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Author: Akela Reason
Publisher: University of Pennsylvania Press
Published: 2010-04-29
Total Pages: 248
ISBN-13: 0812241983
DOWNLOAD EBOOKThe first book-length study to explore the Philadelphia realist artist's lifelong fascination with historical themes, this examination of Eakins reveals that he envisioned his artistic legacy in terms different from those by which twentieth-century art historians have typically defined his art.
Author: John Davis
Publisher: John Wiley & Sons
Published: 2015-01-30
Total Pages: 663
ISBN-13: 1118542495
DOWNLOAD EBOOKA Companion to American Art presents 35 newly-commissioned essays by leading scholars that explore the methodology, historiography, and current state of the field of American art history. Features contributions from a balance of established and emerging scholars, art and architectural historians, and other specialists Includes several paired essays to emphasize dialogue and debate between scholars on important contemporary issues in American art history Examines topics such as the methodological stakes in the writing of American art history, changing ideas about what constitutes “Americanness,” and the relationship of art to public culture Offers a fascinating portrait of the evolution and current state of the field of American art history and suggests future directions of scholarship
Author: JamesH. Rubin
Publisher: Routledge
Published: 2017-07-05
Total Pages: 425
ISBN-13: 1351550713
DOWNLOAD EBOOKIntroducing the concept of music and painting as 'rival sisters' during the nineteenth century, this interdisciplinary collection explores the productive exchange-from rivalry to inspiration to collaboration-between the two media in the age of Romanticism and Modernism. The volume traces the relationship between art and music, from the opposing claims for superiority of the early nineteenth century, to the emergence of the concept of synesthesia around 1900. This collection puts forward a more complex history of the relationship between art and music than has been described in earlier works, including an intermixing of models and distinctions between approaches to them. Individual essays from art history, musicology, and literature examine the growing influence of art upon music, and vice versa, in the works of Berlioz, Courbet, Manet, Fantin-Latour, Rodin, Debussy, and the Pre-Raphaelites, among other artists.
Author: Elizabeth L. Lee
Publisher: Bloomsbury Publishing USA
Published: 2021-12-30
Total Pages: 240
ISBN-13: 150134689X
DOWNLOAD EBOOKIn 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, Health-is the thing! Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized midcareer there is something else in life besides the four walls of an ill-ventilated studio. The Medicine of Art puts such moments center stage in order to consider the role of health and illness in the way art was produced and consumed. Not merely beautiful or entertaining objects, works by Gilded-Age artists such as John Singer Sargent, Abbott Thayer, and Augustus Saint-Gaudens are shown to function as balm for the ill, providing relief from physical suffering and pain. Art did so by blunting the edges of contagious disease through a process of visual translation. In painting, for instance, hacking coughs, bloody sputum, and bodily enervation were recast as signs of spiritual elevation and refinement for the tuberculous, who were shown with a pale, chalky pallor that signalled rarefied beauty rather than an alarming indication of death. Works of art thus redirected the experience of illness in an era prior to the life-saving discoveries that would soon become hallmarks of modern medical science to offer an alternate therapy. The first study to address the place of organic disease-cancer, tuberculosis, syphilis-in the life and work of Gilded-Age artists, this book looks at how well-known works of art were marked by disease and argues that art itself functioned in medicinal terms for artists and viewers in the late 19th century.
Author: Jeremiah William McCarthy
Publisher: Yale University Press
Published: 2019-01-01
Total Pages: 305
ISBN-13: 0300244282
DOWNLOAD EBOOKFeaturing paintings by American icons like Winslow Homer and Thomas Eakins, this book illustrates the ways American artists have viewed themselves, their peers, and their painted worlds over 200 years.
Author: Mr James H Rubin
Publisher: Ashgate Publishing, Ltd.
Published: 2014-11-28
Total Pages: 407
ISBN-13: 1409420701
DOWNLOAD EBOOKIntroducing the concept of music and painting as 'rival sisters' during the nineteenth century, this interdisciplinary collection explores the productive exchange - from rivalry to inspiration to collaboration - between the two media in the age of Romanticism and Modernism. The volume traces the relationship between art and music, from the opposing claims for superiority of the early nineteenth century, to the emergence of the concept of synesthesia around 1900.
Author: Asma Naeem
Publisher: University of California Press
Published: 2020-01-07
Total Pages: 248
ISBN-13: 0520298985
DOWNLOAD EBOOKOut of Earshot offers a reconfiguration of three of the nineteenth century’s most prolific painters: Winslow Homer (1836–1910), Thomas Eakins (1844–1916), and Thomas Dewing (1851–1939). Asma Naeem considers how these painters turned, in ways significant for their individual artistic ventures, to themes of sound and listening throughout their careers. She shows how the aural dimension of these artists’ pictures was an ideological product of period class, gender, cultural, racial, and technological discourses. Equally important, by looking at such materials as the artists’ papers, scientific illustrations, and technological brochures, Naeem argues that the work of these painters has complex and previously unconsidered connections to developments in sound and listening during a period when unprecedented innovation in the United States led to such inventions as the telegraph and phonograph and forged a technological narrative that continues to have force in the twenty-first century. Naeem's unusual approach to the work of these three well-known American artists offers a transformative account of artistic response during their own era and beyond.
Author: Amy Werbel
Publisher: Columbia University Press
Published: 2018-04-17
Total Pages: 589
ISBN-13: 023154703X
DOWNLOAD EBOOKAnthony Comstock was America’s first professional censor. From 1873 to 1915, as Secretary of the New York Society for the Suppression of Vice, Comstock led a crusade against lasciviousness, salaciousness, and obscenity that resulted in the confiscation and incineration of more than three million pictures, postcards, and books he judged to be obscene. But as Amy Werbel shows in this rich cultural and social history, Comstock’s campaign to rid America of vice in fact led to greater acceptance of the materials he deemed objectionable, offering a revealing tale about the unintended consequences of censorship. In Lust on Trial, Werbel presents a colorful journey through Comstock’s career that doubles as a new history of post–Civil War America’s risqué visual and sexual culture. Born into a puritanical New England community, Anthony Comstock moved to New York in 1868 armed with his Christian faith and a burning desire to rid the city of vice. Werbel describes how Comstock’s raids shaped New York City and American culture through his obsession with the prevention of lust by means of censorship, and how his restrictions provided an impetus for the increased circulation and explicitness of “obscene” materials. By opposing women who preached sexual liberation and empowerment, suppressing contraceptives, and restricting artistic expression, Comstock drew the ire of civil liberties advocates, inspiring more open attitudes toward sexual and creative freedom and more sophisticated legal defenses. Drawing on material culture high and low, including numerous examples of the “obscenities” Comstock seized, Lust on Trial provides fresh insights into Comstock’s actions and motivations, the sexual habits of Americans during his era, and the complicated relationship between law and cultural change.
Author: Dawn Robinson
Publisher: Fonthill Media
Published: 2020-05-29
Total Pages: 343
ISBN-13:
DOWNLOAD EBOOKPamela Colman Smith is the mysterious artist behind the most renowned tarot deck in the world, for many years forgotten. In a revival of interest in esoteric artists and accessible tarot, curiosity about Pamela is now on the ascendant, but there are still many unanswered questions, especially concerning her later life. Born in London to American parents, Pamela was a prolific illustrator and artist who mixed with the great and good of art and theatre, among them W. B. Yeats and Bram Stoker. 'Adopted' by actress Ellen Terry, she spent some years with the Lyceum Theatre crowd, also working as an exotic storyteller, known as Gelukiezanger, in bohemian London. People have questioned her sexuality, her ethnic origins and alleged synaesthesia, assuming her to be biracial and lesbian. These are discussed but the biggest mystery of all is why she converted from mysticism to Catholicism in 1911, removing herself from vibrant London to the isolated Lizard in the west of Cornwall. There, living in relative obscurity, she evangelised Catholicism in a heavily non-conformist area, before moving to Bude in her sixties.
Author: M. Elizabeth Boone
Publisher: Penn State Press
Published: 2020-01-10
Total Pages: 273
ISBN-13: 0271085266
DOWNLOAD EBOOK“The Spanish Element in Our Nationality” delves beneath the traditional “English-only” narrative of U.S. history, using Spain’s participation in a series of international exhibitions to illuminate more fully the close and contested relationship between these two countries. Written histories invariably record the Spanish financing of Columbus’s historic voyage of 1492, but few consider Spain’s continuing influence on the development of U.S. national identity. In this book, M. Elizabeth Boone investigates the reasons for this problematic memory gap by chronicling a series of Spanish displays at international fairs. Studying the exhibition of paintings, the construction of ephemeral architectural space, and other manifestations of visual culture, Boone examines how Spain sought to position itself as a contributor to U.S. national identity, and how the United States—in comparison to other nations in North and South America—subverted and ignored Spain’s messages, making it possible to marginalize and ultimately obscure Spain’s relevance to the history of the United States. Bringing attention to the rich and understudied history of Spanish artistic production in the United States, “The Spanish Element in Our Nationality” recovers the “Spanishness” of U.S. national identity and explores the means by which Americans from Santiago to San Diego used exhibitions of Spanish art and history to mold their own modern self-image.
