With the end of apartheid, South African cinema is at a turning point in its history. But how can we speak of a national cinema when so far only an elite minority has participated in it? How can filmmakers draw upon the past as they take South Africa into a new artistic era? This collection offers an unprecedented look at a film industry that has excluded its country's black majority, in both representation and production-and that now must overcome collusion between racist ideology and film form. Until recently, filmmakers could work only within a culture that reluctantly took black South Africans into account. Therefore, to explore what South African cinema has been and could become, the authors do not limit their discussion to film production but approach cinema as a manifestation of cultural history. How has the purpose of cinema been viewed at different times in South Africa, by different governments and social groups? What is the relation between film and a sense of nationhood in South Africa? What has happened when whites aim to make "black" films? How has film been viewed in relation to the notion of leisure in South Africa? Such questions lead to a consideration not only of films made by South Africans in South Africa but also of an unfolding film culture within a series of stages that have yet to give rise to a national cinema.
Ten years ago, a technological revolution swept through cinemas around the world, as analogue projectors were replaced with digital equipment. It was not just the plastic medium of film that was removed from projection boxes during this transformation; most cinemas took this opportunity to also evict the human projectionists who were hitherto in charge of screenings. Projectionists had been hidden from the sight of audiences for most of the history of photographic moving image projection, and their redundancies went largely unnoticed and unremarked upon. This book focuses attention on what has been happening behind film spectators' heads for the past 130 years, and attempts to write the history of cinema in Britain from the perspective of its habitually overlooked and undervalued projectionists, beginning in the silent era and continuing to the present day. Drawing upon extensive archival research and lengthy interviews with former projectionists, it documents the key facets and challenges of their work, and how these evolved in response to previous waves of significant technological change. It evaluates how projectionists helped to design and maintain key aesthetic characteristics of the 20th century big screen experience. It shows how the institution of cinema in Britain has been historically underpinned by the harsh exploitation of projectionists by many employers, detailing inadequate wage levels and poor working conditions that formerly provoked government investigation, and explaining why these problems were never successfully ameliorated by trade unions. It also charts in depth the recent fateful transition to digital projection, delineating how and why projectionists were so swiftly and ruthlessly consigned to the past, and assessing whether this form of entertainment should be considered diminished by their super session.
This book is dedicated to and wants to honor the MUSIC of ELVIS PRESLEY. This book contains information relating to Elvis Presley’s concert activity currently known and publicly known, from 1944 to 1977, reporting the shows and rehearsals of the shows, with detailed information on the audio recordings of the same, in particular original CDs and bootlegs. Furthermore, the shows that were canceled during Elvis Presley’s lifetime were also indicated. - 1902 Shows and Rehearsals of which 1867 performed and 35 canceled from 1944 to 1977 (98,16 %) !!! - 818 Shows recorded of 1867 Shows and Rehearsals performed from 1944 to 1977 (43,81 %) !!! I chose to report the shows in chronological order, year by year, from 1944 to 1977, following a progressive numbering also for the tours. I have added: a chapter dedicated to interviews, films and television appearances, that Elvis Presley made from 1956 to 1977, containing detailed information on the audio and video recordings of the same: - 135 Interviews (1954 - 1977) !!! - 31 Films (1956 - 1969) - 2 Films during 1970 and 1972 Shows !!! - 17 TV Shows (1956 - 1977) !!! a chapter dedicated to the complete Elvis Presley U.S.A. Discography - Albums (1956 / 2024): - 268 Extended-Plays / Studio-Albums / Soundtrack-Albums / Live-Albums / Spoken-Word-Albums / Compilation-Albums / Budget-Albums / Box-Set-Albums / Posthumous-Compilation-Albums / Remix-Albums !!! a chapter dedicated to the complete Elvis Presley U.S.A. Discography - Singles (1954 / 1979): - 204 Singles a chapter dedicated to the complete Elvis Presley F.T.D. Discography (2009 / 2024): - 214 titles !!! a chapter dedicated to the complete Elvis Presley Recording Sessions (1953 / 1982) !!! from 1944 to 1977, I started reporting the shows and rehearsals of the shows, with detailed information on the VIDEO recordings of the same, in particular 8 mm and VHS Films, VCDs, DVDs and Blu-Rays. At the end of the book there are: statistical tables relating to all the information reported in it; a Guide to listening to ANALOG/DIGITAL MUSIC, which illustrates the fundamental theoretical concepts for listening to it, the digital formats used (WAVE, FLAC, DSD, DXD) in their most updated forms in order to listen to the music with the highest possible quality; a Guide to viewing DIGITAL VIDEO, which illustrates the theoretical foundations for viewing digital videos, the digital television formats used (HDTV, 4K, 8K), the types of interfaces and cables used (Serial Digital Interface, Firewire, HDMI, Digital Visual Interface, DisplayPort), the coding methods of data on cassettes and optical discs respectively, in their most updated forms in order to view digital videos with the highest possible quality. In the end I want to thank, with my heart and soul, Elvis Presley, for the unique talent he was able to express through his music, which gives me and many other people and will always give pure joy and happiness. Enjoy reading !!! Updated - Edition 1.10 !!!
You don't need to own a factory to make toys. Author and toymaker Bob Knetzger has been making fun stuff all his life with simple technology like vacuum forming and mold-making. In an age where makers are tantalized by the capabilities of 3d printers and other digital fab technology, this book takes you back to old-school hand tools, simple electronics, and working with metal and plastic to make toys every bit as good as those you can find in a big-box store. This book has something for everyone, from a marble maze to a talking booby trap; from custom cookie cutters to an "EZ Make" oven. Discover the basic principles of science, electronics, and engineering through hands-on projects that range from easy to more challenging... and are always fun!
Margaret Dickinson's history of oppostional film is a pioneering account of an important by little documented aspect of modern British Cinema: the often extreme form of independent cinema that accompanied the radical politics of the 1960s and 70s. During the 70s an organized independent film and video movement emerged (including such filmmaking groups as London Filmmakers' Co-op, Cinema Action, Amber, Liberation Films and Sheffield Co-op). This avant-garde exerted an increasing influence within the British media mainstream - changing attitudes and practice, and enabling cross-over work by filmmakers such as Peter Greenaway and Sally Potter. This oppostional sector revolutionized British media, especially during the formation of Channel Four at the start of the 1980s, even as the political landscape at large was shifting dramatically to the right. Organized into three parts, 'Rogue Reels 'provides the first overview of the various strands of politicized filmmaking that emerged in postwar Britain. Part I is a concise history of the movement. Part II collects key texts and documents form the period 1971-92. Part III is made up of seven oral histories of the most influential production houses. Recuperating the radical tradition of postwar filmmaking (which continues to impact on today's media culture), 'Rogue Reels' raises urgent issues of policy and practice. Mixing narrative with first-hand accounts, and the important statements and documents of this movement the book provides the first overview of the different strands of filmmaking that are still impacting on avant-garde and mainstream practice.
Following one of the most contentious and surprising elections in US history, the new edition of this classic text demonstrates unequivocally: Campaigns matter. With new and revised chapters throughout, Campaigns and Elections American Style provides a real education in contemporary campaign politics. In the fifth edition, academics and campaign professionals explain how Trump won the presidency, comparing his sometimes novel tactics with tried and true strategies including how campaign themes and strategies are developed and communicated, the changes in campaign tactics as a result of changing technology, new techniques to target and mobilize voters, the evolving landscape of campaign finance and election laws, and the increasing diversity of the role of media in elections. Offering a unique and careful mix of Democrat and Republican, academic and practitioner, and male and female campaign perspectives, this volume scrutinizes national and local-level campaigns with a special focus on the 2016 presidential and congressional elections and what those elections might tell us about 2018 and 2020. Students, citizens, candidates, and campaign managers will learn not only how to win elections but also why it is imperative to do so in an ethical way. Perfect for a variety of courses in American government, this book is essential reading for political junkies of any stripe and serious students of campaigns and elections. Highlights of the Fifth Edition Covers the 2016 elections with an eye to 2018 and 2020. Explains how Trump won the presidency, the changes in campaign tactics as a result of changing technology, new techniques to target and mobilize voters, the evolving landscape of campaign finance and election laws, and the increasing diversity of the role of media. Includes a new part structure and the addition of part introductions to help students contextualize the major issues and trends in campaigns and elections.
Fieldwork deals with the practical, mechanical, ethical, and theoretical aspects of collecting data. Jackson discusses how fieldworkers define their role, how they relate to others in the field, and how they go about recording for later use what occurred in their presence. This treatment offers an abundance of useful information to those who do folklore fieldwork as well as those who work in any of the other social sciences or humanities. An appendix relates the author's own experiences while documenting Texas's death row.
