and features laugh-out-loud stories about some of its greatest personalities—Al Franken, Lorne Michaels, Dan Aykroyd, John Belushi, Bill Murray, Michael O’Donoghue, and Chris Farley. Tom Davis’s voice is rich with irony and understatement as he tells tales of discovery, triumph, and loss with relentless humor. His memoir describes not only his experiences on the set of SNL but also his suburban childhood, his high school escapades in the sixties, his discovery of sex, and how he reveled in the hippie culture—and psychoactive drugs—from San Francisco to Kathmandu to Burning Man over the last four decades. Hysterical, lucid, and wise, 39 Years of Short-Term Memory Loss is an unforgettable romp in an era of sex, drugs, and comedy. “Though it features some lurid and hysterical SNL stories, Davis’s memoir is less a backstage expose than a winning coming-of-age story featuring a funny Midwestern kid following his unlikely dream to the top.” —Publishers Weekly, starred review
Named a Best Book of the Year by The Washington Post, NPR, Vanity Fair, LA Times, San Francisco Chronicle, Huffington Post, The Atlantic, Refinery 29, Men's Journal, Ploughshares, Lit Hub, Book Riot, Los Angeles Magazine, Powells, BookPage and Kirkus Reviews The much-anticipated first novel from a Story Prize-winning “5 Under 35” fiction writer. In 2012, Claire Vaye Watkins’s story collection, Battleborn, swept nearly every award for short fiction. Now this young writer, widely heralded as a once-in-a-generation talent, returns with a first novel that harnesses the sweeping vision and deep heart that made her debut so arresting to a love story set in a devastatingly imagined near future: Unrelenting drought has transfigured Southern California into a surreal, phantasmagoric landscape. With the Central Valley barren, underground aquifer drained, and Sierra snowpack entirely depleted, most “Mojavs,” prevented by both armed vigilantes and an indifferent bureaucracy from freely crossing borders to lusher regions, have allowed themselves to be evacuated to internment camps. In Los Angeles’ Laurel Canyon, two young Mojavs—Luz, once a poster child for the Bureau of Conservation and its enemies, and Ray, a veteran of the “forever war” turned surfer—squat in a starlet’s abandoned mansion. Holdouts, they subsist on rationed cola and whatever they can loot, scavenge, and improvise. The couple’s fragile love somehow blooms in this arid place, and for the moment, it seems enough. But when they cross paths with a mysterious child, the thirst for a better future begins. They head east, a route strewn with danger: sinkholes and patrolling authorities, bandits and the brutal, omnipresent sun. Ghosting after them are rumors of a visionary dowser—a diviner for water—and his followers, who whispers say have formed a colony at the edge of a mysterious sea of dunes. Immensely moving, profoundly disquieting, and mind-blowingly original, Watkins’s novel explores the myths we believe about others and tell about ourselves, the double-edged power of our most cherished relationships, and the shape of hope in a precarious future that may be our own.