Thus Spake Zarathustra is a foundational work of Western literature and is widely considered to be Friedrich Nietzsche’s masterpiece. It includes the German philosopher’s famous discussion of the phrase ‘God is dead’ as well as his concept of the Superman. Nietzsche delineates his Will to Power theory and devotes pages to critiquing Christian thinking, in particular Christianity’s definition of good and evil.
Nietzsche?s classic on the Superman, in a new, more accurate and more acute translation, recaptures his wordplay, emotional color and mock-Biblical tone, his boyish malice, cracked aphorisms, academic irreverence and gutter rhymes.
The first comprehensive interpretation of Nietzsche's Thus Spoke Zarathustra--an important and difficult text and the only book Nietzsche ever wrote with characters, events, setting, and a plot. Laurence Lampert's chapter-by-chapter commentary on Nietzsche's magnum opus clarifies not only Zarathustra's narrative structure but also the development of Nietzsche's thinking as a whole. "An impressive piece of scholarship. Insofar as it solves the riddle of Zarathustra in an unprecedented fashion, this study serves as an invaluable resource for all serious students of Nietzsche's philosophy. Lampert's persuasive and thorough interpretation is bound to spark a revival of interest in Zarathustra and raise the standards of Nietzsche scholarship in general."--Daniel W. Conway, Review of Metaphysics "A book of scholarship, filled with passion and concern for its text."--Tracy B. Strong, Review of Politics "This is the first genuine textual commentary on Zarathustra in English, and therewith a genuine reader's guide. It makes a significant and original contribution to its field."--Werner J. Dannhauser, Cornell University "This is a very valuable and carefully wrought study of a very complex and subtle poetic-philosophical work that provides access to Nietzsche's style of presenting his thought, as well as to his passionately affirmed values. Lampert's commentary and analysis of Zarathustra is so thorough and detailed. . . that it is the most useful English-language companion to Nietzsche's 'edifying' and intriguing work."--Choice Selected as one of Choice's outstanding academic books for 1988
Thus Spoke Zarathustra: A Book for All and None is a philosophical novel by German philosopher Friedrich Nietzsche, composed in four parts between 1883 and 1885 and published between 1883 and 1891. Much of the work deals with ideas such as the "eternal recurrence of the same", the parable on the "death of God", and the "prophecy" of the Übermensch, which were first introduced in The Gay Science.
A new translation of Nietzsche’s seminal work by a prize-winning translator of W. G. Sebald, Goethe, Rilke, Herta Müller, and Elfriede Jelinek. In Thus Spake Zarathustra, Nietzsche’s infamous protagonist sets off on a grand and noble quest to find meaning in a secular world and to live joyfully alongside the knowledge of death. In this new translation by Michael Hulse—the first in English by a poet—Zarathustra is revealed in all his bold and ironic splendor as a man who prizes self-worth above all else as a moral code to live by. Radical, uncategorizable, contradictory, and often humorous, Thus Spake Zarathustra is a grand celebration of human existence by one of the most influential thinkers of the past two centuries.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
This carefully crafted ebook: "THUS SPOKE ZARATHUSTRA - A Book for All and None (World Classics Series)” is formatted for your eReader with a functional and detailed table of contents. Thus Spoke Zarathustra is a philosophical novel which mostly deals with ideas such as the "eternal recurrence of the same", the parable on the "death of God", and the "prophecy" of the Übermensch. The book talks about the old wise man who descends from his mountain among the people, out of a desire to learn something from them and to donate his wisdom to people. He encounters a variety of people and learns their secrets and reveals that he is actually looking for a man equal to himself. Many do not understand his philosophy and ridicule him, but there are those who admire him. Friedrich Nietzsche (1844-1900) was a German philosopher, cultural critic, poet, and Latin and Greek scholar whose work has exerted a profound influence on Western philosophy and modern intellectual history. Before turning to philosophy, he began his career as a classical philologist and worked at the Department of Classical Philology at the University of Basel, but he had to retire due to health problems. Nietzsche's body of writing spanned philosophical polemics, poetry, cultural criticism, and fiction, and drew widely on art, philology, history, religion, and science. His writing displayed a fondness for aphorism and irony, while engaging with a wide range of subjects including morality, aesthetics, tragedy, epistemology, atheism, and consciousness. Along with Soren Kierkegaard he is considered to be one of the founders of existentialism.
If you were looking for a philosopher likely to appeal to Americans, Friedrich Nietzsche would be far from your first choice. After all, in his blazing career, Nietzsche took aim at nearly all the foundations of modern American life: Christian morality, the Enlightenment faith in reason, and the idea of human equality. Despite that, for more than a century Nietzsche has been a hugely popular—and surprisingly influential—figure in American thought and culture. In American Nietzsche, Jennifer Ratner-Rosenhagen delves deeply into Nietzsche's philosophy, and America’s reception of it, to tell the story of his curious appeal. Beginning her account with Ralph Waldo Emerson, whom the seventeen-year-old Nietzsche read fervently, she shows how Nietzsche’s ideas first burst on American shores at the turn of the twentieth century, and how they continued alternately to invigorate and to shock Americans for the century to come. She also delineates the broader intellectual and cultural contexts within which a wide array of commentators—academic and armchair philosophers, theologians and atheists, romantic poets and hard-nosed empiricists, and political ideologues and apostates from the Left and the Right—drew insight and inspiration from Nietzsche’s claims for the death of God, his challenge to universal truth, and his insistence on the interpretive nature of all human thought and beliefs. At the same time, she explores how his image as an iconoclastic immoralist was put to work in American popular culture, making Nietzsche an unlikely posthumous celebrity capable of inspiring both teenagers and scholars alike. A penetrating examination of a powerful but little-explored undercurrent of twentieth-century American thought and culture, American Nietzsche dramatically recasts our understanding of American intellectual life—and puts Nietzsche squarely at its heart.
