Tijuana Dreaming

Tijuana Dreaming

Author: Josh Kun

Publisher: Duke University Press

Published: 2012-09-17

Total Pages: 409

ISBN-13: 0822352907

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Tijuana Dreaming is an unprecedented introduction to the arts, culture, politics, and economics of contemporary Tijuana, featuring selections by prominent scholars, journalists, bloggers, novelists, poets, curators, and photographers from Tijuana and greater Mexico.


Unequal Neighbors

Unequal Neighbors

Author: Kristen Hill Maher

Publisher: Oxford University Press

Published: 2021

Total Pages: 369

ISBN-13: 0197557198

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San Diego and Tijuana are the site of a national border enforcement spectacle, but they are also neighboring cities with deeply intertwined histories, cultures, and economies. In Unequal Neighbors, Kristen Hill Maher and David Carruthers shift attention from the national border to a local one, examining the role of place stigma in reinforcing actual and imagined inequalities between these cities. While the details of the book are particular to this corner ofthe world, the kinds of processes it documents offer a window into the making of unequal neighbors more broadly. The dynamics at the Tijuana border present a framework for understanding how inequalities that manifest in cultural practices produce asymmetric borders between places.


Anthropology and Art Practice

Anthropology and Art Practice

Author: Arnd Schneider

Publisher: Routledge

Published: 2020-05-18

Total Pages: 247

ISBN-13: 1000189473

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Anthropology and Art Practice takes an innovative look at new experimental work informed by the newly-reconfigured relationship between the arts and anthropology. This practice-based and visual work can be characterised as 'art-ethnography'. In engaging with the concerns of both fields, this cutting-edge study tackles current issues such as the role of the artist in collaborative work, and the political uses of documentary. The book focuses on key works from artists and anthropologists that engage with 'art-ethnography' and investigates the processes and strategies behind their creation and exhibition.The book highlights the work of a new generation of practitioners in this hybrid field, such as Anthony Luvera, Kathryn Ramey, Brad Butler and Karen Mirza, Kate Hennessy and Jennifer Deger, who work in a diverse range of media - including film, photography, sound and performance. Anthropology and Art Practice suggests a series of radical challenges to assumptions made on both sides of the art/anthropology divide and is intended to inspire further dialogue and provide essential reading for a wide range of students and practitioners.


Incurable-Image

Incurable-Image

Author: Tarek Elhaik

Publisher: Edinburgh University Press

Published: 2016-02-12

Total Pages: 198

ISBN-13: 1474403360

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From the 1990s onwards the 'ethnographic turn in contemporary art' has generated intense dialogues between anthropologists, artists and curators. While ethnography has been both generously and problematically re-appropriated by the art world, curation has seldom caught the conceptual attention of anthropologists. Based on two years of participant-observation in Mexico City, Tarek Elhaik addresses this lacuna by examining the concept-work of curatorial platforms and media artists. Taking his cue from ongoing critiques of Mexicanist aesthetics, and what Roger Bartra calls 'the post-Mexican condition', Elhaik conceptualises curation less as an exhibition-oriented practice within a national culture, than as a figure of care and an image of thought animating a complex assemblage of inter-medial practices, from experimental cinema and installations to curatorial collaborations. Drawing on Gilles Deleuze and Paul Rabinow, the book introduces the concept of the 'Incurable-Image,' an antidote to our curatorial malaise and the ethical substance for a post-social anthropology of images.


Border Lives

Border Lives

Author: Sergio R. Chávez

Publisher: Oxford University Press

Published: 2016

Total Pages: 225

ISBN-13: 0199380589

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'Border Lives' tells the story of former, current, and future border crossers who live in Tijuana and use the border as a resource to construct their livelihoods. Drawing on almost a year and a half of ethnographic data, Sergio Chávez demonstrates the ways in which the border can be both a resource and a constraint on people's lives.


A History of Latinx Performing Arts in the U.S.

A History of Latinx Performing Arts in the U.S.

Author: Beatriz J. Rizk

Publisher: Taylor & Francis

Published: 2023-10-10

Total Pages: 550

ISBN-13: 1000959635

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A History of Latinx Performing Arts in the U.S. provides a comprehensive overview of the development of the Latinx performing arts in what is now the U.S. since the sixteenth century. This book combines theories and philosophical thought developed in a wide spectrum of disciplines—such as anthropology, sociology, gender studies, feminism, and linguistics, among others—and productions’ reviews, historical context, and political implications. Split into two volumes, these books offer interpretations and representations of a wide range of Latinxs’ lived experiences in the U.S. Volume I provides a chronological overview of the evolution of the Latinx community within the U.S., spanning from the 1500s to today, with an emphasis on the Chicano artistic renaissance initiated by Luis Valdez and the Teatro Campesino in the 1960s. Volume II continues, looking more in depth at the experiences of Latinx individuals on theatre and performance, including Miguel Piñero, Lin-Manuel Miranda, María Irene Fornés, Nilo Cruz, and John Leguizamo, as well as the important role of transnational migration in Latinx communities and identities across the U.S. A History of Latinx Performing Arts in the U.S. offers an accessible and comprehensive understanding of the field and is ideal for students, researchers, and instructors of theatre studies with an interest in the diverse and complex history of Latinx theatre and performance.


Mexican Waves

Mexican Waves

Author: Sonia Robles

Publisher: University of Arizona Press

Published: 2019-10-08

Total Pages: 233

ISBN-13: 0816540578

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Mexican Waves is the fascinating history of how borderlands radio stations shaped the identity of an entire region as they addressed the needs of the local population and fluidly reached across borders to the United States. In so doing, radio stations created a new market of borderlands consumers and worked both within and outside the constraints of Mexican and U.S. laws. Historian Sonia Robles examines the transnational business practices of Mexican radio entrepreneurs between the Golden Age of radio and the early years of television history. Intersecting Mexican history and diaspora studies with communications studies, this book explains how Mexican radio entrepreneurs targeted the Mexican population in the United States decades before U.S. advertising agencies realized the value of the Spanish-language market. Robles’s robust transnational research weaves together histories of technology, performance, entrepreneurship, and business into a single story. Examining the programming of northern Mexican commercial radio stations, the book shows how radio stations from Tijuana to Matamoros courted Spanish-language listeners in the U.S. Southwest and local Mexican audiences between 1930 and 1950. Robles deftly demonstrates Mexico’s role in creating the borderlands, adding texture and depth to the story. Scholars and students of radio, Spanish-language media in the United States, communication studies, Mexican history, and border studies will see how Mexican radio shaped the region’s development and how transnational listening communities used broadcast media’s unique programming to carve out a place for themselves as consumers and citizens of Mexico and the United States.


Passing

Passing

Author: Rihan Yeh

Publisher: University of Chicago Press

Published: 2018

Total Pages: 313

ISBN-13: 022651191X

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Passing: Two Publics in a Mexican Border City is an ethnography of the public sphere in Tijuana based on intensive fieldwork in 2006 and 2007 and numerous subsequent brief visits. Its central contribution is to develop an ethnographic method for apprehending how the border marks collective subjectivities in ways that illuminate the basic impasses of publicness in general. She examines major communicative genres such as print news, street demonstrations, internet forums, and popular ballads, as well as a variety of minor genres: family discussions, thank-you notes at religious shrines, police encounters, workplace banters, and personal interview. The question of collective subjectivity that she traces through all these examples is particularly live, politically and socially, at the border, where US legal categories forcefully shape the logics of class exclusion-and thus national membership and democratic possibility-that are general in Mexico.


Tequila, Senoritas and Teardrops

Tequila, Senoritas and Teardrops

Author: Adrian Peel

Publisher: McFarland

Published: 2014-12-24

Total Pages: 514

ISBN-13: 1476617805

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With opinions and personal testimonies from the artists themselves, this book takes a detailed look at the huge impact that Mexican music and culture has had--and continues to have--on Country music in its various forms. This very American form of cultural expression has changed over the last few years, but Mexico--with its bordertowns, beaches, colonial architecture and ancient ruins conjuring up a range of powerful images--has remained an influential presence in Nashville, Texas, and even places like Australia and South Africa. Featuring contributions from Merle Haggard, Jimmy Buffett, Randy Travis, Dwight Yoakam, Jessi Colter, Johnny Rodriguez and Flaco Jimenez, this book reveals the unique and largely undocumented relationship between "America's Music" and Mexico.


Experimentalisms in Practice

Experimentalisms in Practice

Author: Ana R. Alonso-Minutti

Publisher: Oxford University Press

Published: 2018-01-02

Total Pages: 336

ISBN-13: 0190842768

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Experimentalisms in Practice explores the multiple sites in which experimentalism emerges and becomes meaningful beyond Eurocentric interpretative frameworks. Challenging the notion of experimentalism as defined in conventional narratives, contributors take a broad approach to a wide variety of Latin@ and Latin American music traditions conceived or perceived as experimental. The conversation takes as starting point the 1960s, a decade that marks a crucial political and epistemological moment for Latin America; militant and committed aesthetic practices resonated with this moment, resulting in a multiplicity of artistic and musical experimental expressions. Experimentalisms in Practice responds to recent efforts to reframe and reconceptualize the study of experimental music in terms of epistemological perspective and geographic scope, while also engaging traditional scholarship. This book contributes to the current conversations about music experimentalism while providing new points of entry to further reevaluate the field.