‘I do not want to die. The thought that we may be cut off from each other is so terrible and that our babe may grow up without my knowing her and without her knowing me. It is difficult to face. Know through all your life that I loved you and baby with all my heart and soul, that you two sweet things were just all the world to me’
The First World War Diaries of Manchester Pals Captain Charlie May - written and kept in secret and published now for the first time. A born storyteller, Charlie May's vivid eye for detail and warm good humour brings his experience in the trenches (and the experience of millions of ordinary men like him) to life for a 21st-century readership. Captain Charlie May was killed, aged 27, in the early morning of 1st July 1916, leading the men of 'B Company', 22nd Manchester Service Battalion (the Manchester Pals) into action on the first day of the Somme. This tolerant and immensely likeable man had been born in New Zealand and - against King's regulations - he kept a diary in seven small, wallet-sized pocket books. A journalist before the war and a born storyteller, May's diaries give a vivid picture of battalion life in and behind the trenches during the build-up to the greatest battle fought by a British army and are filled with the friendships and tensions, the home-sickness, frustrations, delays and endless postponements, the fog of ignorance, the combination of boredom and terror to which every man that has ever fought could testify. His diaries reflect on the progress of the war, tell jokes - good and bad, give details of horse-rides along the Somme valley, afternoons with a fishing rod, lunch in Amiens, a gastronomic celebration of Christmas 1915 and concerts in 'Whiz Bang Hall'. He describes battles not just with the enemy, but with rats, crows and on the makeshift football pitch - all recorded with a freshness that brings these stories home as if for the first time. The diaries are also written as an extended and deeply-moving love letter to his wife Maude and baby daughter Pauline. 'I do not want to die', he wrote - 'Not that I mind for myself. If it be that I am to go, I am ready. But the thought that I may never see you or our darling baby again turns my bowels to water.' Fresh, eloquent and warm, these diaries were kept secret from the censor and were delivered to his wife after his death by a fellow soldier in Charlie's company. Edited by his great-nephew and published for the first time, these diaries give an unforgettable account of the war that took Charlie May's life, and millions of others like him.
The First World War Diaries of Manchester Pals Captain Charlie May - written and kept in secret and published now for the first time. A born storyteller, Charlie May's vivid eye for detail and warm good humour brings his experience in the trenches (and the experience of millions of ordinary men like him) to life for a 21st-century readership. Captain Charlie May was killed, aged 27, in the early morning of 1st July 1916, leading the men of 'B Company', 22nd Manchester Service Battalion (the Manchester Pals) into action on the first day of the Somme. This tolerant and immensely likeable man had been born in New Zealand and - against King's regulations - he kept a diary in seven small, wallet-sized pocket books. A journalist before the war and a born storyteller, May's diaries give a vivid picture of battalion life in and behind the trenches during the build-up to the greatest battle fought by a British army and are filled with the friendships and tensions, the home-sickness, frustrations, delays and endless postponements, the fog of ignorance, the combination of boredom and terror to which every man that has ever fought could testify. His diaries reflect on the progress of the war, tell jokes - good and bad, give details of horse-rides along the Somme valley, afternoons with a fishing rod, lunch in Amiens, a gastronomic celebration of Christmas 1915 and concerts in 'Whiz Bang Hall'. He describes battles not just with the enemy, but with rats, crows and on the makeshift football pitch - all recorded with a freshness that brings these stories home as if for the first time. The diaries are also written as an extended and deeply-moving love letter to his wife Maude and baby daughter Pauline. 'I do not want to die', he wrote - 'Not that I mind for myself. If it be that I am to go, I am ready. But the thought that I may never see you or our darling baby again turns my bowels to water.' Fresh, eloquent and warm, these diarie.
Awakened by great shouted oaths below. Peeped over the side of the manger and saw a Belgian lass milking and addressing a cow with a comprehensive luridness that left no doubt in my mind that British soldiers had been billeted here before.' - Private Norman Ellison, 1/6th King’s Liverpool Regiment Humor helped the British soldier survive the terrible experiences they faced in the trenches of the Western Front during the Great War. Human beings are complicated, and there is no set pattern as to how they react to the outrageous stresses of war. But humor, often dark and representative of the horrors around them could and often did help. They may have been up to their knees in mud and blood, soaking wet and shot at from all sides, but many were still determined to see the ‘funny side’, rather than surrender to utter misery. Peter Hart and Gary Bain have delved deep into the archives to find examples of the soldier’s wit. The results are at times hilarious but rooted in tragedy. You have to laugh or cry.
Winner of the 2017 Wainwright Golden Beer Book Prize for nature writing The natural history of the Western Front during the First World War 'If it weren't for the birds, what a hell it would be.' During the Great War, soldiers lived inside the ground, closer to nature than many humans had lived for centuries. Animals provided comfort and interest to fill the blank hours in the trenches - bird-watching, for instance, was probably the single most popular hobby among officers. Soldiers went fishing in flooded shell holes, shot hares in no-man's land for the pot, and planted gardens in their trenches and billets. Nature was also sometimes a curse - rats, spiders and lice abounded, and disease could be biblical. But above all, nature healed, and, despite the bullets and blood, it inspired men to endure. Where Poppies Blow is the unique story of how nature gave the British soldiers of the Great War a reason to fight, and the will to go on.
Paralysis. Stuttering. The 'shakes'. Inability to stand or walk. Temporary blindness or deafness. When strange symptoms like these began appearing in men at Casualty Clearing Stations in 1915, a debate began in army and medical circles as to what it was, what had caused it and what could be done to cure it. But the numbers were never large. Then in July 1916 with the start of the Somme battle the incidence of shell shock rocketed. The high command of the British army began to panic. An increasingly large number of men seemed to have simply lost the will to fight. As entire battalions had to be withdrawn from the front, commanders and military doctors desperately tried to come up with explanations as to what was going wrong. 'Shell shock' - what we would now refer to as battle trauma - was sweeping the Western Front. By the beginning of August 1916, nearly 200,000 British soldiers had been killed or wounded during the first month of fighting along the Somme. Another 300,000 would be lost before the battle was over. But the army always said it could not calculate the exact number of those suffering from shell shock. Re-assessing the official casualty figures, Taylor Downing for the first time comes up with an accurate estimate of the total numbers who were taken out of action by psychological wounds. It is a shocking figure. Taylor Downing's revelatory new book follows units and individuals from signing up to the Pals Battalions of 1914, through to the horrors of their experiences on the Somme which led to the shell shock that, unrelated to weakness or cowardice, left the men unable to continue fighting. He shines a light on the official - and brutal - response to the epidemic, even against those officers and doctors who looked on it sympathetically. It was, they believed, a form of hysteria. It was contagious. And it had to be stopped. Breakdown brings an entirely new perspective to bear on one of the iconic battles of the First World War.
War affects life writing and lives affect war writing. The traditional forms of life writing—memoir, biography, letters, diaries—buckle under the strain of war. War writing has fewer traditional forms but exists at a similar extreme. The eight chapters in this book, written by leading and up-and-coming scholars in the field, illuminate the creative innovations, improvisations, and implosions which happen when the demands of writing war and writing lives collide. Central to all is the question of authenticity: how can wars and lives be known and who can speak of them with authority? This volume has a generous chronological and generic range, beginning in the early 1800s and stretching to 21st-century texts, and covering letters, diaries, fiction, ‘fakeries’, poetry, biography, testimony, songs, objects, and digital media. The mix of authors is similarly varied: Thomas Hardy, W. H. Auden and Elizabeth Bowen rub shoulders with Yousif M. Qasmiyeh (a contemporary Palestinian poet), Farah Baker (a Gazan teenager) and the writers behind the pen-names Araki Yasusada and Jiri Kajanë. This book was originally published as a special issue of Textual Practice.
The notion of battles as the irreducible building blocks of war demands a single verdict of each campaign—victory, defeat, stalemate. But this kind of accounting leaves no room to record the nuances and twists of actual conflict. In Somme: Into the Breach, the noted military historian Hugh Sebag-Montefiore shows that by turning our focus to stories of the front line—to acts of heroism and moments of both terror and triumph—we can counter, and even change, familiar narratives. Planned as a decisive strike but fought as a bloody battle of attrition, the Battle of the Somme claimed over a million dead or wounded in months of fighting that have long epitomized the tragedy and folly of World War I. Yet by focusing on the first-hand experiences and personal stories of both Allied and enemy soldiers, Hugh Sebag-Montefiore defies the customary framing of incompetent generals and senseless slaughter. In its place, eyewitness accounts relive scenes of extraordinary courage and sacrifice, as soldiers ordered “over the top” ventured into No Man’s Land and enemy trenches, where they met a hail of machine-gun fire, thickets of barbed wire, and exploding shells. Rescuing from history the many forgotten heroes whose bravery has been overlooked, and giving voice to their bereaved relatives at home, Hugh Sebag-Montefiore reveals the Somme campaign in all its glory as well as its misery, helping us to realize that there are many meaningful ways to define a battle when seen through the eyes of those who lived it.
Private Peaceful relives the life of Private Tommo Peaceful, a young First World War soldier awaiting the firing squad at dawn. During the night he looks back at his short but joyful past growing up in rural Devon: his exciting first days at school; the accident in the forest that killed his father; his adventures with Molly, the love of his life; and the battles and injustices of war that brought him to the front line. Winner of the Blue Peter Book of the Year, Private Peaceful is by the third Children's Laureate, Michael Morpurgo, award-winning author of War Horse. His inspiration came from a visit to Ypres where he was shocked to discover how many young soldiers were court-martialled and shot for cowardice during the First World War. This edition also includes introductory essays by Michael Morpurgo, Associate Director of Private Peaceful production Mark Leipacher, as well as an essay from Simon Reade, adaptor & director of this stage adaptation of Private Peaceful.
