This cultural history of the American empire via ancient Rome tracks the way writers and artists have imagined Roman antiquity as an analogy that variously bolsters and critiques American imperial power.
This cultural history of the American empire via ancient Rome tracks the way writers and artists have imagined Roman antiquity as an analogy that variously bolsters and critiques American imperial power.
This is a book about two empires—America and Rome—and the forms of time we create when we think about them together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state—both to justify and perpetuate it, and to resist and critique it. The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire—republicanism and slavery—to the popular genres that have reimagined America's and Rome's sometimes strange orbit: Christian fiction, travel writing, and science fiction. Through this conjunction of literary history, classical reception studies, and the philosophy of history, however, Time and Antiquity in American Empire builds a more fundamental inquiry: about how we imagine both our politics and ourselves within historical time. It outlines a new relationship between text and context, and between history and culture; one built on the oscillating, dialectical logic of the analogy, and on a spatialising of historical temporality through the metaphors of constellations and networks. Offering a fresh reckoning with the historicist protocols of literary study, this book suggests that recognizing the shape of history we step into when we analogize with the past is also a way of thinking about how we have read—and how we might yet read.
In 1944, Raphael Lemkin coined the term “genocide” to describe a foreign occupation that destroyed or permanently crippled a subject population. In this tradition, Empire, Colony, Genocide embeds genocide in the epochal geopolitical transformations of the past 500 years: the European colonization of the globe, the rise and fall of the continental land empires, violent decolonization, and the formation of nation states. It thereby challenges the customary focus on twentieth-century mass crimes and shows that genocide and “ethnic cleansing” have been intrinsic to imperial expansion. The complexity of the colonial encounter is reflected in the contrast between the insurgent identities and genocidal strategies that subaltern peoples sometimes developed to expel the occupiers, and those local elites and creole groups that the occupiers sought to co-opt. Presenting case studies on the Americas, Australia, Africa, Asia, the Ottoman Empire, Imperial Russia, and the Nazi “Third Reich,” leading authorities examine the colonial dimension of the genocide concept as well as the imperial systems and discourses that enabled conquest. Empire, Colony, Genocide is a world history of genocide that highlights what Lemkin called “the role of the human group and its tribulations.”
Empire, Capitalism, and Democracy: The Early American Experience documents the history of the United States from the opening of the Atlantic World to the post-Civil War era. The primary sources included were created by women and men who lived during this time and illustrate three interdependent forces that animated the history of early America: empire, capitalism, and democracy. Part I of the anthology explores the origins of European contact with America, &ld
"The best one-volume history of the United States ever written" (Joseph J. Ellis) It was Thomas Jefferson who envisioned the United States as a great "empire of liberty." This paradoxical phrase may be the key to the American saga: How could the anti-empire of 1776 became the world's greatest superpower? And how did the country that offered unmatched liberty nevertheless found its prosperity on slavery and the dispossession of Native Americans? In this new single-volume history spanning the entire course of US history—from 1776 through the election of Barack Obama—prize-winning historian David Reynolds explains how tensions between empire and liberty have often been resolved by faith—both the evangelical Protestantism that has energized American politics for centuries and the larger faith in American righteousness that has driven the country's expansion. Written with verve and insight, Empire of Liberty brilliantly depicts America in all of its many contradictions.
Whether they prefer blockbusters, historical dramas, or documentaries, people learn much of what they know about history from the movies. In American History Goes to the Movies, W. Bryan Rommel-Ruiz shows how popular representations of historic events shape the way audiences understand the history of the United States, including American representations of race and gender, and stories of immigration, especially the familiar narrative of the American Dream. Using films from many different genres, American History Goes to the Movies draws together movies that depict the Civil War, the Wild West, the assassination of JFK, and the events of 9/11, from The Birth of a Nation and Gone with the Wind to The Exorcist and United 93, to show how viewers use movies to make sense of the past, addressing not only how we render history for popular enjoyment, but also how Hollywood’s renderings of America influence the way Americans see themselves and how they make sense of the world.