Come join and listen to Chanel Brown tell her story as she becomes the object of obsession of Alfonso De Rosa. Chanel Brown was in a mess. She needed a lot of money and she needed it fast. Her job was not giving her enough and she was having a hard time.Alfonso only saw it one way. He had been fucked over by someone he loved. She betrayed him all for money. He was going to get his own back. What could go wrong when Alfonso and Chanel meet again?
From the Publisher: Assuming the voices of psychoanalyst, scholar, and postmodern polemicist, Kristeva discusses both the conflicts and commonalities among the Greek, Christian, Roman, and contemporary discourses on love, desire, and self.
Julia Kristeva works at a crucial intersection of contemporary disciplines: psychoanalysis, linguistics, semiotics, literary criticism, feminism, postmodern philosophy, and religious studies. This volume examines this rich body of work and the ways in which its interdisciplinary style gives insight into problems in understanding religion. Special attention is given to two related themes: the understanding of woman in relation to religion and the role of mother (especially of mother's body) in the formation of self and of a religious discourse. Issues recurrent in the essays include the problem of ethics; the relation between discourse and the life of the body; the formation and sublimation of narcissism; the pre-Oedipal function of the father; the functions of fantasy, imagination, and art; the relation of religion to the negation of woman; and the possibility of positive and playful religion. The themes of the relation between the symbolic structures of language and a pre-symbolic semiotics of the infant body, of the split and decentered subject, and of the opposition between desire and Jouissance (ecstatic enjoyment) participate in organizing the discussion. Abjection and sacrifice in religion, the dynamics of Christian love and faith, the relation between the doctrine of the Virgin Mary and the experience of motherhood, and the question of feminism and its sometimes quasi-religious forms are also thematic.
In 1939 Pamela Kirrage met RAF pilot Donald Hill. When Hill was transferred to Hong Kong, he started a diary about his love for Pamela. Officers abroad were forbidden to keep such records, so Hill transformed all his words into a numerical code, only translated 50 years later by his wife.
Love is a little word with a universe of meanings and has engaged people's interest throughout human history. The need to give and receive love lies deep within human nature. Philosophers, poets, theologians, sociologists, and scientists have all attempted to explain its exact origin, but is it an evolutionary adaptation, or a social construct?Walsh discusses that the nature of and need for love has biological origins. He draws upon Darwin's sexual selection theory to define the perceptions of love by infants through the process of experience-dependent brain wiring. He observes that mother love makes a child capable of loving and that father love makes a child feel worthy of love. He appraises the origin and purpose of romantic love in his discussions on sexual reproduction by looking at chemical and neurological responses to love and the influence of love on one's physical and mental health.With frequent quotes from literary masters like Shakespeare to orient one's scientific and humanistic understanding of love, Walsh goes on to explore various styles of romantic love, including monogamy, promiscuity, bartering love, and betrayed love; the effects of a skewed sex ratio on dating and mating practices; and the age-old quest for a perfect society populated by perfect people obeying the biblical command to "love one another."
'Poetry for the Soul' is a book devoted to the idea that each individual experiences some form of eternity and therefore is subconsciously always in search of perfecting itself to become one with the Creator. The soul thirsts for all humans to live with love as their guiding force and these poems were written with that in mind.
THE FIRST STAGE: THE SEXUAL INSTINCT THE SECOND STAGE: LOVE CHAPTER I THE BIRTH OF EUROPE CHAPTER II THE DEIFICATION OF WOMAN (THE FIRST FORM OF METAPHYSICAL EROTICISM) FOOTNOTES: CHAPTER III PERVERSIONS OF METAPHYSICAL EROTICISM THE THIRD STAGE (The Unity of Sexual Impulse and Love) CHAPTER I. THE LONGING FOR THE SYNTHESIS. CHAPTER II THE LOVE-DEATH (THE SECOND FORM OF METAPHYSICAL EROTICISM) CHAPTER III THE CONFLICT BETWEEN SEXUALITY AND LOVE The Seeker of Love and The Slave of Love CHAPTER IV THE REVENGE OF SEXUALITY The Demoniacal and the Obscene CONCLUSION THE PSYCHOGENETIC LAW The Individual as an Epitome of the Human Race
A Dostoevskian psychological novel of ideas, Novel with Cocaine explores the interaction between psychology, philosophy, and ideology in its frank portrayal of an adolescent's cocaine addiction. The story relates the formative experiences of Vadim at school and with women before he turns to drug abuse and the philosophical reflections to which it gives rise. Although Ageyev makes little explicit reference to the Revolution, the novel's obsession with addictive forms of thinking finds resonance in the historical background, in which "our inborn feelings of humanity and justice" provoke "the cruelties and satanic transgressions committed in its name.
