Fast cars, fast women, late nightclubs, hardcore rappers & troubled youth-welcome to the urban world of Hip Hop, Japanese style! Hip Hop has long become a cultural icon that has but recently spilled over American edges and into countries like Japan. Now, LET'S DRAW MANGA takes you behind the scene of Tokyo's trendy subculture with LET'S DRAW MANGA-TOKYO URBAN-HIP HOP CULTURE.
Instructed by Japanese street experts and drawn by industry veterans of manga, this valuable instructional guide helps readers depict the fast-pace urban lifestyle of Tokyo, Japan's largest mecca for the Hip Hop subculture it bears by its youth today. Through a series of studied drawings of various character designs, urban environments, city living conditions and youth entertainment, which are essential elements to creating this unique genre, this book presents to the novice artist step-by-step illustrations and design instructions which ultimately lead up to formulating a short urban story. With focus on creating characters with the hippest hairstyles and latest trends in fashion, down to constructing the various local youth settings, this book makes the perfect uniquely themed reference guide for anyone wanting to draw on urban manga drama!
The most clearly identifiable and popular form of Japanese hip-hop, “ghetto” or “gangsta” music has much in common with its corresponding American subgenres, including its portrayal of life on the margins, confrontational style, and aspirational “rags-to-riches” narratives. Contrary to depictions of an ethnically and economically homogeneous Japan, gangsta J-hop gives voice to the suffering, deprivation, and social exclusion experienced by many modern Japanese. 24 Bars to Kill offers a fascinating ethnographic account of this music as well as the subculture around it, showing how gangsta hip-hop arises from widespread dissatisfaction and malaise.
The fashionable, eccentric pedestrians of Tokyo are captured with hundreds of portrait photographs in this fun guide to Tokyo street fashion. Tokyo is considered one of the world's style capitals for its vibrant youth fashion culture. Part guide book, part fashion photography album, Tokyo Fashion City takes a stroll through eight Tokyo neighborhoods, each with its own unique fashion characteristics, to see what streetwise young Tokyoites are wearing, where they're shopping, what they're eating and drinking, and where they're hanging out. Author Philomena Keet and photographer Yuri Manabe accompany the reader to Harajuku where high fashion rubs shoulders with hip-hop style; to Shibuya, birthplace of the "gal" and stomping ground for Tokyo's most sophisticated fashionistas; to hipster hangout Daikanyama; to the goth and geek meccas of Shinjuku and Ikebukuro; to bohemian Koenji and otaku neighborhood Nakano; to Ginza's lunching ladies and dapper gentlemen; to the cosplay paradise of Akihabara; and to the narrow lanes of East Tokyo, where everyday Japanese fashion gets a traditional touch. Each chapter is packed with photographs of young fashionistas captured as they go about their daily lives, with info-rich captions, and insightful text giving the background to the trends and tribes featured. With the inclusion of area maps, and shop and cafe listings, Tokyo Fashion City is an indispensable resource for readers wishing to keep a finger on Tokyo's style pulse.
Flores investigates the historical experience of Puerto Ricans in New York, reflecting their varied areas of cultural expression in the diaspora against the background of contemporary debates in Puerto Rico and recent developments in cultural theory. Close studies of urban space and performance, popular musical styles, and Nuyorican literature highlight the complexities and contradictions of Latino identity.
This hands-on survey introduces students to the diverse fields that comprise cultural studies, from visual culture to popular music and new media. It can be used as a standalone text or is the perfect companion volume to Ryan's Cultural Studies: An Anthology. Provides a comprehensive overview of the field, from cyberculture and digital media to fashion and new formulations of gender identity Includes student exercises and activities for each chapter Teaches cultural analysis through practical examples and application Gives students across disciplines the tools to become practitioners of Cultural Studies and active cultural analysts The perfect companion volume to Ryan's Cultural Studies Anthology (2008)
This book provides an up-to-date introduction to the important and growing field of urban anthropology. This is an increasingly critical area of study, as more than half of the world's population now lives in cities and anthropological research is increasingly done in an urban context. Exploring contemporary anthropological approaches to the urban, the authors consider: How can we define urban anthropology? What are the main themes of twenty-first century urban anthropological research? What are the possible future directions in the field? The chapters cover topics such as urban mobilities, place-making and public space, production and consumption, politics and governance. These are illustrated by lively case studies drawn from a diverse range of urban settings in the global North and South. Accessible yet theoretically incisive, Introducing Urban Anthropology will be a valuable resource for anthropology students as well as of interest to those working in urban studies and related disciplines such as sociology and geography.
From computer games to figurines and maid cafes, men called “otaku” develop intense fan relationships with “cute girl” characters from manga, anime, and related media and material in contemporary Japan. While much of the Japanese public considers the forms of character love associated with “otaku” to be weird and perverse, the Japanese government has endeavored to incorporate “otaku” culture into its branding of “Cool Japan.” In Otaku and the Struggle for Imagination in Japan, Patrick W. Galbraith explores the conflicting meanings of “otaku” culture and its significance to Japanese popular culture, masculinity, and the nation. Tracing the history of “otaku” and “cute girl” characters from their origins in the 1970s to his recent fieldwork in Akihabara, Tokyo (“the Holy Land of Otaku”), Galbraith contends that the discourse surrounding “otaku” reveals tensions around contested notions of gender, sexuality, and ways of imagining the nation that extend far beyond Japan. At the same time, in their relationships with characters and one another, “otaku” are imagining and creating alternative social worlds.
