To the End, They Remain
To the End, They Remain

Author: Raymond Clark

Publisher: The History Press

Published: 2013-10-01

Total Pages: 127

ISBN-13: 075095308X

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Ray Clark had a simple idea: send a postcard – the same postcard - depicting a memorial to war dead to those who might share their thoughts with others on loss, remembrance, war and peace. The response was remarkable. Men and women from all walks of life, from the Cabinet, the House of Lords and the senior ranks of the British Army to ex-servicemen, military historians, journalists and war widows, felt moved to express their feelings in a few words on that postcard. This book will sadden, provoke and inspire. The royalties will all go to Help for Heroes, the well-known charity working for the wounded of the British Armed forces, and Action Cancer.

Anti-Electra
Anti-Electra

Author: Elisabeth von Samsonow

Publisher: U of Minnesota Press

Published: 2019-06-11

Total Pages: 233

ISBN-13: 1452960763

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A close examination of the relationship between media, art, and the “Electra complex” The feminist counterpart to Deleuze and Guattari’s Anti-Oedipus, Anti-Electra is a philosophy of “the girl” as a model of contemporary transgressive subjectivity. Elisabeth von Samsonow asserts that focusing on the girl’s escape from the Oedipus complex leads to a fundamental shift in our most common views on media and art. Presenting an interpretation of contemporary technics, Anti-Electra argues that technology today encompasses Electra’s gadgets and toys. According to von Samsonow, satellite drive technologies such as wireless telephones, WLAN, and GPS echo the “preoedipal constellation” that the girl specializes in. And with the help of the girl, the cartography of overlapping zones between humankind and animals, as well as between humankind and apparatuses, is redesigned through what the book holds as a “radical totemism.” Anti-Electra ultimately offers a new view on gender, the contemporary world dyed by symbolic girlism, and the (universal) girl in critical dialogue with media, ecology, and society.

Kundera and the Ambiguity of Authorship
Kundera and the Ambiguity of Authorship

Author: Christine Angela Knoop

Publisher: MHRA

Published: 2011

Total Pages: 208

ISBN-13: 1907322116

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The scholarly debate about authorship has not only transcended all aspects of literary studies, but has also prompted contemporary authors to counter, subvert, and challenge it. One author to whom this applies in particular is Milan Kundera. In this study, Christine Knoop re-examines Kundera's essayistic and novelistic work against the background of the theoretical paradigms of literary authority, intention, and ownership. In so doing, she demonstrates how he overcomes traditional theoretical distinctions by postulating the existence of both a strong, powerful author figure and of potentially boundless literary meaning. Kundera's radically ambiguous conception of the author in the novel, developed primarily to influence the reader, is discussed and developed to cast new light on the critical debate about authorship at large while maintaining his primary conjecture that authorship as such is perpetually hybrid, dynamic, and unfinished. Christine Angela Knoop is a Postdoctoral Research Associate for Comparative Literature at Freie Universitat Berlin.

Stanley Kubrick
Stanley Kubrick

Author: Elisa Pezzotta

Publisher: Univ. Press of Mississippi

Published: 2013-07-25

Total Pages: 241

ISBN-13: 1617038946

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Although Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since 2001: A Space Odyssey (1968), his films seem to definitively exploit all cinematic techniques, embodying a compelling visual and aural experience. But, as author Elisa Pezzotta contends, it is for these reasons that his cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their independence. Stanley Kubrick's last six adaptations—2001: A Space Odyssey, A Clockwork Orange (1971), Barry Lyndon (1975), The Shining (1980), Full Metal Jacket (1987), and Eyes Wide Shut (1999)—are characterized by certain structural and stylistic patterns. These features help to draw conclusions about the role of Kubrick in the history of cinema, about his role as an adapter, and, more generally, about the art of cinematic adaptations. The structural and stylistic patterns that characterize Kubrick adaptations seem to criticize scientific reasoning, causality, and traditional semantics. In the history of cinema, Kubrick can be considered a modernist auteur. In particular, he can be regarded as an heir of the modernist avant-garde of the 1920s. However, author Elisa Pezzotta concludes that, unlike his predecessors, Kubrick creates a cinema not only centered on the ontology of the medium, but on the staging of sublime, new experiences.