In AD 726, the Byzantine emperor ordered the destruction of all icons, or religious images, throughout the empire, and icons were subject to an imperial ban that was to last, with a brief remission, until AD 843. A defender of icons, St John of Damascus wrote three treatises against "those who attack the holy images." He differentiates between the veneration of icons, which is a matter of expressing honor, and idolatry, which is offering worship to something other than God.
This text presents an overall account of the life and work of St John Damascene, a one-time senior civil servant in the Umayyad Arab Empire who became a monk near Jerusalem in the early years of the eighth century.
Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church.
Saint John of Damascus(c. 676 - 4 December 749) was an Arab Christian monk and priest. Born and raised in Damascus, he died at his monastery, Mar Saba, near Jerusalem. A polymath whose fields of interest and contribution included law, theology, philosophy, and music, before being ordained, he served as a Chief Administrator to the Muslim caliph of Damascus, wrote works expounding the Christian faith, and composed hymns which are still in everyday use in Eastern Christian monasteries throughout the world. In the early 8th century AD, iconoclasm, a movement seeking to prohibit the veneration of the icons, gained some acceptance in the Byzantine court. In 726, despite the protests of St. Germanus, Patriarch of Constantinople, Emperor Leo III issued his first edict against the veneration of images and their exhibition in public places. A talented writer in the secure surroundings of the caliph's court, John of Damascus initiated a defense of holy images in three separate publications. "Apologetic Treatises against those Decrying the Holy Images," the earliest of these works gained him a reputation. Not only did he attack the emperor, but the use of a simpler literary style brought the controversy to the common people, inciting revolt among those of Christian faith. His writings later played an important role during the Second Council of Nicaea which met to settle the icon dispute.
Revision of author's thesis (Ph. D.)--University of St Andrews, 2006 under title: Re-imaging election: the Holy Spirit and the dynamic of election to representation.
John Climacus (c. 579-649) was abbot of the monastery of Catherine on Mount Sinai. His Ladder was the most widely used handbook of the ascetical life in the ancient Greek Church.
Martin Luther posted his Ninety-five Theses on the church door at Wittenberg in 1517. In the three years that followed, Luther clarified and defended his position in numerous writings. Chief among these are the three treatises written in 1520. In these writings Luther tried to frame his ideas in terms that would be comprehensible not only to the clergy but to people from a wide range of backgrounds. To the Christian Nobility of the German Nation is an attack on the corruption of the church and the abuses of its authority, bringing to light many of the underlying reasons for the Reformation. The second treatise, The Babylonian Captivity of the Church, contains Luther's sharp criticism of the sacramental system of the Catholic church. The Freedom of a Christian gives a concise presentation of Luther's position on the doctrine of justification by faith. The translations of these treatises are all taken from the American edition of Luther's Works. This new edition of Three Treatises will continue to be a popular resource for individual study, church school classes, and college and seminary courses.
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.
Twelve scholars contextualize and critically examine the key debates about the controversy over icons and their veneration that would fundamentally shape Byzantium and Orthodox Christianity.
"Recognized as the most thorough pastoral treatise of the patristic era, this sixth-century work by St Gregory the Great carefully details the duties and obligations of the clergy concerning the spiritual formation of their flock."--BOOK JACKET.
