Boys and girls ages 3 to 7 will dance for joy with Nickelodeon’s Bubble Guppies as they leap into ballet. This Nickelodeon Read-Along contains audio narration.
Padma Venkatraman’s inspiring story of a young girl’s struggle to regain her passion and find a new peace is told lyrically through verse that captures the beauty and mystery of India and the ancient bharatanatyam dance form. This is a stunning novel about spiritual awakening, the power of art, and above all, the courage and resilience of the human spirit. Veda, a classical dance prodigy in India, lives and breathes dance—so when an accident leaves her a below-knee amputee, her dreams are shattered. For a girl who’s grown used to receiving applause for her dance prowess and flexibility, adjusting to a prosthetic leg is painful and humbling. But Veda refuses to let her disability rob her of her dreams, and she starts all over again, taking beginner classes with the youngest dancers. Then Veda meets Govinda, a young man who approaches dance as a spiritual pursuit. As their relationship deepens, Veda reconnects with the world around her, and begins to discover who she is and what dance truly means to her.
It's a special day. The children practice their ballet. But something is odd. Let's count down from 10 to 1 to find the surprise before the class is done.
A rich, poignant eBook original about two people’s struggles to overcome their demons and find happiness and love. All Niki Katona wants in life is true love with a good man. But when she finds her fiancé with another woman, she’s ready to resign herself to a life alone...until she meets paramedic Dylan Clarke. Niki falls for Dylan when she sees him jump into life-saving action to treat a man having a heart attack. But both Dylan and Niki have their own demons. Together, they work towards realizing their dreams and passions, but soon fall into old patterns. The only thing that will pull them through is finding their own self-worth through their love for each other.
This absorbing book is ballet's 'biography' -- a revealing examination of a closed world, its competition and camaraderie, sexual politics, intimacies, pressures and, not least of all, its magic. Ballet companies have endeavoured to hide what is going on backstage lest the reality of highly strung nerves, constant fatigue and pain from injuries tarnish the illusion of ethereal figures and seemingly weightless steps in polished performances. But the audience's perceptions of fairy-tale worlds onstage are far removed from the experiences of the dancers themselves. The author, who trained to be a dancer, has been given an entrée to this private world that few outsiders ever see.Books on ballet tend to focus on performance. In contrast, this book, which draws on extensive fieldwork with major companies such as London's Royal Ballet, the American Ballet Theatre in New York, the Royal Swedish Ballet and the Ballett Frankfurt, is about dancers - how their careers are made and unmade and what happens in dance companies offstage. Anyone interested in the culture of ballet or the theatre, as well as students of anthropology, dance, performance and cultural studies, will want to read what really goes on when the curtain comes down.
What becomes of ballet dancers when they finally leave the stage, when their last curtain falls? Maja Langsdorff, journalist, writer and a former ballet dancer, interviewed 27 former dancers and recorded their life stories from their first ballet steps to their lives after dance. At the time of their interviews they were between 21 and 62 years old, their careers had ended from three months to 34 years ago. Dancers give a lot, if not everything, in the performances. They live their lives in the limelight. In ballet, profession and calling are united: passion and suffering are often close to each other. For most dancers, their time is up at thirty, thirty-five. They disappear from view. One doesn't hear anything about them anymore; as if they were swallowed up by the earth. This book investigates their fates. These short biographies show what formed them, what moved them, what influenced them. And the portraits leave no doubt, that dancers are special people; even if they no longer dance.
Dance is the art least susceptible to preservation since its embodied, kinaesthetic nature has proven difficult to capture in notation and even in still or moving images. However, frameworks have been established and guidance made available for keeping dances, performances, and choreographers’ legacies alive so that the dancers of today and tomorrow can experience and learn from the dances and dancers of the past. In this volume, a range of voices address the issue of dance preservation through memory, artistic choice, interpretation, imagery and notation, as well as looking at relevant archives, legal structures, documentation and artefacts. The intertwining of dance preservation and creativity is a core theme discussed throughout this text, pointing to the essential continuity of dance history and dance innovation. The demands of preservation stretch across time, geographies, institutions and interpersonal connections, and this book focuses on the fascinating web that supports the fragile yet urgent effort to sustain our dancing heritage. The articles in this book were originally published in the journal Dance Chronicle: Studies in Dance and the Related Arts.
Part memoir, part dance history and ethnography, this critical study explores ballet's power to inspire and to embody ideas about politics, race, women's agency, and spiritual experience. The author knows that dance relates to life in powerful individual and communal ways, reflecting culture and embodying new ideas. Although ballet can appear (and sometimes is) elite and exclusionary, it also has revolutionary potential.