Meticulously labelled working plans for tables and desks, chests and cabinets, beds and headboards from famous Moser's Workshop. More than 500 photos and diagrams made to scale with construction tips.
Throughout, the Moser ethic and aesthetic can be summed up in a favorite Shaker dictum of the shop: "Build an object as though it were to last a thousand years and as if one were to die tomorrow.""--BOOK JACKET.
The Shakers produced many incredible furniture objects that we continue to venerate today. For the woodworker the fascination is often rooted in the essential simplicity of the work. Interest in Shaker design is as strong today as it was when the first edition of this book was published in 1977, possibly stronger. This ongoing interest is the direct result of the inherent beauty of Shaker design—beauty that stems not only from form, but from superb workmanship, a commitment to utility and a total understanding of material.
“Moser has produced a wealth of beautiful furniture in a style that combines the best traits of Shaker and other traditional American styles. This title offers measured drawings for a number of Moser’s works, with close-ups of particularly complex areas. Included are plans for beds, cabinets, chairs, clocks, and many other furnishings. A solid purchase for libraries.”—Library Journal.
Thos. Moser Cabinetmakers has set the standard for fine woodworking and meticulously hand-crafted furniture for more than forty years. In this modern age of inexpensive mass production, Moser furniture stands out because every piece is hand-made by a master craftsman (or woman). Generally minimalist in style, the pieces are highly sophisticated in their construction. And though Moser has been influenced by Shaker and Japanese furniture makers, the elegant and graceful lines give each piece an aesthetic all its own. In Legacy in Wood, Thomas Moser reflects on his long career and offers his thoughts on creativity, inspiration, and his design aesthetic. It gives an intimate look into the life and work of a pioneering craftsman, whose example shows that you can build a career working with your hands the old-fashioned way. Thos. Moser remains an iconic Maine company and holds to its traditional Yankee origins. The shop remains a family-run and oriented company. All of Moser’s sons have worked in the shop, and all but one are still there as master craftsmen and designers. The other employees have been with the company an average of 20 years—a clear reflection of the value Moser puts on his workers and the respect and love for their work they give in return. Yet the timeless appeal of the furniture has given Moser nationwide recognition and allowed the company to open galleries and show rooms in Boston, Greenwich, New York, Philadelphia, and San Francisco.
Craftsman, Art & Crafts, Mission--27 examples of the oak furniture designed by Gustave Stickley and his associates early in the 20th century. These drawings have been checked against original Stickley catalogs and antiques. Each project includes a perspective view along with elevations, sections, details, measurements and a cutting list.
A comprehensive, amply illustrated guide illustrates the simple, functional furniture style developed during the Shaker movement--a successful experiment in communitarian living--and traces its evolution from the Colonial styles of New York and New England
Hendrik Petrus Berlage, the Dutch architect and architectural philosopher, created a series of buildings and a body of writings from 1886 to 1909 that were among the first efforts to probe the problems and possibilities of modernism. Although his Amsterdam Stock Exchange, with its rational mastery of materials and space, has long been celebrated for its seminal influence on the architecture of the 20th century, Berlage's writings are highlighted here. Bringing together Berlage's most important texts, among them "Thoughts on Style in Architecture", "Architecture's Place in Modern Aesthetics", and "Art and Society", this volume presents a chapter in the history of European modernism. In his introduction, Iain Boyd Whyte demonstrates that the substantial contribution of Berlage's designs to modern architecture cannot be fully appreciated without an understanding of the aesthetic principles first laid out in his writings.