This book analyzes the relation between the flow time and poetic speech in drama and rhetoric. It begins with the classical understanding of time as flux, and its problems and paradoxes entailing from Aristotle, Augustine, Kant and Husserl. The reader will see how these problems unfold and find resolutions through dramatic speech and rhetoric which has an essential relation to the flow of time. It covers elements in poetic speech such as affect, rhythm, metaphor, and syntax. It uses examples from classical rhetorical theories by Aristotle, Cicero, Quintilian, dramatic speeches from Shakespeare, as well as other modern dramatic texts by Chekhov, Beckett, Jelinek and Sarah Kane. This book appeals to students and academic researchers working in the philosophical fields of aesthetics and phenomenology as well those working in theater and the performing arts.
This book analyzes the relation between the flow time and poetic speech in drama and rhetoric. It begins with the classical understanding of time as flux, and its problems and paradoxes entailing from Aristotle, Augustine, Kant and Husserl. The reader will see how these problems unfold and find resolutions through dramatic speech and rhetoric which has an essential relation to the flow of time. It covers elements in poetic speech such as affect, rhythm, metaphor, and syntax. It uses examples from classical rhetorical theories by Aristotle, Cicero, Quintilian, dramatic speeches from Shakespeare, as well as other modern dramatic texts by Chekhov, Beckett, Jelinek and Sarah Kane. This book appeals to students and academic researchers working in the philosophical fields of aesthetics and phenomenology as well those working in theater and the performing arts.
This is the first comprehensive book on the philosophy of time. Leading philosophers discuss the metaphysics of time, our experience and representation of time, the role of time in ethics and action, and philosophical issues in the sciences of time, especially quantum mechanics and relativity theory.
The Philosophy of Fine Art is regarded by many as one of the greatest aesthetic theories to have been produced since Aristotle. Hegel's thesis about the historical dissolution of art has been the subject of much scholarly debate. Hegel develops his account of art as a mode of absolute spirit that he calls "the beautiful ideal."
This extraordinary collection contains all the major works of Georg Wilhelm Friedrich Hegel, including the criticism of his work, his biography and all other information necessary to understand and contemplate the works of the father of absolute idealism. Contents: Introduction: The Life and Work of Georg Wilhelm Friedrich Hegel Books: The Phenomenology of Mind The Science of Logic The Philosophy of Mind The Philosophy of Right The Philosophy of Law The Philosophy of Fine Art Lectures on the Philosophy of History Lectures on the History of Philosophy Lectures on the Proofs of the Existence of God The Criticism of Hegel's Work and Hegelianism: The Basis of Morality by Arthur Schopenhauer Beyond Good and Evil by Friedrich Nietzsche Key to Understanding Hegel by William Wallace
This meticulously edited Hegel collection includes: _x000D_ The Life and Work of Georg Wilhelm Friedrich Hegel_x000D_ The Phenomenology of Mind_x000D_ The Science of Logic _x000D_ The Philosophy of Mind _x000D_ The Philosophy of Right _x000D_ The Philosophy of Law)_x000D_ The Philosophy of Fine Art _x000D_ Lectures on the Philosophy of History _x000D_ Lectures on the History of Philosophy_x000D_ Lectures on the Proofs of the Existence of God_x000D_ The Criticism of Hegel's Work and Hegelianism:_x000D_ The Basis of Morality by Arthur Schopenhauer _x000D_ Beyond Good and Evil by Friedrich Nietzsche _x000D_ A Criticism Of The Hegelian Philosophy Of Right by Karl Marx _x000D_ About Hegel's Work by Jacob Loewenberg _x000D_ Key to Understanding Hegel by William Wallace
The first of its kind, A Companion to Ancient Aesthetics presents a synoptic view of the arts, which crosses traditional boundaries and explores the aesthetic experience of the ancients across a range of media—oral, aural, visual, and literary. Investigates the many ways in which the arts were experienced and conceptualized in the ancient world Explores the aesthetic experience of the ancients across a range of media, treating literary, oral, aural, and visual arts together in a single volume Presents an integrated perspective on the major themes of ancient aesthetics which challenges traditional demarcations Raises questions about the similarities and differences between ancient and modern ways of thinking about the place of art in society
Olga Sedakova stands out among contemporary Russian poets for the integrity, erudition, intellectual force, and moral courage of her writing. After years of flourishing quietly in the late Soviet underground, she has increasingly brought her considered voice into public debates to speak out for freedom of belief and for those who have been treated unjustly. This volume, the first collection of scholarly essays to treat her work in English, assesses her contributions as a poet and as a thinker, presenting far-reaching accounts of broad themes and patterns of thought across her writings as well as close readings of individual texts. Essayists from Russia, Ukraine, Germany, Italy, and the United States show how Sedakova has contributed to ongoing aesthetic and cultural debates. Like Sedakova's own work, the volume affirms the capacity of words to convey meaning and to change our understanding of life itself. The volume also includes dozens of elegant new translations of Sedakova's poems.
A basic introduction to the world of philosophy, with answers to the deepest questions we all ask ourselves, through the lens of the world's greatest philosophers, from Plato and Confucius to modern thinkers. A guide to the fundamental nature of existence, society and the way we think. After an overview of philosophy, with the history of philosophy, branches of philosophy, philosophical concepts and philosophical schools and traditions, specific topics in philosophy are addressed, such as God (religion), good and evil (ethics), animal rights, politics (political philosophy), appearance and reality, science (philosophy of science), mind (philosophy of mind), and art (aesthetics). Philosophy is the study of general and fundamental problems concerning such matters as existence, knowledge, values, reason, mind, and language. Philosophical methods include questioning, critical discussion, rational argument, and systematic presentation. Classical philosophical questions include both abstract questions (Is it possible to know something and prove it? What is most real?) and more practical and concrete questions (Is there an optimal way to live? Is it better to be just or unjust? Do people have free will?) Philosophy is distinguished from other ways of approaching these problems by its critical, generally systematic approach and reliance on rational arguments. Other investigations are closely related to art, science, politics, or other pursuits. For example, is beauty objective or subjective? Are there many scientific methods or just one? Is political utopia a hopeful dream or hopeless fantasy? The main sub-fields of academic philosophy include metaphysics ("concerned with the fundamental nature of reality and being"), epistemology (about the nature and foundations of knowledge andits limits and validity), ethics, aesthetics, political philosophy, logic, philosophy of science and the history of Western philosophy. Many philosophical debates that began in antiquity are still debated today.
